[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1542502-fr-FR":3},{"detail":4,"match":313,"insight":314,"providers":315,"providerLink":24},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"credits":14,"imdb_id":90,"revenue":19,"runtime":91,"similar":92,"tagline":110,"homepage":110,"overview":110,"softcore":6,"popularity":287,"vote_count":19,"poster_path":288,"release_date":289,"vote_average":19,"backdrop_path":290,"origin_country":291,"original_title":7,"watch\u002Fproviders":293,"spoken_languages":295,"original_language":304,"production_companies":306,"production_countries":310,"belongs_to_collection":24},1542502,false,"Nieta de mi Abuela",150000,[10],{"id":11,"name":12},99,"Documentaire","Released",{"cast":15,"crew":62},[16,26,34,41,46,51,57],{"id":17,"name":18,"adult":6,"order":19,"gender":19,"cast_id":20,"character":21,"credit_id":22,"popularity":23,"profile_path":24,"original_name":18,"known_for_department":25},2427585,"Lia Briones",0,1,"Teresa Pichardo (voice)","68bc8e5c3881eb5887947185",0.0261,null,"Acting",{"id":27,"name":28,"adult":6,"order":20,"gender":19,"cast_id":29,"character":30,"credit_id":31,"popularity":32,"profile_path":24,"original_name":28,"known_for_department":33},1738413,"Tatiana Fernandez Geara",2,"Herself","68bc8e79572c69d92498babe",0.0379,"Writing",{"id":35,"name":36,"adult":6,"order":29,"gender":19,"cast_id":37,"character":38,"credit_id":39,"popularity":40,"profile_path":24,"original_name":36,"known_for_department":25},5674816,"Cesar Fernandez",3,"Himself","68bc8e9934f75d1e3e98ba20",0.0071,{"id":42,"name":43,"adult":6,"order":37,"gender":19,"cast_id":44,"character":38,"credit_id":45,"popularity":23,"profile_path":24,"original_name":43,"known_for_department":25},5674819,"Soeren Henn",4,"68bc8ea57618bd35c11bc3fc",{"id":47,"name":48,"adult":6,"order":44,"gender":19,"cast_id":49,"character":30,"credit_id":50,"popularity":40,"profile_path":24,"original_name":48,"known_for_department":25},5674820,"Teresina Fernandez",5,"68bc8eb1f896fc684b4e5aaa",{"id":52,"name":53,"adult":6,"order":49,"gender":19,"cast_id":54,"character":38,"credit_id":55,"popularity":56,"profile_path":24,"original_name":53,"known_for_department":25},5674822,"Enzo Pessa",6,"68bc8ebce823ec1c8c9c002e",0.0143,{"id":58,"name":59,"adult":6,"order":54,"gender":19,"cast_id":60,"character":30,"credit_id":61,"popularity":19,"profile_path":24,"original_name":59,"known_for_department":25},5674825,"Mirna Forabosco",7,"68bc8ee004dd0798a5069e0a",[63,67,73,75,81,84,86],{"id":27,"job":64,"name":28,"adult":6,"gender":19,"credit_id":65,"department":66,"popularity":32,"profile_path":24,"original_name":28,"known_for_department":33},"Director","68bc8f4474c5e036819c01d0","Directing",{"id":68,"job":69,"name":70,"adult":6,"gender":19,"credit_id":71,"department":72,"popularity":40,"profile_path":24,"original_name":70,"known_for_department":72},2039387,"Producer","Wendy Espinal","68bc8f56e5b0c6eb7d947403","Production",{"id":27,"job":69,"name":28,"adult":6,"gender":19,"credit_id":74,"department":72,"popularity":32,"profile_path":24,"original_name":28,"known_for_department":33},"68bc8f70f23d3e3203947326",{"id":76,"job":77,"name":78,"adult":6,"gender":20,"credit_id":79,"department":80,"popularity":56,"profile_path":24,"original_name":78,"known_for_department":80},3147205,"Editor","Gina Giudicelli","68bc8f8474c5e036819c01d4","Editing",{"id":27,"job":82,"name":28,"adult":6,"gender":19,"credit_id":83,"department":33,"popularity":32,"profile_path":24,"original_name":28,"known_for_department":33},"Writer","68bd8f14575a1efdb59bc1f3",{"id":76,"job":82,"name":78,"adult":6,"gender":20,"credit_id":85,"department":33,"popularity":56,"profile_path":24,"original_name":78,"known_for_department":80},"68bd8f20a0a80ad1114e5e9d",{"id":87,"job":82,"name":88,"adult":6,"gender":19,"credit_id":89,"department":33,"popularity":56,"profile_path":24,"original_name":88,"known_for_department":33},5676096,"Natalia Peralta Rincon","68bd8f3cae6c28830e9bc24b","tt36048603",71,{"page":20,"results":93,"total_pages":285,"total_results":286},[94,107,116,128,135,141,151,163,174,182,190,201,210,220,228,237,248,259,268,278],{"id":95,"adult":6,"title":96,"video":6,"overview":97,"softcore":6,"genre_ids":98,"popularity":101,"vote_count":44,"poster_path":102,"release_date":103,"vote_average":104,"backdrop_path":105,"original_title":96,"original_language":106},985518,"Marilyn, la dernière vérité","Grâce à des mèches de cheveux de Marilyn Monroe et aux prouesses de la génétique, ce documentaire suit une palpitante enquête scientifique permettant de retrouver son père biologique, et sa nouvelle famille, qui vit encore aux États-Unis.",[11,99,100],10770,9648,0.3611,"\u002FlHSlGxlWxJfClqblFZAlPJAtgcW.jpg","2022-05-11",6.5,"\u002F9JnhIXhs2p4cr9iKTsEZjgUpYYe.jpg","fr",{"id":108,"adult":6,"title":109,"video":6,"overview":110,"softcore":6,"genre_ids":111,"popularity":112,"vote_count":29,"poster_path":113,"release_date":114,"vote_average":54,"backdrop_path":24,"original_title":109,"original_language":115},9553,"Lenin kam nur bis Lüdenscheid - Meine kleine deutsche Revolution","",[11],0.2426,"\u002FjZkPnclrLuAnE8PZQTkKPC4oF74.jpg","2008-02-11","de",{"id":117,"adult":6,"title":118,"video":6,"overview":119,"softcore":6,"genre_ids":120,"popularity":121,"vote_count":122,"poster_path":123,"release_date":124,"vote_average":125,"backdrop_path":126,"original_title":118,"original_language":127},611609,"Blood & Flesh: The Reel Life & Ghastly Death of Al Adamson","Aussi roublard et pingre que Roger Corman, aussi passionné et talentueux que Ed Wood, Al Adamson est l’auteur d’un nombre de productions d’exploitation dont les titres permettent à eux seuls de saisir la saveur bis des œuvres : Dracula contre Frankenstein, Horror of the Blood Monsters ou encore Psycho a Go-Go et tant d’autres.",[11],0.3357,25,"\u002FqmuTjCSdCP1T6Ka5WvCZO7HJoQZ.jpg","2019-08-23",6.8,"\u002FcIimi5O9iqdhChJvQD6WV3ctF5q.jpg","en",{"id":129,"adult":6,"title":130,"video":6,"overview":110,"softcore":6,"genre_ids":131,"popularity":132,"vote_count":19,"poster_path":133,"release_date":134,"vote_average":19,"backdrop_path":24,"original_title":130,"original_language":127},984615,"Idas e Vindas",[11],0.1403,"\u002Favrn9N88ooBy7OUFJ2HZqLraTWL.jpg","2024-01-31",{"id":136,"adult":6,"title":137,"video":6,"overview":110,"softcore":6,"genre_ids":138,"popularity":139,"vote_count":19,"poster_path":24,"release_date":140,"vote_average":19,"backdrop_path":24,"original_title":137,"original_language":127},261115,"Inés, Recuerdos de una Vida",[11],0.1455,"2014-03-16",{"id":142,"adult":6,"title":143,"video":6,"overview":144,"softcore":6,"genre_ids":145,"popularity":146,"vote_count":60,"poster_path":147,"release_date":148,"vote_average":149,"backdrop_path":150,"original_title":143,"original_language":106},978261,"Chambre 999","Le cinéma est-il un langage en train de se perdre, un art qui va mourir ? » : Wim Wenders posait cette question à seize de ses confrères réalisateurs dans CHAMBRE 666 en 1982. Quarante ans plus tard, Lubna Playoust utilise le même dispositif et pose la question à 30 cinéastes contemporains présents à Cannes cette année-là.",[11],0.8742,"\u002FwlQyQ0khZHIKTHbmDtWQL3gKeSa.jpg","2023-10-05",5.6,"\u002FnnoGCpmd4ZzpXP0Eb0N9bsboH9g.jpg",{"id":152,"adult":6,"title":153,"video":6,"overview":154,"softcore":6,"genre_ids":155,"popularity":158,"vote_count":20,"poster_path":159,"release_date":160,"vote_average":161,"backdrop_path":162,"original_title":153,"original_language":106},1339493,"Les Charlots en folie","Faisant souffler un vent de fraîcheur et de modernité, Les Charlots ont connu une popularité hors normes dans les années 70 et 80. Évoluant dans un style comique et parodique, ils ont su mêler musique, cabaret et cinéma.\r À l'aide d'archives inédites et issues de leurs collections personnelles, ce documentaire dévoile les coulisses d'une incroyable success-story, minée par une relation conflictuelle avec celui qui fut leur producteur : Christian Fechner.  Depuis l'époque où la bienveillance, l'humour et la folie douce se conjuguaient en un seul nom, Les Charlots ont laissé une empreinte indélébile dans le cœur du public.",[11,156,99,157],35,36,0.3457,"\u002FzhencpfBWNf9vcp39l2pwLTqwJK.jpg","2024-08-27",8,"\u002FwpM3smL6KxtTukc78LER25CbKWK.jpg",{"id":164,"adult":6,"title":165,"video":6,"overview":110,"softcore":6,"genre_ids":166,"popularity":167,"vote_count":168,"poster_path":169,"release_date":170,"vote_average":171,"backdrop_path":172,"original_title":173,"original_language":127},3147,"Les fichiers de Frankenstein",[11],0.2564,11,"\u002FbHt8qrf8rHh6NY27l0qqFGg134y.jpg","1999-01-01",7.727,"\u002FqwhGTT2VH7ep35sorSBJvWwl5Rx.jpg","The 'Frankenstein' Files: How Hollywood Made a Monster",{"id":175,"adult":6,"title":176,"video":6,"overview":177,"softcore":6,"genre_ids":178,"popularity":179,"vote_count":20,"poster_path":180,"release_date":181,"vote_average":60,"backdrop_path":24,"original_title":176,"original_language":106},258766,"Yakuza Eiga, une histoire du cinéma yakuza","Descendant des films des samouraïs, le cinéma des yakuzas arrive sur les écrans japonais au début des années 60. Grâce à lui, les gangsters japonais accèdent au rang de mythe. Les clans participent à cette industrie cinématographique : non seulement ils la soutiennent financièrement, mais ils acceptent de raconter aux scénaristes leurs méthodes et leurs histoires.",[11,157],0.798,"\u002FkzdMmciW5TJaahyKDdY3bFI6rg1.jpg","2009-02-12",{"id":183,"adult":6,"title":184,"video":6,"overview":110,"softcore":6,"genre_ids":185,"popularity":186,"vote_count":29,"poster_path":187,"release_date":188,"vote_average":189,"backdrop_path":24,"original_title":184,"original_language":127},1354900,"Ishiro Honda: Memoirs of a Film Director",[11,157],0.6753,"\u002F3qMbCwWcNFNgBe6HAPs0jcc3nqI.jpg","2024-10-04",7.5,{"id":191,"adult":6,"title":192,"video":6,"overview":193,"softcore":6,"genre_ids":194,"popularity":195,"vote_count":196,"poster_path":197,"release_date":198,"vote_average":199,"backdrop_path":200,"original_title":192,"original_language":127},614637,"Woodlands Dark and Days Bewitched: A History of Folk Horror","Une exploration de l'histoire cinématographique de l'horreur populaire, depuis ses débuts au Royaume-Uni à la fin des années 60 ; en passant par sa prolifération à la télévision britannique dans les années 70 et ses nombreuses manifestations, culturellement spécifiques, dans d'autres pays ; jusqu'à sa résurgence au cours de la dernière décennie.",[11,157],0.7784,31,"\u002FhW1TFe8Q6W4p6hxFbWOTWvwoySg.jpg","2021-09-09",7.597,"\u002FtEyWHYvNh60MsQbPIuZf46rsWo5.jpg",{"id":202,"adult":6,"title":203,"video":6,"overview":204,"softcore":6,"genre_ids":205,"popularity":206,"vote_count":49,"poster_path":207,"release_date":208,"vote_average":104,"backdrop_path":209,"original_title":203,"original_language":106},987248,"Penélope Cruz : les reflets de la passion","Un récit de la vie et de l'œuvre de l'actrice espagnole Penélope Cruz : un long voyage qui a commencé dans les quartiers populaires de Madrid et s'est terminé dans les collines d'Hollywood.",[11,157,99],0.234,"\u002F7EYpXD7jbcAxA5QPRaq6Swixwb1.jpg","2022-07-17","\u002FxxIm0rmvLxMqarzT3TuduGSfII3.jpg",{"id":211,"adult":6,"title":212,"video":6,"overview":213,"softcore":6,"genre_ids":214,"popularity":215,"vote_count":216,"poster_path":217,"release_date":218,"vote_average":189,"backdrop_path":219,"original_title":212,"original_language":106},798143,"Voyage à travers le cinéma français","Ce travail de citoyen et d’espion, d’explorateur et de peintre, de chroniqueur et d’aventurier qu’ont si bien décrit tant d’auteurs, de Casanova à Gilles Perrault, n’est-ce pas une belle définition du métier de cinéaste que l’on a envie d’appliquer à Renoir, à Becker, au Vigo de l’Atalante, à Duvivier, aussi bien qu’à Truffaut ou Demy. A Max Ophuls et aussi à Bresson. Et à des metteurs en scène moins connus, Grangier, Gréville ou encore Sacha, qui, au détour d’une scène ou d’un film, illuminent une émotion, débusquent des vérités surprenantes. Je voudrais que ce film soit un acte de gratitude envers tous ceux, cinéastes, scénaristes, acteurs et musiciens qui ont surgi dans ma vie. La mémoire réchauffe : ce film, c’est un peu de charbon pour les nuits d’hiver.",[11,157],0.2682,10,"\u002FmptpeCTg2td98gN1GnDWIa5zH68.jpg","2016-10-12","\u002Fnh62Ge5ddBSBzKJ6szEyuYmt99n.jpg",{"id":221,"adult":6,"title":222,"video":6,"overview":110,"softcore":6,"genre_ids":223,"popularity":224,"vote_count":49,"poster_path":225,"release_date":226,"vote_average":60,"backdrop_path":227,"original_title":222,"original_language":127},255406,"The Omen Legacy",[11],0.434,"\u002FjESNKDVmHjbdUy8LK9H94DwBQLN.jpg","2001-10-30","\u002Fybl1TTEY2KyGVyUBmI0diNf41Mv.jpg",{"id":229,"adult":6,"title":230,"video":6,"overview":231,"softcore":6,"genre_ids":232,"popularity":233,"vote_count":20,"poster_path":234,"release_date":235,"vote_average":161,"backdrop_path":236,"original_title":230,"original_language":106},978384,"Cannes : Palmes, scandales et tapis rouge","Comment le Festival de Cannes a-t-il pu devenir le plus grand rendez-vous de cinéma du monde ? Depuis 75 ans, Cannes réussit ce prodige de placer le cinéma, ses fastes parfois dérisoires mais aussi ses exigences de grand art moderne, au centre de tout, comme si, l'espace de dix jours de mai, rien n'était plus important que lui. Ce film raconte comment Cannes est devenu le plus grand festival de cinéma du monde en s'ouvrant à la modernité cinématographique tout en n'oubliant jamais que le cinéma reste un art du spectacle, un art populaire.",[11,99],0.2346,"\u002FlOJYX2EGttiAoobZLRrlrIQfOYl.jpg","2022-05-17","\u002F56N9TigOJ8hnngTpNOiVMNULiHm.jpg",{"id":238,"adult":6,"title":239,"video":6,"overview":240,"softcore":6,"genre_ids":241,"popularity":243,"vote_count":196,"poster_path":244,"release_date":245,"vote_average":246,"backdrop_path":247,"original_title":239,"original_language":127},617031,"In Search of Tomorrow","Un voyage nostalgique à travers les films Sc-Fi des années 80, explorant leur impact et leur pertinence aujourd'hui, raconté par les artistes qui les ont réalisés et par ceux qui ont été inspirés pour transformer leurs visions en réalité.",[11,242],878,1.0608,"\u002Fn7tRI2GK1fLnXcmNO8cpFBAtSO2.jpg","2022-02-19",6.6,"\u002F2jOEfIIzbEwMiSpPq91tUZoYzUp.jpg",{"id":249,"adult":6,"title":250,"video":6,"overview":251,"softcore":6,"genre_ids":252,"popularity":253,"vote_count":254,"poster_path":255,"release_date":256,"vote_average":257,"backdrop_path":258,"original_title":250,"original_language":106},256263,"Le temps perdu","Une jeune fille de 16 ans se souvient des derniers moments de ses vacances d'été, passées avec des amis dans les Laurentides, au nord de Montréal. Elle se souvient de leurs discussions sur la vie, la mort, l'amour et Dieu. Tourné dans un style de cinéma direct, à partir d'un scénario qui laissait aux adolescents la possibilité d'improviser et d'exprimer leurs propres pensées, le film cherchait à saisir l'immédiateté de la présence des jeunes, de leur corps, de leur langage, de leur environnement.",[11],0.1847,9,"\u002Fo68THzd3lxWxgSFPJoM72HZwjmX.jpg","1964-01-01",6.444,"\u002FiQslkEeXri3rFANFtwNVRqqVnPN.jpg",{"id":260,"adult":6,"title":261,"video":6,"overview":110,"softcore":6,"genre_ids":262,"popularity":263,"vote_count":168,"poster_path":264,"release_date":265,"vote_average":171,"backdrop_path":266,"original_title":261,"original_language":267},257147,"無涯：杜琪峯的電影世界",[11],1.1375,"\u002FzPHKFeyKQn5R9zDNr8oQ46cXyr4.jpg","2013-11-02","\u002FiCHhFi4JhGtgnOUKL8xqGmXXU7E.jpg","cn",{"id":269,"adult":6,"title":270,"video":6,"overview":271,"softcore":6,"genre_ids":272,"popularity":275,"vote_count":19,"poster_path":276,"release_date":110,"vote_average":19,"backdrop_path":277,"original_title":270,"original_language":106},1522664,"Oko","D’étranges images se dissimulent dans l'album photo de ma mère, clichés de sa jeunesse en Russie dans un groupe de yoga haut en couleur. Aujourd’hui, elle se voue à d’autres cultes ; tous entraînent leur lot de propagande, de gourous, de rites, et bien entendu de sacrifices. Je l'incarne pour la comprendre, ou l'exorciser.",[273,11,274],18,27,0.1522,"\u002FhjuudWGBhAgNl8AASlSHs4APIHw.jpg","\u002FliwBEFlcWzlFoRgOMCGZZLdD3ny.jpg",{"id":279,"adult":6,"title":280,"video":6,"overview":110,"softcore":6,"genre_ids":281,"popularity":282,"vote_count":20,"poster_path":283,"release_date":284,"vote_average":60,"backdrop_path":24,"original_title":280,"original_language":127},621394,"Yesterday's Witness",[11],0.1525,"\u002FyT2DzCbKQSbGSjwaOxFN3FnJfS3.jpg","1976-11-01",11354,227066,0.1338,"\u002Fnk7COZyZHBq4Jjtf3KUHpBr31cS.jpg","2025-04-07","\u002F2Cuo296x4gfO0H0n3ZVhsjcZXI6.jpg",[292],"DO",{"results":294},{},[296,298,302],{"name":297,"iso_639_1":127,"english_name":297},"English",{"name":299,"iso_639_1":300,"english_name":301},"Italiano","it","Italian",{"name":303,"iso_639_1":304,"english_name":305},"Español","es","Spanish",[307],{"id":308,"name":309,"logo_path":24,"origin_country":110},273416,"Cine Carmelita",[311],{"name":312,"iso_3166_1":292},"Dominican Republic",45,"Un récit documentaire qui fait souvent mouche.",[]]