[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1449609-fr-FR":3},{"detail":4,"match":306,"insight":307,"providers":308,"providerLink":6,"trailer":6},{"adult":5,"backdrop_path":6,"belongs_to_collection":6,"budget":7,"genres":8,"homepage":12,"id":13,"imdb_id":6,"origin_country":14,"original_language":16,"original_title":17,"overview":18,"popularity":19,"poster_path":20,"production_companies":21,"production_countries":25,"release_date":28,"revenue":7,"runtime":29,"softcore":5,"spoken_languages":30,"status":34,"tagline":12,"title":17,"video":5,"vote_average":7,"vote_count":7,"credits":35,"watch\u002Fproviders":112,"videos":114,"similar":116},false,null,0,[9],{"id":10,"name":11},99,"Documentaire","",1449609,[15],"FR","fr","Place Clichy sans complexe","En 1994, sur la place de Clichy à Paris, le grand cinéma Pathé Wepler, lieu de rencontre de générations de cinéphiles, est transformé en multiplexe pour répondre aux exigences d’un marché toujours plus concurrentiel. Au cœur de ce quartier du 18e arrondissement, ce changement provoque des réactions diverses… Pendant la durée des travaux, Jean-Jacques Beineix a recueilli les témoignages de commerçants, habitants, architectes et ouvriers, et dévoile ainsi peu à peu la vie quotidienne de ce quartier populaire.",0.7527,"\u002F3vMM5CPA2jBPsn2XDyhDpupPXSq.jpg",[22],{"id":23,"logo_path":6,"name":24,"origin_country":12},2561,"Cargo Films",[26],{"iso_3166_1":15,"name":27},"France","1996-05-11",26,[31],{"english_name":32,"iso_639_1":16,"name":33},"French","Français","Released",{"cast":36,"crew":59},[37,45,52],{"adult":5,"gender":7,"id":38,"known_for_department":39,"name":40,"original_name":40,"popularity":41,"profile_path":6,"cast_id":42,"character":43,"credit_id":44,"order":7},5308755,"Acting","Jean Touraine",0.4781,9,"Self","67d71b7431678cc3f8018211",{"adult":5,"gender":7,"id":46,"known_for_department":39,"name":47,"original_name":47,"popularity":48,"profile_path":6,"cast_id":49,"character":43,"credit_id":50,"order":51},5308758,"Jean-Bernard Vargues",0.3371,10,"67d71b925963ebffde7c09ef",1,{"adult":5,"gender":7,"id":53,"known_for_department":39,"name":54,"original_name":54,"popularity":55,"profile_path":6,"cast_id":56,"character":43,"credit_id":57,"order":58},5308759,"Jean-Pierre Lignon",0.3922,11,"67d71ba8d802309703f15ef9",2,[60,68,72,80,86,93,100,107],{"adult":5,"gender":58,"id":61,"known_for_department":62,"name":63,"original_name":63,"popularity":64,"profile_path":65,"credit_id":66,"department":62,"job":67},37451,"Directing","Jean-Jacques Beineix",0.7669,"\u002FwS28Kxeyf4nlVb3S3a7skECTTz0.jpg","67d71aad9165f371180153e0","Director",{"adult":5,"gender":58,"id":61,"known_for_department":62,"name":63,"original_name":63,"popularity":64,"profile_path":65,"credit_id":69,"department":70,"job":71},"67d71ab6d802309703f15e8e","Production","Producer",{"adult":5,"gender":7,"id":73,"known_for_department":74,"name":75,"original_name":75,"popularity":76,"profile_path":6,"credit_id":77,"department":78,"job":79},1738168,"Art","Rémy Boudet",0.4824,"67d71ac985d13921b5012fca","Crew","Cinematography",{"adult":5,"gender":7,"id":81,"known_for_department":82,"name":83,"original_name":83,"popularity":84,"profile_path":6,"credit_id":85,"department":78,"job":79},4320536,"Camera","Hervé Laousse",0.3603,"67d71ad5ebc30a0b48013691",{"adult":5,"gender":7,"id":87,"known_for_department":88,"name":89,"original_name":89,"popularity":90,"profile_path":6,"credit_id":91,"department":88,"job":92},5308749,"Sound","Alain Kropfinger",0.3665,"67d71af65963ebffde7c09b7","Sound Engineer",{"adult":5,"gender":58,"id":94,"known_for_department":88,"name":95,"original_name":95,"popularity":96,"profile_path":97,"credit_id":98,"department":88,"job":99},560044,"Reinhardt Wagner",0.6453,"\u002FwjDNktd4U0VGiTDU7BRYuXIhpiU.jpg","67d71b04d802309703f15ea0","Original Music Composer",{"adult":5,"gender":7,"id":101,"known_for_department":102,"name":103,"original_name":103,"popularity":104,"profile_path":6,"credit_id":105,"department":102,"job":106},1133613,"Editing","Jackie Bastide",0.4575,"67d71b0f85d13921b5012fd1","Editor",{"adult":5,"gender":7,"id":108,"known_for_department":102,"name":109,"original_name":109,"popularity":110,"profile_path":6,"credit_id":111,"department":102,"job":106},5308752,"Florence Leconte",0.3457,"67d71b1f5963ebffde7c09e1",{"results":113},{},{"id":13,"results":115},[],{"page":51,"results":117,"total_pages":304,"total_results":305},[118,126,133,145,155,166,177,187,195,204,215,224,233,244,252,260,270,276,285,295],{"adult":5,"backdrop_path":119,"genre_ids":120,"id":121,"title":122,"original_language":123,"original_title":122,"overview":12,"popularity":124,"poster_path":6,"release_date":125,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FndqnfBvynMwMcVLk2xdgh99H8Ul.jpg",[10],1237907,"The Invisible Subtitler","en",0.6243,"2013-11-18",{"adult":5,"backdrop_path":6,"genre_ids":127,"id":128,"title":129,"original_language":123,"original_title":129,"overview":12,"popularity":130,"poster_path":131,"release_date":132,"softcore":5,"video":5,"vote_average":49,"vote_count":51},[10],276566,"Before Hollywood There Was Fort Lee, N. J.",0.4498,"\u002FiDS5pVDdiKhnmOnpfuEyJJSt4N1.jpg","1964-01-01",{"adult":5,"backdrop_path":134,"genre_ids":135,"id":137,"title":138,"original_language":123,"original_title":138,"overview":139,"popularity":140,"poster_path":141,"release_date":142,"softcore":5,"video":5,"vote_average":143,"vote_count":144},"\u002FstONLu1vcrJqgx8MTWP3mkScZUD.jpg",[10,136],36,38643,"Los Angeles Plays Itself","Une longue dérive dans Los Angeles vue à travers le cinéma de fiction hollywoodien.",3.5321,"\u002FwmzGSQktsLf2JvfkhBaLSdG4G3Z.jpg","2004-07-28",7.6,70,{"adult":5,"backdrop_path":146,"genre_ids":147,"id":148,"title":149,"original_language":16,"original_title":149,"overview":150,"popularity":151,"poster_path":152,"release_date":153,"softcore":5,"video":5,"vote_average":154,"vote_count":51},"\u002F5664CqAfQYV1GVzlc3DlVuI9e5g.jpg",[10],1420835,"Citizen B","À la fin de sa vie, Francis Bouygues, magnat français du BTP, se lance un ultime défi : créer un studio de cinéma à sa démesure. Pourquoi rêve-t-il de produire les films des plus grands cinéastes du monde ? David Lynch, Pedro Almodovar, Jane Campion, Emir Kusturica, Abbas Kiarostami, et bien d’autres.\r Citizen B raconte cette folle aventure qui verra éclore quelques chefs-d’œuvre des années 1990, récompensés à Cannes par quatre palmes d’or en seulement cinq ans. Un palmarès inégalé à ce jour.",1.0873,"\u002FpuvsYfPY7jgQxmABubdjdlFXlQQ.jpg","2025-01-17",6,{"adult":5,"backdrop_path":156,"genre_ids":157,"id":159,"title":160,"original_language":123,"original_title":160,"overview":12,"popularity":161,"poster_path":162,"release_date":163,"softcore":5,"video":5,"vote_average":164,"vote_count":165},"\u002FiySTZNLl10GCzBLSLJrK3GHhsWO.jpg",[10,158],80,294368,"An Open Secret",2.1307,"\u002FqYaoQIfOpF6aRLfAtioPQhk4iXT.jpg","2014-11-14",6.9,74,{"adult":5,"backdrop_path":167,"genre_ids":168,"id":169,"title":170,"original_language":16,"original_title":170,"overview":171,"popularity":172,"poster_path":173,"release_date":174,"softcore":5,"video":5,"vote_average":175,"vote_count":176},"\u002FvrWgE6zE97wGluzRlW4swqMPu1m.jpg",[10],1408238,"Pretty Woman, un conte de fées hollywoodien","Des cuissardes interminables, un éclat de rire irrésistible, un escargot qui vole dans un restaurant chic, une séance de shopping inoubliable au son d’une chanson-culte… Mais aussi l’amour au bout du chemin et la naissance d’une star. Sorti en 1990, Pretty Woman, réalisé par Gary Marshall avec Julia Roberts et Richard Gere, a immédiatement battu tous les records, devenant la comédie romantique la plus rentable de l’histoire du cinéma. A l’origine fable désabusée sur la prostitution à Los Angeles, son scénario a subi un sérieux relooking par le studio Disney. Et c’est ainsi que cette histoire d’amour improbable entre un homme d’affaires et une prostituée, sorte de version revisitée de My Fair Lady où une fille des rues se mue en lady, a fait rêver des millions de spectateurs et révélé au monde entier une jeune actrice de 22 ans : Julia Roberts. Bienvenue dans un monde étrange où les prostituées sont des héroïnes de contes de fées. Bienvenue… à Hollywood !",0.8713,"\u002Fl2LsZo2P22DweZ5yVzpFFoj2d2a.jpg","2024-12-27",7.2,8,{"adult":5,"backdrop_path":178,"genre_ids":179,"id":180,"title":181,"original_language":123,"original_title":181,"overview":12,"popularity":182,"poster_path":183,"release_date":184,"softcore":5,"video":5,"vote_average":185,"vote_count":186},"\u002F2h0p1KL7irEJTweh5AxMj5AmKJD.jpg",[10],490071,"Half the Picture",1.6452,"\u002FqDkY5KB6iNHzDTMO8X4kuo0iypY.jpg","2018-01-23",6.6,14,{"adult":5,"backdrop_path":6,"genre_ids":188,"id":189,"title":190,"original_language":191,"original_title":190,"overview":12,"popularity":192,"poster_path":193,"release_date":194,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10,136],1425004,"In The Mind of Warat Bureephakdee","th",0.7119,"\u002FapuViZYF4QTfzxc3CrUxHa2bh15.jpg","2023-09-24",{"adult":5,"backdrop_path":196,"genre_ids":197,"id":198,"title":199,"original_language":200,"original_title":199,"overview":12,"popularity":201,"poster_path":202,"release_date":203,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002Fp5HVT7TczE83yUc6qLtDKBxzhiV.jpg",[10],1612252,"Brasileiros em Hollywood","pt",1.6809,"\u002FwCR5SYuQOfrLFEATj0i64PuAhUB.jpg","1970-01-01",{"adult":5,"backdrop_path":205,"genre_ids":206,"id":207,"title":208,"original_language":123,"original_title":209,"overview":210,"popularity":211,"poster_path":212,"release_date":213,"softcore":5,"video":5,"vote_average":214,"vote_count":56},"\u002FtDDowN6AnCfDIo6KgsVrXfUQS75.jpg",[10],926908,"Hollywood, le Pentagone, et la CIA","Theaters of War","Une fuite de documents internes révèle que le Pentagone et la CIA ont modifié des milliers de scénarios de films et de programmes télévisés. Roger Stahl, professeur de médias, fait appel à des experts pour dévoiler comment le complexe militaro-industriel américain façonne une version de l'Histoire qui masque les crimes de guerre, la corruption et autres atrocités.",0.9577,"\u002FxIex6W2xCmBwd3y4bXBfydRUJhb.jpg","2022-02-14",7.5,{"adult":5,"backdrop_path":216,"genre_ids":217,"id":218,"title":219,"original_language":220,"original_title":219,"overview":12,"popularity":221,"poster_path":222,"release_date":223,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FvcHe4Ec2zHqcc2QD8Spyr0pOErr.jpg",[10],930507,"Drijfvermogen - Over flotatie, ras en andere drijfveren","nl",0.7251,"\u002FnS9BH5YJOhcPpwP4ZEWc8lIH39H.jpg","2021-09-23",{"adult":5,"backdrop_path":225,"genre_ids":226,"id":227,"title":228,"original_language":123,"original_title":228,"overview":12,"popularity":229,"poster_path":230,"release_date":231,"softcore":5,"video":5,"vote_average":232,"vote_count":154},"\u002F8vib0s2L6LOOphSHybKpgZUNrj9.jpg",[10],550752,"Making Montgomery Clift",1.2562,"\u002FwubrCdUv2sXA7PRXAvBfjUDmJ0v.jpg","2018-09-23",7.8,{"adult":5,"backdrop_path":234,"genre_ids":235,"id":236,"title":237,"original_language":16,"original_title":237,"overview":238,"popularity":239,"poster_path":240,"release_date":241,"softcore":5,"video":5,"vote_average":242,"vote_count":243},"\u002F5YjT0mqswYLvzqXT4mffaaRVOi1.jpg",[10],1022156,"Cascadeuses","La vie quotidienne de Petra, Virginie et Estelle, trois cascadeuses, depuis les dangereux plateaux de tournage, où elles affrontent toutes sortes de dangers mortels, jusqu'à la sécurité de leur maison.",2.2265,"\u002Fo0eW7rbodi6bn8PYHI1HYu4k86s.jpg","2022-11-09",9.2,4,{"adult":5,"backdrop_path":6,"genre_ids":245,"id":246,"title":247,"original_language":123,"original_title":247,"overview":12,"popularity":248,"poster_path":249,"release_date":250,"softcore":5,"video":5,"vote_average":251,"vote_count":243},[10,136],1019476,"High Noon on the Waterfront",1.5599,"\u002FsQila7LKJpfEfWxUz9xLJJaLWTS.jpg","2022-09-04",6.8,{"adult":5,"backdrop_path":6,"genre_ids":253,"id":254,"title":255,"original_language":16,"original_title":255,"overview":256,"popularity":257,"poster_path":258,"release_date":259,"softcore":5,"video":5,"vote_average":176,"vote_count":51},[10],684483,"Où sont les noirs ?","\"Dès qu’on voyait un noir à la télé, il y avait une espèce d’agitation, d’émulation\", explique l'acteur Lucien Jean-Baptiste dans le documentaire \"Où sont les noirs ?\". Cette émulation, comme il le dit, elle découle de l'absence de représentation raciale sur nos écrans. Et il n'est pas le seul à témoigner en ce sens. Aïssa Maïga, Sonia Rolland, Deborah Lukumuena, Marie-France Malonga ou encore Gary Dourdan : autant de récits de vie retranscrits dans le documentaire, qui racontent la difficulté de s'imposer comme actrices et acteurs noirs, l'impossibilité de trouver des figures inspirantes noires en raison d'une véritable sous-représentation et un manque d'inclusion.",1.5553,"\u002Fww4cga9ydT7xBDo5LbdFy55Te4v.jpg","2020-03-18",{"adult":5,"backdrop_path":261,"genre_ids":262,"id":264,"title":265,"original_language":16,"original_title":265,"overview":266,"popularity":267,"poster_path":268,"release_date":269,"softcore":5,"video":5,"vote_average":42,"vote_count":243},"\u002F3x533L7CnbGC3QiCZWAurdZvBmx.jpg",[10,136,263],10770,724404,"1940, main basse sur le cinéma français","La Continental naît à Paris en 1940. Société de production créée par l'occupant, elle est dirigée par Alfred Greven. Pendant les années d'occupation, Greven s'assure les services des meilleurs artistes et techniciens pour produire des films à succès, divertissants. En parallèle, il profite de la spoliation des biens juifs pour racheter cinémas, studios et laboratoires. Son objectif : fonder un second Hollywood.",1.4339,"\u002Fg9KYeCxDDV8HSAO26KhKNjQEIs3.jpg","2019-05-19",{"adult":5,"backdrop_path":6,"genre_ids":271,"id":272,"title":273,"original_language":123,"original_title":273,"overview":12,"popularity":274,"poster_path":6,"release_date":275,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1648278,"Darryl Henriques Is in Show Business",1.7738,"2006-10-06",{"adult":5,"backdrop_path":277,"genre_ids":278,"id":279,"title":280,"original_language":16,"original_title":280,"overview":281,"popularity":282,"poster_path":283,"release_date":284,"softcore":5,"video":5,"vote_average":42,"vote_count":51},"\u002F1rXk3JVxx2iUzv08FKayeKlqb1E.jpg",[10],763537,"Paris Cinéma","En montrant la fabrication et le fonctionnement des appareils de prise de vue, le développement et le tirage de la pellicule, et différentes méthodes d'animation, de tournage et de mise en scène, c'est une somme sur l'art et la technique cinématographique des années 1920 que propose ce document filmé dans les studios de Paris et de banlieue.",0.8727,"\u002F1ZGPEVi9a5ESYlDVMmvK21nqUl2.jpg","1929-10-21",{"adult":5,"backdrop_path":286,"genre_ids":287,"id":288,"title":289,"original_language":16,"original_title":289,"overview":290,"popularity":291,"poster_path":292,"release_date":293,"softcore":5,"video":5,"vote_average":294,"vote_count":42},"\u002FnnoGCpmd4ZzpXP0Eb0N9bsboH9g.jpg",[10],978261,"Chambre 999","Le cinéma est-il un langage en train de se perdre, un art qui va mourir ? » : Wim Wenders posait cette question à seize de ses confrères réalisateurs dans CHAMBRE 666 en 1982. Quarante ans plus tard, Lubna Playoust utilise le même dispositif et pose la question à 30 cinéastes contemporains présents à Cannes cette année-là.",2.1434,"\u002FwlQyQ0khZHIKTHbmDtWQL3gKeSa.jpg","2023-10-05",5.8,{"adult":5,"backdrop_path":296,"genre_ids":297,"id":298,"title":299,"original_language":16,"original_title":299,"overview":300,"popularity":301,"poster_path":302,"release_date":303,"softcore":5,"video":5,"vote_average":154,"vote_count":243},"\u002FeKnhutZj3ZYf1o6hanOSAXUryox.jpg",[10],1186617,"Kathryn Bigelow: Hollywood sous adrénaline","Kathryn Bigelow est l'une des figures les plus importantes du cinéma américain. Kathryn Bigelow est connue confidentiellement dans le monde du cinéma sous le nom de « KB » car elle est considérée comme une femme de pouvoir, guerrière et sexy à la fois. Son cinéma d’action « chargé de testostérone », également apprécié du public, est aussi diversifié que les attributs insaisissables de cette réalisatrice.  Ce documentaire rend hommage à la première femme à remporter l'Oscar de la meilleure réalisatrice pour comprendre son travail et qui est cette femme . Découvrez comment elle a réussi à faire de la violence omniprésente aux USA son ticket pour Hollywood.",1.4854,"\u002FsXavCMreT7uy4Lc7KSfUoh58tUk.jpg","2023-09-28",1001,20001,45,"Un récit documentaire qui fait souvent mouche.",[]]