[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1619693-fr-FR":3},{"detail":4,"match":270,"insight":271,"providers":272,"providerLink":43,"trailer":43},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":43,"revenue":8,"runtime":8,"similar":62,"tagline":80,"homepage":80,"overview":80,"softcore":6,"popularity":259,"vote_count":8,"poster_path":43,"release_date":80,"vote_average":8,"backdrop_path":43,"origin_country":260,"original_title":7,"watch\u002Fproviders":262,"spoken_languages":264,"original_language":86,"production_companies":268,"production_countries":269,"belongs_to_collection":43},1619693,false,"Geografía personal",0,[10],{"id":11,"name":12},99,"Documentaire","Released",{"results":15},[],{"cast":17,"crew":18},[],[19,28,32,36,44,51,55],{"id":20,"job":21,"name":22,"adult":6,"gender":23,"credit_id":24,"department":25,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},1348324,"Director","Marilú Mallet",1,"696ed0fdac35787a6f7faa65","Directing",0.0759,"\u002Fe6mfogPIk15ngXAfYbzIKzzFqdN.jpg",{"id":20,"job":29,"name":22,"adult":6,"gender":23,"credit_id":30,"department":31,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},"Production Director","696ed15b6fd884581bf12beb","Production",{"id":20,"job":33,"name":22,"adult":6,"gender":23,"credit_id":34,"department":35,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},"Screenplay","696ed18c17cda064c67fad9e","Writing",{"id":37,"job":38,"name":39,"adult":6,"gender":8,"credit_id":40,"department":41,"popularity":42,"profile_path":43,"original_name":39,"known_for_department":41},1739676,"Editor","Oana Suteu","696ed1a22a2c6acab1dcc0bd","Editing",0.0071,null,{"id":45,"job":46,"name":47,"adult":6,"gender":8,"credit_id":48,"department":49,"popularity":50,"profile_path":43,"original_name":47,"known_for_department":49},2650012,"Music","Eric Lemoyne","696ed1ca491fd52f47aab6e1","Sound",0.0168,{"id":20,"job":52,"name":22,"adult":6,"gender":23,"credit_id":53,"department":54,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},"Director of Photography","696ed1e4793a230f3ef1290e","Camera",{"id":56,"job":57,"name":58,"adult":6,"gender":59,"credit_id":60,"department":54,"popularity":61,"profile_path":43,"original_name":58,"known_for_department":54},278888,"Camera Operator","David Bravo",2,"696ed1f078cfacdbeaf95507",0.144,{"page":23,"results":63,"total_pages":257,"total_results":258},[64,77,87,96,106,117,129,141,151,159,166,174,184,194,201,213,218,228,237,247],{"id":65,"adult":6,"title":66,"video":6,"overview":67,"softcore":6,"genre_ids":68,"popularity":70,"vote_count":71,"poster_path":72,"release_date":73,"vote_average":74,"backdrop_path":75,"original_title":66,"original_language":76},1564890,"Sacrée Sécu","Le monde entier nous l’envie, elle est le symbole d’une France solidaire, une fierté nationale, presque une idole ! La Sécurité Sociale fête ses 80 ans.  Mais à l’heure où les comptes publics affichent un déficit abyssal, à l’heure où la pyramide des âges s’inverse, son avenir et son financement posent question. Comment pérenniser le joyau sans lui faire perdre son éclat ? Peut-on toucher à l’intouchable ?  « Sacrée Sécu » lève le voile sur l’histoire, les légendes et les tabous qui entourent un modèle unique au monde.",[11,69],36,0.2652,3,"\u002FwCiOjAADWV49MUaImtVV1pUYJO5.jpg","2025-10-18",6,"\u002F2qdssgdQvvab2uPNUU7Nv73BjIO.jpg","fr",{"id":78,"adult":6,"title":79,"video":6,"overview":80,"softcore":6,"genre_ids":81,"popularity":82,"vote_count":8,"poster_path":83,"release_date":84,"vote_average":8,"backdrop_path":85,"original_title":79,"original_language":86},830639,"A cambio de tu vida","",[11],0.1337,"\u002FjkIts26cqLYbk51KG74KiwbTOTG.jpg","2021-05-18","\u002FiFdLaPwAy4SqTKTibB0yIbEyQdk.jpg","es",{"id":88,"adult":6,"title":89,"video":6,"overview":90,"softcore":6,"genre_ids":91,"popularity":92,"vote_count":74,"poster_path":93,"release_date":94,"vote_average":95,"backdrop_path":43,"original_title":89,"original_language":76},291017,"Fin de concession","Pierre Carles s'interroge sur la privatisation de la première chaîne de télévision française : n'est-il pas scandaleux que TF1\u002FBouygues ait vu sa concession renouvelée automatiquement depuis 1987 ?  Reprenant son combat anti-télé inauguré avec Pas vu pas pris, son premier film, il se confronte aux responsables de l'information qui ont toujours évité d'aborder ce sujet tabou. Mais l'enquête ne se déroule pas comme prévu : les vieux dinosaures et les jeunes gardiens du PAF savent désormais comment s'y prendre avec le critique des médias.  Pour retrouver son « fighting spirit », Carles bat le rappel de ses amis et change de méthodes...  Dorénavant, finies les concessions !",[11],0.2212,"\u002FfKr1q6N1tDnDRtvOcNdXD32UAEC.jpg","2010-10-27",6.8,{"id":97,"adult":6,"title":98,"video":99,"overview":80,"softcore":6,"genre_ids":100,"popularity":101,"vote_count":23,"poster_path":102,"release_date":103,"vote_average":104,"backdrop_path":105,"original_title":98,"original_language":86},647422,"Caos de tránsito",true,[11],0.2224,"\u002F9I4wQsEc7BXifBAouhUlldrgA5L.jpg","2018-10-09",10,"\u002FuWoPeLxFczQ6Q24Vtth95FRpxyY.jpg",{"id":107,"adult":6,"title":108,"video":6,"overview":80,"softcore":6,"genre_ids":109,"popularity":110,"vote_count":111,"poster_path":112,"release_date":113,"vote_average":114,"backdrop_path":115,"original_title":108,"original_language":116},471575,"Antifascisterna",[11],0.1485,9,"\u002F5jwZikDR45VOMhAXpxkozKnFYry.jpg","2017-03-09",7,"\u002FtVQ5tlMyJAd8rJNpJ0rSsxh8lZh.jpg","sv",{"id":118,"adult":6,"title":119,"video":6,"overview":80,"softcore":6,"genre_ids":120,"popularity":124,"vote_count":59,"poster_path":125,"release_date":126,"vote_average":111,"backdrop_path":127,"original_title":119,"original_language":128},833345,"Pozzis, Samarcanda",[121,11,122,123],12,35,18,0.2609,"\u002F3zoWJewh1tkSwJWKnGCwC7xy4SX.jpg","2021-05-30","\u002FicUa8XtRrQNMmu9XA3rkCI1zISx.jpg","it",{"id":130,"adult":6,"title":131,"video":6,"overview":132,"softcore":6,"genre_ids":133,"popularity":134,"vote_count":135,"poster_path":136,"release_date":137,"vote_average":138,"backdrop_path":139,"original_title":131,"original_language":140},41217,"Looking for Fidel","Second documentaire du réalisateur Oliver Stone sur l'interview de Fidel Castro à Cuba qui s'adresse directement à ses dissidents cubains. Diffusé dans le cadre de la série télévisée américaine America Undercover, suite à l'exécution de trois dissidents aux États-Unis.",[11],0.2808,16,"\u002FfeZvDedyfW5OSZuGyDGfqoWes4I.jpg","2004-04-14",6.1,"\u002Frqt9cHzdysTREBUFvNQrI02pkrw.jpg","en",{"id":142,"adult":6,"title":143,"video":6,"overview":144,"softcore":6,"genre_ids":145,"popularity":147,"vote_count":59,"poster_path":148,"release_date":149,"vote_average":114,"backdrop_path":150,"original_title":143,"original_language":76},645995,"Turquie, nation impossible","L'histoire de la Turquie a été façonnée par deux grandes figures politiques : Mustafa Kemal (1881-1934), connu sous le nom d'Atatürk, le père des Turcs, fondateur de l'État moderne, et l'actuel président Recep Tayyıp Erdoğan, qui souhaite apparemment que la Turquie retrouve la prééminence politique et militaire qu'elle avait en tant qu'empire sous la dynastie ottomane.",[11,69,146],10770,0.38,"\u002F7FmQ7vziOd2zwa5M1nuQbIV1AoC.jpg","2019-10-22","\u002FcQnTtTIy3WttfG8NxIYnNVYYRlx.jpg",{"id":152,"adult":6,"title":153,"video":6,"overview":80,"softcore":6,"genre_ids":154,"popularity":155,"vote_count":111,"poster_path":156,"release_date":157,"vote_average":158,"backdrop_path":43,"original_title":153,"original_language":140},41856,"...So Goes the Nation",[11],0.5314,"\u002FrxsauQkTVVnWJCUZOsI79OXJgOl.jpg","2006-10-04",6.889,{"id":160,"adult":6,"title":161,"video":6,"overview":80,"softcore":6,"genre_ids":162,"popularity":163,"vote_count":8,"poster_path":164,"release_date":165,"vote_average":8,"backdrop_path":43,"original_title":161,"original_language":140},1205046,"No One Asked You",[11],0.4135,"\u002FwNmmQUwlXiIs2dMArkmuAX1GQ1f.jpg","2023-11-13",{"id":167,"adult":6,"title":168,"video":6,"overview":80,"softcore":6,"genre_ids":169,"popularity":170,"vote_count":8,"poster_path":171,"release_date":172,"vote_average":8,"backdrop_path":173,"original_title":168,"original_language":140},300340,"The State of Arizona",[11],0.129,"\u002FaBcS3WPwfZvOpAGefsGaZ9ADK50.jpg","2014-01-27","\u002F9NC8SrGq8s1yo3b5WfFlteqA0Sz.jpg",{"id":175,"adult":6,"title":176,"video":6,"overview":80,"softcore":6,"genre_ids":177,"popularity":178,"vote_count":179,"poster_path":180,"release_date":181,"vote_average":182,"backdrop_path":183,"original_title":176,"original_language":140},655154,"Do Not Split",[11],0.2448,33,"\u002FrPZoRW1mtUa5csfJhKzF1pKjy0R.jpg","2020-01-24",7.379,"\u002FdXXMFWYbxRl9Lhx2Z9mgajREAmt.jpg",{"id":185,"adult":6,"title":186,"video":6,"overview":80,"softcore":6,"genre_ids":187,"popularity":188,"vote_count":179,"poster_path":189,"release_date":190,"vote_average":191,"backdrop_path":192,"original_title":186,"original_language":193},850884,"時代革命",[11],0.3456,"\u002Fe8zQjFBaQlbs8vAm9VCnlqCfPm2.jpg","2021-11-22",8.3,"\u002F2fmUqn5BjWFzXvG2ytjUMc88CYL.jpg","cn",{"id":195,"adult":6,"title":196,"video":6,"overview":80,"softcore":6,"genre_ids":197,"popularity":198,"vote_count":8,"poster_path":199,"release_date":200,"vote_average":8,"backdrop_path":43,"original_title":196,"original_language":140},850455,"The American Question",[11],0.2058,"\u002F2zzd9kUqiMhBQktty06HAiBIcJe.jpg","2024-10-29",{"id":202,"adult":6,"title":203,"video":6,"overview":204,"softcore":6,"genre_ids":205,"popularity":206,"vote_count":74,"poster_path":207,"release_date":208,"vote_average":209,"backdrop_path":210,"original_title":211,"original_language":212},1411805,"L'effet Helsinki : 1975, l'acte final et la fin du rideau de fer","Signé le 1er aout 1975 à Helsinki, l'acte final de la conférence sur la sécurité et la coopération en Europe amorce la fin de la guerre froide. Retour sur un sommet majeur.",[11,69],0.2992,"\u002Fwddt6jh2f5KW4VArlSjEz5Gtg1c.jpg","2025-02-21",7.9,"\u002FaPqVFaqSdO2MHxtynQLIinTDEJ8.jpg","The Helsinki Effect","fi",{"id":214,"adult":6,"title":215,"video":6,"overview":80,"softcore":6,"genre_ids":216,"popularity":217,"vote_count":8,"poster_path":43,"release_date":80,"vote_average":8,"backdrop_path":43,"original_title":215,"original_language":140},1585333,"غزاں را شیر",[11],0.1521,{"id":219,"adult":6,"title":220,"video":99,"overview":80,"softcore":6,"genre_ids":221,"popularity":223,"vote_count":23,"poster_path":224,"release_date":225,"vote_average":226,"backdrop_path":43,"original_title":220,"original_language":227},60833,"The Kelly Family: Cover the Road",[222,11],10402,0.1921,"\u002Fs3nKgYzYOMUhBUbzoVVrTb3xR93.jpg","2003-12-15",8,"de",{"id":229,"adult":6,"title":230,"video":6,"overview":231,"softcore":6,"genre_ids":232,"popularity":233,"vote_count":23,"poster_path":234,"release_date":235,"vote_average":226,"backdrop_path":236,"original_title":230,"original_language":76},1412840,"La Justice sous l'Occupation","Le régime de Vichy a imposé sa légitimité grâce à une collaboration active des magistrats, utilisant le droit comme instrument de répression et de persécution, notamment contre les Juifs, les communistes et les résistants. Les juges, souvent les mêmes sous la Troisième République et la Libération, ont appliqué des peines sévères, allant de l'amende à la peine de mort, en soutenant le régime autoritaire. Le film explore cette complicité judiciaire, soulevant des questions sur la tension entre justice, politique, liberté individuelle et ordre national dans une société démocratique.",[11,69],0.3099,"\u002F6zyS5jFlTXuvLJBRKlNROGAeSCU.jpg","2024-11-28","\u002Fxv3hp9NzZ5wpKwoajBi5xqJ87D1.jpg",{"id":238,"adult":6,"title":239,"video":6,"overview":240,"softcore":6,"genre_ids":241,"popularity":242,"vote_count":111,"poster_path":243,"release_date":244,"vote_average":245,"backdrop_path":246,"original_title":239,"original_language":76},61758,"Enfin pris ?","A travers ce documentaire, Pierre Carles prend pour cible les faux critiques de la télévision, dont la figure emblématique n'est autre que Daniel Schneidermann, l'animateur de l'émission \"Arrêt sur images\".",[11],0.2017,"\u002FcaAC7RLCqJbu8kaT4QJkt1QKWhI.jpg","2002-10-02",6.833,"\u002F3FGcM5nUiAiTXJ6iQxdLxvrcwWU.jpg",{"id":248,"adult":6,"title":249,"video":6,"overview":250,"softcore":6,"genre_ids":251,"popularity":252,"vote_count":114,"poster_path":253,"release_date":254,"vote_average":255,"backdrop_path":256,"original_title":249,"original_language":140},35860,"Ghost Rider 2 Goes Wild","Deuxieme film de Ghost Rider se déroulant principalement près de Stockholm en Suède. Avec sa Suzuki GSXR 1300CC Hayabusa Turbo Special de 500 chevaux, Ghost Rider lance des wheelings à plus de 300 km\u002Fh en pleine autoroute. Epoustouflant vous en conviendrez ! Motos: Hayabusa Turbo 500bhp; GSXR 1000 k2",[11],0.235,"\u002FcAIIbPcbay5mtKcCrqmYm5IQ0Bu.jpg","2003-11-13",7.4,"\u002FvUyPKwRt8P2OGvDJc7OHr4Drbgt.jpg",11495,229891,0.1114,[261],"CA",{"results":263},{},[265],{"name":266,"iso_639_1":86,"english_name":267},"Español","Spanish",[],[],45,"Un récit documentaire qui fait souvent mouche.",[]]