[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1478626-fr-FR":3},{"detail":4,"match":498,"insight":499,"providers":500,"providerLink":7,"trailer":501},{"adult":5,"backdrop_path":6,"belongs_to_collection":7,"budget":8,"genres":9,"homepage":16,"id":17,"imdb_id":7,"origin_country":18,"original_language":20,"original_title":21,"overview":22,"popularity":23,"poster_path":24,"production_companies":25,"production_countries":57,"release_date":60,"revenue":8,"runtime":61,"softcore":5,"spoken_languages":62,"status":66,"tagline":48,"title":21,"video":5,"vote_average":67,"vote_count":68,"similar":69,"watch\u002Fproviders":257,"videos":259,"credits":282},false,"\u002F5kJ1mnF6MWy39w6QTZaHwrq1yBo.jpg",null,0,[10,13],{"id":11,"name":12},99,"Documentaire",{"id":14,"name":15},36,"Histoire","https:\u002F\u002Fwww.gedeonmediagroup.com\u002Fproduction\u002Faux-origines-lesclavage\u002F",1478626,[19],"FR","fr","Aux origines, l'esclavage","Raconter l’esclavage en France, c’est regarder en face un passé que notre mémoire collective a longtemps occulté. Entre le XVIIème et le XIXème siècle, notre pays a déporté 1,2 millions d’hommes et de femmes et exploité des millions d’Africains sur son sol et dans ses colonies. Pendant des mois, nous avons enquêté et proposé à six personnalités françaises d’explorer leur arbre généalogique: Kalash, Joey Starr, Marie-Laure Garnier, Guillaume Hoarau, Karine Baste et Stefi Celma.De St Malo à Cayenne, en passant par la Réunion, la Martinique, Nantes ou Bordeaux le film va aussi à la rencontre d’autres Français, descendants de marchands d’esclaves, de capitaines de navire négrier, ou de résistants comme Toussaint-Louverture – héritiers de cette même Histoire.Grâce à cette quête inédite, enracinée dans l’Histoire de France, nous découvrons des destins marqués par la lutte incessante pour la liberté.",1.4394,"\u002FkvOjhb7XRCS4y46CWJsRcpYwyv.jpg",[26,30,34,38,41,45,49,53],{"id":27,"logo_path":28,"name":29,"origin_country":19},10323,"\u002FuMlnpzZGM0rWxp69JU5cuAQEJbB.png","Gedeon Programmes",{"id":31,"logo_path":32,"name":33,"origin_country":19},7131,"\u002FqpFsGoa96SytbWkhtkkpllu5Cch.png","France Télévisions",{"id":35,"logo_path":36,"name":37,"origin_country":19},310,"\u002F4Gp5A4YdjPBfsHT47ngHMaXWmb9.png","CNC",{"id":39,"logo_path":7,"name":40,"origin_country":19},11935,"Fonds Images de la Diversité",{"id":42,"logo_path":43,"name":44,"origin_country":19},93878,"\u002F3Zqp7vuvOcUJMuhMiZtXY7ngsQq.png","Région Réunion",{"id":46,"logo_path":7,"name":47,"origin_country":48},270017,"Ministère des Outre-Mer","",{"id":50,"logo_path":51,"name":52,"origin_country":19},309,"\u002FeVdJe4ha50lW1Eop1tq93TMh1XW.png","Angoa-Agicoa",{"id":54,"logo_path":55,"name":56,"origin_country":19},311,"\u002FTNGvZ8zOklntjPP3EcsHtrR8Rc.png","PROCIREP",[58],{"iso_3166_1":19,"name":59},"France","2025-05-09",106,[63],{"english_name":64,"iso_639_1":20,"name":65},"French","Français","Released",8,1,{"page":68,"results":70,"total_pages":255,"total_results":256},[71,82,93,102,112,120,128,135,144,152,164,172,184,191,201,211,221,228,237,246],{"adult":5,"backdrop_path":72,"genre_ids":73,"id":74,"title":75,"original_language":20,"original_title":75,"overview":76,"popularity":77,"poster_path":78,"release_date":79,"softcore":5,"video":5,"vote_average":80,"vote_count":81},"\u002F7c2ZGo7nBCQ5UMxZzMot39agB5j.jpg",[11],991337,"Moudjahidate","Ce documentaire retrace des engagements de femmes dans les luttes pour l’Indépendance de l’Algérie, au sein du FLN-ALN (Front de Libération Nationale – Armée de Libération Nationale) à travers des récits de vies d'anciennes combattantes. Elles sont poseuses de bombes, agents de liaison, infirmières et soldates des maquis, ou encore dans une solidarité active avec les prisonniers politiques. Toutes ces moudjahidate évoquent également les villageoises, qui assuraient l’hébergement et le ravitaillement des combattants du FLN... Les formes d’engagements des femmes sont multiples tout comme leurs \"identités sociales\". Alors comment ont-elles commencé à \"activer\" ? Quels sont leurs rôles et stratégies dans les différents lieux de luttes ? Quels regards portent-elles sur cette période et qu’ont-elles à nous transmettre ? Ces témoignages s’articulent avec celui de l’historienne et elle-même ancienne combattante, Danièle Djamila Amrane Minne.",1.2266,"\u002Femhv24hd4nagklTnwW4mXJIc62o.jpg","2008-11-03",4,3,{"adult":5,"backdrop_path":83,"genre_ids":84,"id":87,"title":88,"original_language":89,"original_title":88,"overview":48,"popularity":90,"poster_path":91,"release_date":92,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002F22g9hiMYP4Ka6IPiJaChqzhkPdT.jpg",[85,14,86],18,37,852266,"Green Flake","en",2.9651,"\u002F3odIby95U8HqEnIHEdtKCxK1SPk.jpg","2020-12-03",{"adult":5,"backdrop_path":94,"genre_ids":95,"id":96,"title":97,"original_language":20,"original_title":97,"overview":98,"popularity":99,"poster_path":100,"release_date":101,"softcore":5,"video":5,"vote_average":8,"vote_count":68},"\u002FlXHr4zdcYEbZrUtiNzqTspcTtl8.jpg",[14],484003,"Le Diable Rouge","La pièce retrace les derniers mois de la vie de Mazarin, principal ministre du jeune roi Louis XIV dont il achève la formation de souverain. Assisté de Bernouin, son fidèle premier valet, le cardinal souhaite achever son œuvre en signant la paix avec l'Espagne, contre laquelle la France est en guerre depuis trente ans, et qui a ruiné les finances du royaume. La reine-mère Anne d'Autriche tente de convaincre le roi de choisir le mariage de raison avec l'infante d'Espagne, ce qui mettrait fin à la guerre, contre un mariage de passion avec Marie Mancini, la nièce de Mazarin. Colbert use de son influence pour préparer son accession à la surintendance des finances à la mort du cardinal.",1.2779,"\u002Fy6Nhf4HHCpJh38xyoBZfrofeoOU.jpg","2008-09-05",{"adult":5,"backdrop_path":103,"genre_ids":104,"id":105,"title":106,"original_language":20,"original_title":106,"overview":107,"popularity":108,"poster_path":109,"release_date":110,"softcore":5,"video":5,"vote_average":111,"vote_count":81},"\u002FbF1fzoLCgDCu43QtqSJRhLM1UoX.jpg",[11,14],1047728,"Une histoire du franc CFA","Le franc CFA, monnaie rattachée au Trésor Français, circule toujours sur la quasi-totalité des anciens territoires français. Adossé à l'euro, il offre à la France et à ses partenaires un accès privilégié et aisé aux marchés africains.",0.5121,"\u002FcJxRdFsUrswlirp7wtVPPRbGwTf.jpg","2022-11-09",6.7,{"adult":5,"backdrop_path":7,"genre_ids":113,"id":115,"title":116,"original_language":89,"original_title":116,"overview":48,"popularity":117,"poster_path":118,"release_date":119,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[114,14],16,469499,"A Lesson in History",0.5483,"\u002FreCGM7tD52IC5yXOu5rQwJUfjYB.jpg","1989-01-01",{"adult":5,"backdrop_path":7,"genre_ids":121,"id":122,"title":123,"original_language":20,"original_title":123,"overview":124,"popularity":125,"poster_path":126,"release_date":127,"softcore":5,"video":5,"vote_average":67,"vote_count":68},[11],1601078,"Vercingétorix : le Gaulois qui a défié César","Vercingétorix, le premier héros national, symbole de la résistance face à l’envahisseur.  Son nom a traversé les siècles. Mais que sait-on vraiment de lui ? Bien loin du cliché du barbare hirsute et indiscipliné, Vercingétorix est un noble, cultivé et ambitieux, probablement formé par les Romains.  C’est un chef politique accompli, qui réussit à unir des dizaines de peuples gaulois derrière lui pour combattre Rome, mais aussi un militaire de génie, un des seuls adversaires de César à le battre par les armes. Au cœur de cet affrontement, ce sont deux hommes qui vont se battre à la vie à la mort. L’un pour asservir la Gaule toute entière, l’autre pour la libérer. Trois batailles vont sceller leur destin : Gergovie, Avaricum, et enfin Alésia.",0.6589,"\u002FdJfCcEf3V1563lRNdeMHo4OUy8C.jpg","2024-12-18",{"adult":5,"backdrop_path":7,"genre_ids":129,"id":130,"title":131,"original_language":89,"original_title":131,"overview":48,"popularity":132,"poster_path":133,"release_date":134,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],468676,"Urmila - Für die Freiheit",0.612,"\u002FlOdWLRQCtxLXEPVlBcDG6o9p7Rk.jpg","2016-05-26",{"adult":5,"backdrop_path":136,"genre_ids":137,"id":138,"title":139,"original_language":20,"original_title":139,"overview":140,"popularity":141,"poster_path":142,"release_date":143,"softcore":5,"video":5,"vote_average":67,"vote_count":81},"\u002FeSaqjdhdOkgVzUvgfkkkRRVN9wL.jpg",[11,14,85],1221793,"Congo-Océan, un chemin de fer et de sang","Le chantier de la voie ferrée Congo-Océan depuis la forêt équatoriale de Brazzaville jusqu’à l’océan Atlantique fut l’un des plus pharaoniques de l’histoire coloniale française. Entre 1921 et 1934, des dizaines de milliers d’Africains furent recrutés de force et près de 20 000 y ont perdu la vie. Avec des archives inédites, ce film retrace l’histoire méconnue de ce symbole de domination et de violence coloniales.",0.6847,"\u002FetLkSubGR3FYRZ5QxLfyScOwA1V.jpg","2024-01-26",{"adult":5,"backdrop_path":7,"genre_ids":145,"id":146,"title":147,"original_language":89,"original_title":147,"overview":48,"popularity":148,"poster_path":149,"release_date":150,"softcore":5,"video":5,"vote_average":67,"vote_count":151},[11,14],292975,"King Leopold's Ghost",1.5989,"\u002FuWAVNC2CfuAmwsaBGSKwTdciqX.jpg","2006-05-28",6,{"adult":5,"backdrop_path":7,"genre_ids":153,"id":155,"title":156,"original_language":157,"original_title":158,"overview":159,"popularity":160,"poster_path":161,"release_date":162,"softcore":5,"video":5,"vote_average":163,"vote_count":68},[154,11],10752,478076,"La Voix du Peuple","ar","Sawt Echaâb","\"La Voix du Peuple\", composé d'images d'archives de René Vautier entre autres, expose les causes profondes du conflit armé de la résistance algérienne. Participant à une véritable guerre des images contrant la propagande coloniale française, ces images avaient pour but de montrer les images censurées ou déformées par l'occupant, en montrant les exactions de l'armée d'occupation française : tortures, arrestations et exécutions arbitraires, bombardements au napalm, incendies dans les douars, villages entiers sont rayés de la carte etc.. que les médias français qualifiaient de \"campagne de pacification\".",0.7534,"\u002FtciK1fCuXBCqIAXDgOM1GkXYEcB.jpg","1961-01-01",10,{"adult":5,"backdrop_path":7,"genre_ids":165,"id":166,"title":167,"original_language":20,"original_title":167,"overview":168,"popularity":169,"poster_path":170,"release_date":171,"softcore":5,"video":5,"vote_average":67,"vote_count":68},[11],1036978,"Le mythe de la femme noire","Le Mythe de la Femme Noire est un long métrage documentaire qui examine l'imagerie des femmes noires dans les médias, de l'esclave noire du XVIIIe siècle à Michelle Obama. Il s'agit d'une enquête sur la façon dont les stéréotypes, issus de l'esclavage, affectent encore la vie des femmes noires au Québec. Parmi ces stéréotypes, on retrouve Jézabel (la séductrice, la femme fatale) ; Mammie (la femme obèse, la figure maternelle asexuée) ; et Saphir (la femme noire colérique, ambitieuse et arrogante). Cette histoire sera racontée par des femmes noires profondément marquées par les stéréotypes, à travers des entrevues avec des expertes fascinantes et des images d'archives des siècles passés à nos jours.",1.0364,"\u002FonRXOjzgTirm6T1MJc1yuHmvVW1.jpg","2023-02-10",{"adult":5,"backdrop_path":173,"genre_ids":174,"id":176,"title":177,"original_language":89,"original_title":177,"overview":178,"popularity":179,"poster_path":180,"release_date":181,"softcore":5,"video":5,"vote_average":182,"vote_count":183},"\u002Fvf5xvKEjwhSuJttR4NmVrOGXyrS.jpg",[175,85,14],10749,38027,"Mandingo","Dans le sud des États-Unis, en 1840. À la tête d’une plantation, le vieux et riche Maxwell, souhaitant perpétuer la dynastie, oblige son fils Hammond à se marier avec sa cousine Blanche. Mais Hammond la délaisse lorsqu’il apprend qu’elle n’est plus vierge. Blanche se réfugie alors dans les bras d’un puissant Mandingue. Parallèlement, les esclaves de la plantation fomentent une révolte.",3.9922,"\u002Fy7uQDzeJPcKeHlxbitH7PXXiSdq.jpg","1975-06-06",6.649,164,{"adult":5,"backdrop_path":7,"genre_ids":185,"id":186,"title":187,"original_language":89,"original_title":187,"overview":48,"popularity":188,"poster_path":189,"release_date":190,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],1428435,"Ships of Slaves: The Middle Passage",1.8391,"\u002FlZlyU1P0eZ3Jbf6rmcblbVyL2fL.jpg","1997-12-11",{"adult":5,"backdrop_path":192,"genre_ids":193,"id":194,"title":195,"original_language":89,"original_title":195,"overview":48,"popularity":196,"poster_path":197,"release_date":198,"softcore":5,"video":5,"vote_average":199,"vote_count":200},"\u002FhCZo34AqV9Oji1cQmwbKO69Z9vj.jpg",[11,85,14],657521,"I Am Patrick: The Patron Saint of Ireland",1.4718,"\u002Fn9D2Aq0G4rPKSjKJ2k0Pq69CAW9.jpg","2020-03-17",7.267,15,{"adult":5,"backdrop_path":202,"genre_ids":203,"id":204,"title":205,"original_language":20,"original_title":205,"overview":206,"popularity":207,"poster_path":208,"release_date":209,"softcore":5,"video":5,"vote_average":210,"vote_count":81},"\u002FrD6X9fKpw8akMIZMULCAHZQdtmr.jpg",[11,14],1241414,"Les Mots qu'elles eurent un jour","1962, à la fin de la Guerre d’Algérie, des militantes de l’indépendance algérienne sortent de la prison de Rennes. Une nuit durant, le cinéaste Yann Le Masson les filme. Elles lui racontent leur vision pour l’avenir de l’Algérie et la place que la femme doit occuper dans la nouvelle société à construire. Cinquante ans plus tard, alors que la bande son a disparu, Raphaël Pillosio pars à la recherche de ces femmes.Deux personnes sourdes s’attellent à lire sur les lèvres des femmes filmées par Yann Le Masson, et nous dévoilent des bribes de phrases, des propos amputés par les revirements de la caméra. Un film-enquête où les quelques militantes encore en vie découvrent leurs anciens témoignages et nous racontent leur histoire silencieuse. La reconstitution de la bande son perdue restera en suspens, nul happy end ne viendra résorber l’absence, annuler l’opération féroce du temps. Un film-essai sur le cinéma qui figure leur disparition, et pour toujours, les garde vivantes.",0.5977,"\u002Fzr6oQmDNEgLr2iJddkqiNaRpnyH.jpg","2024-03-24",9,{"adult":5,"backdrop_path":212,"genre_ids":213,"id":215,"title":216,"original_language":20,"original_title":216,"overview":217,"popularity":218,"poster_path":219,"release_date":220,"softcore":5,"video":5,"vote_average":163,"vote_count":68},"\u002FuTrkSyJBMgot6UQTEj6otwXqIpE.jpg",[11,154,214],10770,668492,"La Blessure, la tragédie des harkis","Pour quelles raisons les harkis, supplétifs musulmans recrutés par Paris, ont-ils rejoint l'armée française ? Pourquoi plusieurs milliers d'entre eux ont-ils été massacrés après l'indépendance de l'Algérie ? Pourquoi le gouvernement français les a-t-il désarmés et abandonnés ? Pourquoi seulement 50 000 à 60 000 anciens harkis ont-ils été rapatriés en France avec leurs familles et placés dans des camps de sinistre mémoire, comme Rivesaltes ? Victimes et fidèles serviteurs pour les uns, traîtres et collaborateurs pour les autres, les harkis restent au coeur de nombreuses questions qui restent brûlantes près de 50 ans après la fin de la guerre d'Algérie.",0.773,"\u002FiYcgA5Vo41nKKTkqXpx1FsWhZEZ.jpg","2010-09-20",{"adult":5,"backdrop_path":7,"genre_ids":222,"id":223,"title":224,"original_language":89,"original_title":224,"overview":48,"popularity":225,"poster_path":226,"release_date":227,"softcore":5,"video":5,"vote_average":151,"vote_count":68},[11],309579,"Prince Among Slaves",1.087,"\u002FrIbHA4eudQMqTzaaDUJk4alTXyE.jpg","2008-02-04",{"adult":5,"backdrop_path":229,"genre_ids":230,"id":231,"title":232,"original_language":20,"original_title":232,"overview":233,"popularity":234,"poster_path":235,"release_date":236,"softcore":5,"video":5,"vote_average":163,"vote_count":68},"\u002FaALJemVlriG8mm9pe1T2Jdg0H5t.jpg",[11,14,85],1627083,"17 octobre 1961 : Une journée portée disparue","Film témoignage sur les événements qui ont eu lieu il y a plus de trente ans avant le tournage de ce film, le 17 octobre 1961, à Paris, pendant la guerre d’Algérie. C’est un travail non seulement sur la vérité historique mais aussi sur la mémoire. Construit essentiellement à partir d’interviews menées auprès de ceux qui ont été mêlés aux événements, avec des séquences d’archives, des photos et des documents radiophoniques de l’époque, notre enquête prouve que près de 200 Algériens ont été tués (noyés, torturés) cette nuit-là et les jours suivants par la police française. Une journée portée disparue s’attache à poser deux questions-clé : comment de tels événements ont-ils pu se dérouler dans la capitale d’une démocratie occidentale il y a à peine trente ans ? Et pourquoi ont-ils, depuis, été passés sous silence ?",1.1352,"\u002Fqwlaiwt3b8HWD0cij8IlipfCtD6.jpg","1992-01-01",{"adult":5,"backdrop_path":238,"genre_ids":239,"id":240,"title":241,"original_language":20,"original_title":241,"overview":242,"popularity":243,"poster_path":244,"release_date":245,"softcore":5,"video":5,"vote_average":163,"vote_count":68},"\u002FwgkNXrN253jVw9GjmGwtNioD27k.jpg",[14],1057528,"La Tragédie du Roi Christophe","La Tragédie du Roi Christophe est une pièce mettant en scène le destin tragique d'un homme et d'un pays. Il décrit le combat du peuple haïtien pour sa liberté, mais aussi le combat mené par un homme politique qui voulait redonner de la grandeur à son pays. L'histoire commence après la révolution haïtienne. Une fois l'indépendance conquise et le règne de Jean-Jacques Dessalines terminé, Henri Christophe est nommé Président de la République par le Sénat. Il refusera ce titre, fondera un royaume au Nord dont il sera le roi. Mais manquant de modération, il pousse le peuple vers des conditions de travail extrêmes et cruelles. Les menant à la révolte, le roi Christophe s'est suicidé. Cette pièce montre la reconstruction et la quête de reconnaissance d'un pays stigmatisé par son passé colonial.",0.9766,"\u002F7Rg2zoradHFBKIe8rEIuTsHyb82.jpg","1965-01-01",{"adult":5,"backdrop_path":247,"genre_ids":248,"id":249,"title":250,"original_language":20,"original_title":250,"overview":251,"popularity":252,"poster_path":253,"release_date":254,"softcore":5,"video":5,"vote_average":163,"vote_count":68},"\u002FrwBWhNv2pRay8lv41KDd8ao04Qm.jpg",[11],1244597,"La Bataille d'Alger, l'empreinte","Cheikh Djemaï revient sur la genèse du long métrage de Gillo Pontecorvo, La Bataille d’Alger (1965). Par le biais d’images d’archives, d’extraits du film et d’interviews de personnalités, le cinéaste retrace le parcours d’une œuvre majeure - des événements de la Casbah algéroise (1956-1957) à la remise du Lion d’Or entrainant la colère de la délégation française à Venise – qui a laissé son empreinte autant dans l’histoire du cinéma que dans celle de l’Algérie.",0.658,"\u002Fj9bWdGrKJIFgBEMZFKHoARH5rua.jpg","2018-01-01",1001,20001,{"results":258},{},{"results":260},[261,269,276],{"iso_639_1":20,"iso_3166_1":19,"name":262,"key":263,"site":264,"size":265,"type":266,"official":5,"id":267,"published_at":268},"Aux origines l'esclavage - Teaser VF","1099971987","Vimeo",1080,"Trailer","6952a14740194d572a4ad72c","2025-07-09T12:51:15.000Z",{"iso_639_1":20,"iso_3166_1":19,"name":270,"key":271,"site":272,"size":265,"type":266,"official":273,"id":274,"published_at":275},"[Bande-annonce] « Aux origines, l'esclavage 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