[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1530934-fr-FR":3},{"detail":4,"match":315,"insight":316,"providers":317,"providerLink":33,"trailer":33},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":91,"revenue":8,"runtime":92,"similar":93,"tagline":98,"homepage":98,"overview":282,"softcore":6,"popularity":283,"vote_count":22,"poster_path":284,"release_date":285,"vote_average":103,"backdrop_path":286,"origin_country":287,"original_title":7,"watch\u002Fproviders":290,"spoken_languages":292,"original_language":170,"production_companies":302,"production_countries":312,"belongs_to_collection":33},1530934,false,"Un Américain à Tanger",0,[10],{"id":11,"name":12},99,"Documentaire","Released",{"results":15},[],{"cast":17,"crew":35},[18,28],{"id":19,"name":20,"adult":6,"order":8,"gender":21,"cast_id":22,"character":23,"credit_id":24,"popularity":25,"profile_path":26,"original_name":20,"known_for_department":27},266350,"Paul Bowles",2,1,"Self","68a06fa858e0157fce18c617",0.1014,"\u002FuZkA2913FoM9BP3YFXc00xn00Dv.jpg","Writing",{"id":29,"name":30,"adult":6,"order":22,"gender":8,"cast_id":21,"character":23,"credit_id":31,"popularity":32,"profile_path":33,"original_name":30,"known_for_department":34},1091968,"Mohammed Mrabet","68a0701ac54043b9b402cc1d",0.0362,null,"Acting",[36,43,46,52,57,63,70,75,79,84],{"id":37,"job":38,"name":39,"adult":6,"gender":8,"credit_id":40,"department":41,"popularity":42,"profile_path":33,"original_name":39,"known_for_department":41},4313685,"Director","Mohamed Ulad-Mohand","68a0703aace2c7c4060bf9b1","Directing",0.0143,{"id":37,"job":44,"name":39,"adult":6,"gender":8,"credit_id":45,"department":27,"popularity":42,"profile_path":33,"original_name":39,"known_for_department":41},"Screenplay","68a070a374e111f80602cae3",{"id":47,"job":48,"name":49,"adult":6,"gender":8,"credit_id":50,"department":51,"popularity":42,"profile_path":33,"original_name":49,"known_for_department":51},5629592,"Director of Photography","Joël Krellenstein","68a070d74b26a4abe6ed12ae","Camera",{"id":53,"job":48,"name":54,"adult":6,"gender":8,"credit_id":55,"department":51,"popularity":56,"profile_path":33,"original_name":54,"known_for_department":51},1758270,"Georgi Lazarevski","68a070eacef007ce5b744a23",0.0686,{"id":58,"job":59,"name":60,"adult":6,"gender":21,"credit_id":61,"department":59,"popularity":62,"profile_path":33,"original_name":60,"known_for_department":59},17632,"Sound","Olivier Le Vacon","68a070f974174b14ef74493f",0.143,{"id":64,"job":65,"name":66,"adult":6,"gender":8,"credit_id":67,"department":68,"popularity":69,"profile_path":33,"original_name":66,"known_for_department":68},1596118,"Editor","Sabine Franel","68a0711a7351a8bbc202cb59","Editing",0.0505,{"id":71,"job":65,"name":72,"adult":6,"gender":22,"credit_id":73,"department":68,"popularity":74,"profile_path":33,"original_name":72,"known_for_department":68},1605698,"Marie-Catherine Miqueau","68a071ae9c253e710386f82f",0.0648,{"id":76,"job":65,"name":77,"adult":6,"gender":21,"credit_id":78,"department":68,"popularity":42,"profile_path":33,"original_name":77,"known_for_department":68},1904537,"François Sculier","68a071bd531b0749b4ed1285",{"id":80,"job":65,"name":81,"adult":6,"gender":8,"credit_id":82,"department":68,"popularity":83,"profile_path":33,"original_name":81,"known_for_department":68},1893291,"Matilde Grosjean","68a071c8e901fd4837e9453f",0.1219,{"id":85,"job":86,"name":87,"adult":6,"gender":21,"credit_id":88,"department":89,"popularity":90,"profile_path":33,"original_name":87,"known_for_department":59},1542354,"Mixing Engineer","Alain Garnier","68a071e9509864f9d5e944e4","Crew",0.1391,"tt0415338",27,{"page":22,"results":94,"total_pages":280,"total_results":281},[95,105,118,128,139,149,158,171,181,192,199,205,211,218,225,234,242,253,261,271],{"id":96,"adult":6,"title":97,"video":6,"overview":98,"softcore":6,"genre_ids":99,"popularity":101,"vote_count":22,"poster_path":33,"release_date":102,"vote_average":103,"backdrop_path":33,"original_title":97,"original_language":104},1169544,"Den forbandede asbest","",[11,100],10770,0.1696,"2023-02-21",7,"da",{"id":106,"adult":6,"title":107,"video":6,"overview":108,"softcore":6,"genre_ids":109,"popularity":110,"vote_count":111,"poster_path":112,"release_date":113,"vote_average":114,"backdrop_path":115,"original_title":116,"original_language":117},222,"Berlin, symphonie d'une grande ville","Ce film nous montre une journée à Berlin, au rythme de cette époque, commençant au petit matin et se terminant dans la nuit la plus profonde",[11],0.7217,128,"\u002FjE92co3sb86ounZAocQ9SGKJQeZ.jpg","1927-09-23",7.523,"\u002FlVnUdJ7nqho86UievvSr1LpfU6k.jpg","Berlin, die Symphonie der Großstadt","de",{"id":119,"adult":6,"title":120,"video":6,"overview":98,"softcore":6,"genre_ids":121,"popularity":122,"vote_count":21,"poster_path":123,"release_date":124,"vote_average":125,"backdrop_path":126,"original_title":120,"original_language":127},610875,"Best Before Death",[11],0.1807,"\u002FkThGoYcfk7V0BPM7Uh9CVsKUwXK.jpg","2019-10-04",7.5,"\u002FmMvIvRo78MDe9X38cl0zMQkmFsQ.jpg","en",{"id":129,"adult":6,"title":130,"video":6,"overview":98,"softcore":6,"genre_ids":131,"popularity":134,"vote_count":22,"poster_path":135,"release_date":136,"vote_average":137,"backdrop_path":138,"original_title":130,"original_language":127},989986,"hello, WORLD!",[11,132,133],10402,9648,0.1946,"\u002F2Z9FJLeTCMY1ABPUVwLbPwKq2T.jpg","2021-04-01",9.5,"\u002FkjhIKKxz7OM4Dz2Gc0WHfIh4PTI.jpg",{"id":140,"adult":6,"title":141,"video":6,"overview":98,"softcore":6,"genre_ids":142,"popularity":143,"vote_count":144,"poster_path":145,"release_date":146,"vote_average":147,"backdrop_path":33,"original_title":141,"original_language":148},259103,"Visions de Lourdes",[11],0.124,5,"\u002FvN9S2zr2g317uHddkii9WpIsyD0.jpg","1932-01-01",7.4,"xx",{"id":150,"adult":6,"title":151,"video":6,"overview":98,"softcore":6,"genre_ids":152,"popularity":153,"vote_count":8,"poster_path":154,"release_date":155,"vote_average":8,"backdrop_path":156,"original_title":151,"original_language":157},259173,"Show!",[11,132],0.2616,"\u002FjsEPEebNwHWmC1KDf8NBXPqzykp.jpg","2013-11-28","\u002F4a3X9sH0lSwJtkJQJBq22AyqVGb.jpg","cs",{"id":159,"adult":6,"title":160,"video":6,"overview":161,"softcore":6,"genre_ids":162,"popularity":164,"vote_count":165,"poster_path":166,"release_date":167,"vote_average":168,"backdrop_path":169,"original_title":160,"original_language":170},258941,"Ellis Island, une histoire du rêve américain","L’immigration aux États-Unis de 1892 à 1954, à travers un passionnant récit polyphonique qui embrasse la petite et la grande histoire.  En 1892, Ellis Island, dans la baie de New York, devient la principale porte d’entrée  aux États-Unis pour les immigrants qui arrivent de plus en plus nombreux d’Europe. Inauguré en 1900, après un incendie qui a ravagé les anciens bâtiments, l’immense centre aujourd’hui transformé en musée va voir passer, jusqu’à sa fermeture, quelque 12 millions de personnes. Parmi elles, l’actrice Pola Negri ou le producteur de cinéma Sam Goldwyn, venus de Pologne, l’écrivain tchèque George Voskovec, le gamin sicilien Salvatore Lucania, qui deviendra le chef suprême de la mafia sous le nom de Lucky Luciano, l’Irlandais William O'Dwyer, futur maire de New York... Comme les autres, ils ont traversé l'Atlantique pour fuir une existence misérable, persécutée ou incertaine en Europe, vers une nouvelle Terre promise qui ne les accueille pas toujours à bras ouverts.",[11,163],36,0.1382,3,"\u002FsCA6yTXeuhBUjALwvhJSfCuqnid.jpg","2014-03-11",5.7,"\u002F11m5VYTwCnSBrWTjPw1N0Ch2U9L.jpg","fr",{"id":172,"adult":6,"title":173,"video":6,"overview":174,"softcore":6,"genre_ids":175,"popularity":176,"vote_count":22,"poster_path":177,"release_date":178,"vote_average":179,"backdrop_path":180,"original_title":173,"original_language":170},613307,"L'Homme Qui Revient De Haut","Qu’est-ce qui oblige un homme à repousser toujours plus haut les limites de l’accessible ? Après trente ans de lutte acharnée avec les plus hauts sommets de la terre, Marc Batard a enfin trouvé les réponses à ces questions. Il aura fallu qu’il foule deux fois le sommet de l’Everest, dont une fois en pulvérisant le record de rapidité en 24 heures sans oxygène jusqu'au sommet, qu’il gravisse les faces les plus difficiles des Alpes pour entrevoir le chemin de la guérison intérieure. C’est à force de souffrances physiques qu’il a pu affronter le mal de l’âme. Qu’il a pu enfin parler de la violence de l’enfance, du choc traîné comme un boulet pendant des décennies. Sa thérapie des sommets accomplie, Marc Batard se raconte dans ce documentaire de Gilles Perret.",[11],0.2819,"\u002FAdTa0B6uaOKS2DNjdArzXph1hxz.jpg","2004-02-02",10,"\u002F9ibDFzQtmssm8NJ55ZW7Y3thIrE.jpg",{"id":182,"adult":6,"title":183,"video":6,"overview":98,"softcore":6,"genre_ids":184,"popularity":187,"vote_count":8,"poster_path":188,"release_date":189,"vote_average":8,"backdrop_path":190,"original_title":183,"original_language":191},1171705,"Los habitantes del pasto",[11,185,163,186],18,10752,0.2311,"\u002FniypHzIXrobRZYKtGQFshoV7ebH.jpg","2022-11-28","\u002FvBblap6akJPVlcMEQHK4JnxB5nM.jpg","es",{"id":193,"adult":6,"title":194,"video":6,"overview":98,"softcore":6,"genre_ids":195,"popularity":196,"vote_count":165,"poster_path":33,"release_date":197,"vote_average":144,"backdrop_path":33,"original_title":194,"original_language":198},257674,"Tas, kurio nera",[11],0.2041,"2004-11-02","lt",{"id":200,"adult":6,"title":201,"video":6,"overview":98,"softcore":6,"genre_ids":202,"popularity":203,"vote_count":8,"poster_path":33,"release_date":204,"vote_average":8,"backdrop_path":33,"original_title":201,"original_language":117},1358300,"Aus der Tiefe empor",[11],0.1368,"1934-10-29",{"id":206,"adult":6,"title":207,"video":6,"overview":98,"softcore":6,"genre_ids":208,"popularity":209,"vote_count":8,"poster_path":33,"release_date":210,"vote_average":8,"backdrop_path":33,"original_title":207,"original_language":117},1357905,"Angkor - Ein Urwaldgeheimnis in Kambodscha",[11],0.1128,"1956-01-01",{"id":212,"adult":6,"title":213,"video":6,"overview":98,"softcore":6,"genre_ids":214,"popularity":215,"vote_count":22,"poster_path":216,"release_date":217,"vote_average":103,"backdrop_path":33,"original_title":213,"original_language":127},258258,"The Man Who Made Angels Fly",[11],0.1483,"\u002Fs8ey6SJ6xYjjJL70ol4YB5otOeI.jpg","2013-06-30",{"id":219,"adult":6,"title":220,"video":6,"overview":98,"softcore":6,"genre_ids":221,"popularity":222,"vote_count":22,"poster_path":33,"release_date":223,"vote_average":224,"backdrop_path":33,"original_title":220,"original_language":127},256323,"Sylvia Kristel – Paris",[11],0.1654,"2003-02-19",8,{"id":226,"adult":6,"title":227,"video":6,"overview":98,"softcore":6,"genre_ids":228,"popularity":230,"vote_count":21,"poster_path":231,"release_date":232,"vote_average":103,"backdrop_path":233,"original_title":227,"original_language":127},256168,"The Police Tapes",[100,229,11],80,0.1648,"\u002F2X8PB9f4bxe0GF8ISdkswyetoMQ.jpg","1977-01-02","\u002FhGVvAadGSftnQfKqXpk50SaatLo.jpg",{"id":235,"adult":6,"title":236,"video":6,"overview":98,"softcore":6,"genre_ids":237,"popularity":238,"vote_count":165,"poster_path":239,"release_date":240,"vote_average":241,"backdrop_path":33,"original_title":236,"original_language":127},259610,"Bastards: Outcast in Morocco",[11],0.1024,"\u002FbVjjPVd2nHs4Kfwt9JkT3nGjewR.jpg","2014-03-15",6,{"id":243,"adult":6,"title":244,"video":6,"overview":245,"softcore":6,"genre_ids":246,"popularity":247,"vote_count":165,"poster_path":248,"release_date":249,"vote_average":250,"backdrop_path":251,"original_title":252,"original_language":170},987931,"À la recherche du jardin des Finzi-Contini","Au fil des pages du roman « Le Jardin des Finzi-Contini », adapté au cinéma par Vittorio De Sica, ce documentaire est un voyage empreint de nostalgie à Ferrare, entre réalité et fiction, sur les traces de son auteur, l’écrivain italien Giorgio Bassani.",[11,100],0.2916,"\u002FwpZHaivnsdz3gfBmutMFTWU7giu.jpg","2022-07-04",6.2,"\u002FtRyXM8tmfllIn8yMNmmKPeosY2K.jpg","The Garden That Doesn't Exist",{"id":254,"adult":6,"title":255,"video":6,"overview":98,"softcore":6,"genre_ids":256,"popularity":257,"vote_count":165,"poster_path":258,"release_date":259,"vote_average":260,"backdrop_path":33,"original_title":255,"original_language":127},271360,"Merton: A Film Biography",[11],0.2907,"\u002FxzwGFvhqbKNhIPc39dadUgi3FyX.jpg","1984-01-01",8.667,{"id":262,"adult":6,"title":263,"video":6,"overview":98,"softcore":6,"genre_ids":264,"popularity":265,"vote_count":266,"poster_path":267,"release_date":268,"vote_average":269,"backdrop_path":270,"original_title":263,"original_language":127},14273,"Dark Days",[11],0.5001,125,"\u002FvBUU6cphXFQqGq9fgk1VZ4dfnZX.jpg","2000-08-30",7.276,"\u002FdJD6TROixLm4V7OUNQeLWt4BD57.jpg",{"id":272,"adult":6,"title":273,"video":6,"overview":274,"softcore":6,"genre_ids":275,"popularity":276,"vote_count":21,"poster_path":277,"release_date":278,"vote_average":279,"backdrop_path":33,"original_title":273,"original_language":170},461145,"Le Théâtre National Populaire","Le T.N.P., le Théâtre National Populaire, un important théâtre expérimental dirigé par Jean Vilar. Franju combine des séquences de représentations théâtrales avec des images documentaires, créant des liens et des confrontations entre le théâtre et le monde réel.",[11],0.1294,"\u002Fbx9ntxFpcMPUz8C6ulrNoVgCp4J.jpg","1956-06-08",6.5,11649,232970,"L'écrivain américain Paul Bowles évoque avec émotion, liberté et non sans humour, le pays où il vit depuis soixante ans, le Maroc. Le film est un va-et-vient entre le passé et le présent, le noir et blanc et la couleur, rythmé par des images d'archives et la propre musique de Paul Bowles.",0.1863,"\u002FzwsCVpMQ3m0caBu1FXFE2Swo8lg.jpg","1993-01-01","\u002FqPNIcviGKEao0jCyymkKGGHmPFD.jpg",[288,289],"FR","MA",{"results":291},{},[293,297,299],{"name":294,"iso_639_1":295,"english_name":296},"العربية","ar","Arabic",{"name":298,"iso_639_1":127,"english_name":298},"English",{"name":300,"iso_639_1":170,"english_name":301},"Français","French",[303,306,309],{"id":304,"name":305,"logo_path":33,"origin_country":98},271296,"Azilah Productions",{"id":307,"name":308,"logo_path":33,"origin_country":98},271297,"Les Films de Brooklyn",{"id":310,"name":311,"logo_path":33,"origin_country":98},271298,"Hélices Productions",[313],{"name":314,"iso_3166_1":288},"France",45,"Un récit documentaire qui fait souvent mouche.",[]]