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Aujourd’hui, cette œuvre qui décrit une liaison passionnelle entre un ancien médecin de camp de concentration (Dirk Bogarde) et une ex-détenue (Charlotte Rampling), est toujours controversée. Ses détracteurs dénoncent une érotisation du nazisme, des relations sadomasochistes déconnectées de la réalité de l’univers concentrationnaire, et le caractère malsain de la mise en scène. En quoi ce film est-il une expression de son époque ? Quel regard porter sur lui aujourd’hui ?",[11],0.2813,"\u002Fw60b4g5OoSqvVGu2vW7FEKiyCYX.jpg","2025-04-28",7.8,"\u002FaoLDEuN3R35kjfK8L7GJ83vKg4b.jpg","Liliana Cavani. 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A Max Ophuls et aussi à Bresson. Et à des metteurs en scène moins connus, Grangier, Gréville ou encore Sacha, qui, au détour d’une scène ou d’un film, illuminent une émotion, débusquent des vérités surprenantes. Je voudrais que ce film soit un acte de gratitude envers tous ceux, cinéastes, scénaristes, acteurs et musiciens qui ont surgi dans ma vie. 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