[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1399017-fr-FR":3},{"detail":4,"match":316,"insight":317,"providers":318,"providerLink":25,"trailer":25},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":25,"revenue":8,"runtime":8,"similar":101,"tagline":122,"homepage":122,"overview":122,"softcore":6,"popularity":297,"vote_count":129,"poster_path":298,"release_date":299,"vote_average":174,"backdrop_path":300,"origin_country":301,"original_title":7,"watch\u002Fproviders":303,"spoken_languages":305,"original_language":153,"production_companies":309,"production_countries":313,"belongs_to_collection":25},1399017,false,"Sol de Mayo",0,[10],{"id":11,"name":12},99,"Documentaire","Released",{"id":5,"results":15},[],{"cast":17,"crew":35},[18,27],{"id":19,"name":20,"adult":6,"order":8,"gender":8,"cast_id":21,"character":22,"credit_id":23,"popularity":24,"profile_path":25,"original_name":20,"known_for_department":26},5105068,"Gustavo Sanz",14,"Gustavo","6754b3d6a18cb8695afd53a2",0.4504,null,"Acting",{"id":28,"name":29,"adult":6,"order":30,"gender":8,"cast_id":31,"character":32,"credit_id":33,"popularity":34,"profile_path":25,"original_name":29,"known_for_department":26},5105117,"Damián Carestia",1,15,"Voz Abuelo Gustavo","6754bc12d428ca1c5d62c503",0.5078,[36,43,49,56,63,70,73,80,86,90,92,97],{"id":37,"job":38,"name":39,"adult":6,"gender":8,"credit_id":40,"department":41,"popularity":42,"profile_path":25,"original_name":39,"known_for_department":41},5105055,"Director","Olivia Sanz Aguirre","6754b15bee33b1097ac055f7","Directing",0.485,{"id":44,"job":45,"name":46,"adult":6,"gender":8,"credit_id":47,"department":41,"popularity":48,"profile_path":25,"original_name":46,"known_for_department":41},5105056,"Assistant Director","Julieta Vargas","6754b1b166c89f44182bdec5",0.5312,{"id":50,"job":51,"name":52,"adult":6,"gender":8,"credit_id":53,"department":54,"popularity":55,"profile_path":25,"original_name":52,"known_for_department":54},5105059,"Editor","Alma Segovia","6754b20da18cb8695afd52d5","Editing",0.6169,{"id":57,"job":58,"name":59,"adult":6,"gender":8,"credit_id":60,"department":61,"popularity":62,"profile_path":25,"original_name":59,"known_for_department":61},5105060,"Sound Director","Camila Carestia","6754b23bee33b1097ac05650","Sound",0.3177,{"id":64,"job":65,"name":66,"adult":6,"gender":8,"credit_id":67,"department":68,"popularity":69,"profile_path":25,"original_name":66,"known_for_department":68},5105061,"Director of Photography","María Victoria Ymaz","6754b283a7b2fcb11e524ca5","Camera",0.324,{"id":64,"job":71,"name":66,"adult":6,"gender":8,"credit_id":72,"department":68,"popularity":69,"profile_path":25,"original_name":66,"known_for_department":68},"Camera Operator","6754b299a18cb8695afd5311",{"id":74,"job":75,"name":76,"adult":6,"gender":8,"credit_id":77,"department":78,"popularity":79,"profile_path":25,"original_name":76,"known_for_department":78},5105064,"Art Direction","Sol Hurtig","6754b2b6e3b9b3f914551539","Art",0.2852,{"id":81,"job":82,"name":83,"adult":6,"gender":8,"credit_id":84,"department":68,"popularity":85,"profile_path":25,"original_name":83,"known_for_department":68},5105065,"Assistant Camera","Lucía Estarellas","6754b2d4187d27b266a3aaa3",0.4003,{"id":37,"job":87,"name":39,"adult":6,"gender":8,"credit_id":88,"department":89,"popularity":42,"profile_path":25,"original_name":39,"known_for_department":41},"Writer","6754b306ee33b1097ac0569b","Writing",{"id":44,"job":87,"name":46,"adult":6,"gender":8,"credit_id":91,"department":89,"popularity":48,"profile_path":25,"original_name":46,"known_for_department":41},"6754b332ee33b1097ac056b8",{"id":93,"job":87,"name":94,"adult":6,"gender":8,"credit_id":95,"department":89,"popularity":96,"profile_path":25,"original_name":94,"known_for_department":89},5105066,"Natalina Florencia Malgieri","6754b348a7b2fcb11e524cf8",0.4405,{"id":93,"job":98,"name":94,"adult":6,"gender":8,"credit_id":99,"department":100,"popularity":96,"profile_path":25,"original_name":94,"known_for_department":89},"Producer","6754b36fa18cb8695afd536e","Production",{"page":30,"results":102,"total_pages":295,"total_results":296},[103,115,124,135,146,154,165,176,187,200,208,217,222,234,240,252,259,268,279,288],{"id":104,"adult":6,"title":105,"video":6,"overview":106,"softcore":6,"genre_ids":107,"popularity":108,"vote_count":109,"poster_path":110,"release_date":111,"vote_average":112,"backdrop_path":113,"original_title":105,"original_language":114},24348,"Powaqqatsi","Une exploration des pays en développement technologique et l'effet que la transition vers la modernisation de style occidental a eu sur eux.",[11],1.8097,189,"\u002Fxh8Pvtq4dYry9B4uRT3VbmSI4Wi.jpg","1988-04-29",7.233,"\u002FdvareNwtZqPGoEt2eIrPAGqiLfL.jpg","en",{"id":116,"adult":6,"title":117,"video":6,"overview":118,"softcore":6,"genre_ids":119,"popularity":120,"vote_count":8,"poster_path":121,"release_date":122,"vote_average":8,"backdrop_path":25,"original_title":117,"original_language":123},1585661,"Stegophilia","Juillet 2024. Trois jeunes hommes arpentent Paris la nuit, guidés par leur goût de l’aventure. Trouver une faille, s’infiltrer, grimper, franchir. Les toits deviennent un terrain de liberté et d’errance, un refuge au-dessus de l’agitation urbaine. Leur traversée clandestine dessine un autre visage de la ville, endormie et peuplée de figures passagères.",[11],1.3204,"\u002F4p80fBf2Dclhh8pZ0SS9ncboahU.jpg","","fr",{"id":125,"adult":6,"title":126,"video":6,"overview":122,"softcore":6,"genre_ids":127,"popularity":128,"vote_count":129,"poster_path":130,"release_date":131,"vote_average":132,"backdrop_path":133,"original_title":126,"original_language":134},1219668,"Avant-Drag!",[11],0.6362,2,"\u002F3e0xq8jQJDRi927SuRKxhaiHQUd.jpg","2024-05-23",7.2,"\u002FptEuzehOc07yjTRP9TVRUsRyHhc.jpg","el",{"id":136,"adult":6,"title":137,"video":6,"overview":138,"softcore":6,"genre_ids":139,"popularity":140,"vote_count":141,"poster_path":142,"release_date":143,"vote_average":144,"backdrop_path":145,"original_title":137,"original_language":123},1563,"Sans soleil","Des lettres d'un caméraman-voyageur, Sandor Krasna, lues par une femme. Attiré par les deux « pôles extrêmes de la survie », le Japon et l'Afrique, il s'interroge sur la représentation du monde dont il est en permanence l'artisan, et le rôle de la mémoire qu'il contribue à forger.",[11],2.6615,276,"\u002F7gZC2ardRuFBB6qyQDw7HaLa921.jpg","1983-03-02",7.466,"\u002Flns7roobSPQQTF54oSPzkT3qH1q.jpg",{"id":147,"adult":6,"title":148,"video":6,"overview":122,"softcore":6,"genre_ids":149,"popularity":150,"vote_count":8,"poster_path":151,"release_date":152,"vote_average":8,"backdrop_path":25,"original_title":148,"original_language":153},1028661,"Primavera Lacrimógena",[11],1.5257,"\u002F3x3C3ikZD9b90n5MkPh2F1G4i2e.jpg","2019-12-02","es",{"id":155,"adult":6,"title":156,"video":6,"overview":157,"softcore":6,"genre_ids":158,"popularity":159,"vote_count":160,"poster_path":161,"release_date":162,"vote_average":163,"backdrop_path":164,"original_title":156,"original_language":114},14002,"Baraka","Sans dialogue, «Baraka» est une réflexion sur l'histoire du monde à partir du seul langage universel existant: image, son et musique. Utilisant le format 70 mm, le réalisateur et son équipe ont parcouru le monde pendant quatorze mois, n'hésitant pas à aller dans les sites les plus reculés et les plus rares de la Terre.",[11],5.0329,720,"\u002FldEuJQ4z7zEvL7iXraESWBUfQcz.jpg","1992-09-15",8.227,"\u002Fc0QYwNyeURswT7fxmR2mlfpdk0l.jpg",{"id":166,"adult":6,"title":167,"video":6,"overview":122,"softcore":6,"genre_ids":168,"popularity":171,"vote_count":30,"poster_path":172,"release_date":173,"vote_average":174,"backdrop_path":25,"original_title":167,"original_language":175},1588348,"Arte-Ato",[11,169,170],10751,36,1.4949,"\u002FidPuX0dOVEyXUrS70fzj5l3onEK.jpg","2025-11-19",10,"pt",{"id":177,"adult":6,"title":178,"video":6,"overview":122,"softcore":6,"genre_ids":179,"popularity":182,"vote_count":129,"poster_path":183,"release_date":184,"vote_average":185,"backdrop_path":186,"original_title":178,"original_language":114},1399151,"Kujang Sasaka Bwaga Sunda",[11,180,181],16,18,1.3014,"\u002F3lKzNTOclWYpBB6kjVG7HCx0qI1.jpg","2024-11-29",6.2,"\u002F1gKPUn9iL1jpVhFskBkjiG00dMc.jpg",{"id":188,"adult":6,"title":189,"video":6,"overview":190,"softcore":6,"genre_ids":191,"popularity":192,"vote_count":193,"poster_path":194,"release_date":195,"vote_average":196,"backdrop_path":197,"original_title":198,"original_language":199},222,"Berlin, symphonie d'une grande ville","Ce film nous montre une journée à Berlin, au rythme de cette époque, commençant au petit matin et se terminant dans la nuit la plus profonde",[11],2.1967,131,"\u002FjE92co3sb86ounZAocQ9SGKJQeZ.jpg","1927-09-23",7.5,"\u002FlVnUdJ7nqho86UievvSr1LpfU6k.jpg","Berlin, die Symphonie der Großstadt","de",{"id":201,"adult":6,"title":202,"video":6,"overview":122,"softcore":6,"genre_ids":203,"popularity":204,"vote_count":30,"poster_path":205,"release_date":206,"vote_average":174,"backdrop_path":207,"original_title":202,"original_language":175},1204408,"Ensaio",[11],0.6215,"\u002FoFtKUKyEf2U3Xw2VtcoT0hdwm7V.jpg","2023-11-14","\u002FbKkmNp6oWhwQIvGOTCTJckcXwvX.jpg",{"id":209,"adult":6,"title":210,"video":6,"overview":122,"softcore":6,"genre_ids":211,"popularity":213,"vote_count":30,"poster_path":214,"release_date":215,"vote_average":174,"backdrop_path":216,"original_title":210,"original_language":114},1215369,"A Little Love",[11,212],10749,1.0089,"\u002FbTavXgyTC5SMvZSZSg6cwUk6ehH.jpg","2023-12-13","\u002FqRMC1PiIvCbWraPoxHMvVXw755w.jpg",{"id":218,"adult":6,"title":219,"video":6,"overview":122,"softcore":6,"genre_ids":220,"popularity":221,"vote_count":8,"poster_path":25,"release_date":122,"vote_average":8,"backdrop_path":25,"original_title":219,"original_language":114},1585333,"غزاں را شیر",[11],0.9138,{"id":223,"adult":6,"title":224,"video":6,"overview":225,"softcore":6,"genre_ids":226,"popularity":227,"vote_count":228,"poster_path":229,"release_date":230,"vote_average":231,"backdrop_path":232,"original_title":233,"original_language":123},9305,"Microcosmos: Le peuple de l'herbe","Voyage sur terre à l’échelle du centimètre. Ses habitants : insectes et autres animaux de l'herbe et de l'eau.",[11],4.1906,267,"\u002F7Ksdt70xD3TnGmRdm7f9A3vFzDb.jpg","1996-09-06",7.582,"\u002F87NFGpptRN7xnI3VfERAZEwbh7C.jpg","Microcosmos : Le peuple de l'herbe",{"id":235,"adult":6,"title":236,"video":6,"overview":122,"softcore":6,"genre_ids":237,"popularity":238,"vote_count":8,"poster_path":239,"release_date":122,"vote_average":8,"backdrop_path":25,"original_title":236,"original_language":153},1211024,"Con Traje y Sin Zapatos",[11,180,169],0.8649,"\u002F12nDLFAPZZbFHrudqfK8zs6V136.jpg",{"id":241,"adult":6,"title":242,"video":6,"overview":243,"softcore":6,"genre_ids":244,"popularity":246,"vote_count":247,"poster_path":248,"release_date":249,"vote_average":250,"backdrop_path":251,"original_title":242,"original_language":114},11314,"Koyaanisqatsi","Sur une musique de Philip Glass se succèdent des images de nature, de vies sociales, d'individus, de paysages somptueux arrachés à la paix de la Création par des bulldozers, des brouillards de pollution...  Ce film nous emmène dans des lieux situés aux quatre coins des États-Unis et nous montre le lourd tribut que la technologie moderne fait payer aux humains et à la planète.  Ce poème visuel ne contient ni dialogue ni narration vocale : son ton est donné par la juxtaposition d'images et la musique exceptionnelle de Philip Glass.",[11,245],10402,5.01,802,"\u002F2L4flxVWybKj0k3nMD5MoljrDMZ.jpg","1983-04-27",7.88,"\u002F84E96lyR81OvUjCimcrfuzn9er5.jpg",{"id":253,"adult":6,"title":254,"video":6,"overview":122,"softcore":6,"genre_ids":255,"popularity":256,"vote_count":8,"poster_path":257,"release_date":122,"vote_average":8,"backdrop_path":258,"original_title":254,"original_language":175},1409788,"MARCIANO",[11],1.8657,"\u002FunvxE4DJLLCNZ5GJFK5Y1bP4Y9c.jpg","\u002FfoiKxERBpK69XNAF7ue3tvyo58T.jpg",{"id":260,"adult":6,"title":261,"video":6,"overview":122,"softcore":6,"genre_ids":262,"popularity":263,"vote_count":8,"poster_path":264,"release_date":265,"vote_average":8,"backdrop_path":266,"original_title":261,"original_language":267},1207141,"Sheltering Skies",[11],2.0376,"\u002FzUOD1rVVmTpdmGJw8gfyziVHeZk.jpg","2023-11-24","\u002F5MP5wKoeocdpf4Udg6QXMJp8EIC.jpg","ml",{"id":269,"adult":6,"title":270,"video":6,"overview":271,"softcore":6,"genre_ids":272,"popularity":274,"vote_count":30,"poster_path":275,"release_date":276,"vote_average":277,"backdrop_path":25,"original_title":278,"original_language":114},1589183,"The Art of Living","C'est quoi l'Art de Vivre ?  Il y a quelques semaines je me suis posé cette question, aussi débile de par sa formalité que compliqué par sa complexité. Je vais essayer de vous donner, dans cette vidéo ma définition et ma vision, de ce que c’est l’art de vivre !",[11,273],9648,0.6852,"\u002FsesAcVFtXCRZfpZ4XU4lfnT7Gqv.jpg","2025-11-27",9,"L'Art de Vivre",{"id":280,"adult":6,"title":281,"video":282,"overview":122,"softcore":6,"genre_ids":283,"popularity":284,"vote_count":8,"poster_path":285,"release_date":286,"vote_average":8,"backdrop_path":287,"original_title":281,"original_language":175},1430916,"Era Locadora",true,[11],1.4399,"\u002FtX3wicP94h8RVVX87iFIlg7zMoq.jpg","2017-08-07","\u002F28iOzntyf9D20SnfpuuClUwrWEx.jpg",{"id":289,"adult":6,"title":290,"video":6,"overview":122,"softcore":6,"genre_ids":291,"popularity":292,"vote_count":8,"poster_path":293,"release_date":294,"vote_average":8,"backdrop_path":25,"original_title":290,"original_language":114},1611758,"Sisters",[11,169],1.745,"\u002F7IdrQhKX6SNupCnqBAlhIKA2faY.jpg","2026-02-10",1001,20001,0.9351,"\u002F9l1LRKFoVAoiKBLL3rgTzvtSIVQ.jpg","2024-12-05","\u002FwQs81kVrirWjAYlqMdPNmyC5XEb.jpg",[302],"AR",{"results":304},{},[306],{"name":307,"iso_639_1":153,"english_name":308},"Español","Spanish",[310],{"id":311,"name":312,"logo_path":25,"origin_country":122},246758,"Feminfocus",[314],{"name":315,"iso_3166_1":302},"Argentina",52,"Un récit documentaire qui fait souvent mouche.",[]]