[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1627567-fr-FR":3},{"detail":4,"match":285,"insight":286,"providers":287,"providerLink":6,"trailer":6},{"adult":5,"backdrop_path":6,"belongs_to_collection":6,"budget":7,"genres":8,"homepage":15,"id":16,"imdb_id":6,"origin_country":17,"original_language":19,"original_title":20,"overview":21,"popularity":22,"poster_path":23,"production_companies":24,"production_countries":65,"release_date":66,"revenue":7,"runtime":67,"softcore":5,"spoken_languages":68,"status":69,"tagline":40,"title":20,"video":5,"vote_average":7,"vote_count":7,"credits":70,"similar":107,"watch\u002Fproviders":281,"videos":283},false,null,0,[9,12],{"id":10,"name":11},99,"Documentaire",{"id":13,"name":14},36,"Histoire","https:\u002F\u002Fimagesdelaculture.cnc.fr\u002F-\u002Fenfants-d-octobre",1627567,[18],"FR","fr","Enfants d’octobre","Ouvrière, puis employée de bureau, Alima Arouali est aujourd’hui monteuse de films. Elle se souvient : son enfance au bidonville du Petit Nanterre, la guerre d’Algérie, la manifestation du 17 octobre 1961, son analyse, son conjoint français... Retour commenté sur les lieux et les événements marquants de son parcours, ponctué d’interviews, d’images d’archives et d’échanges avec sa mère et sa sœur.",0.5911,"\u002FuiH9Tpc7526wVcVx6bDTnvK8Kol.jpg",[25,29,33,37,41,45,48,52,55,58,62],{"id":26,"logo_path":27,"name":28,"origin_country":18},10901,"\u002F8dNHWgUlJNz9HHLtcdsz04jRtyi.png","Ministère de la culture",{"id":30,"logo_path":31,"name":32,"origin_country":18},310,"\u002F4Gp5A4YdjPBfsHT47ngHMaXWmb9.png","CNC",{"id":34,"logo_path":35,"name":36,"origin_country":18},11246,"\u002F4YZ5CQZkJa2FIKGtjLLoKhNOAIw.png","La Région Île-de-France",{"id":38,"logo_path":6,"name":39,"origin_country":40},125661,"Ville de Paris","",{"id":42,"logo_path":43,"name":44,"origin_country":18},311,"\u002FTNGvZ8zOklntjPP3EcsHtrR8Rc.png","PROCIREP",{"id":46,"logo_path":6,"name":47,"origin_country":40},162372,"La Culture avec la Copie Privée",{"id":49,"logo_path":50,"name":51,"origin_country":18},7131,"\u002FqpFsGoa96SytbWkhtkkpllu5Cch.png","France Télévisions",{"id":53,"logo_path":6,"name":54,"origin_country":40},75615,"Fonds d'Action de la Sacem, Le",{"id":56,"logo_path":6,"name":57,"origin_country":40},99416,"UniFrance",{"id":59,"logo_path":60,"name":61,"origin_country":18},48515,"\u002FluL767CdBzGH92Q6uJeY6oBdik2.png","Les Productions de la Lanterne",{"id":63,"logo_path":6,"name":64,"origin_country":18},17321,"Images Plus",[],"2000-01-01",51,[],"Released",{"cast":71,"crew":72},[],[73,80,89,95,100],{"adult":5,"gender":7,"id":74,"known_for_department":75,"name":76,"original_name":76,"popularity":77,"profile_path":6,"credit_id":78,"department":75,"job":79},2246208,"Editing","Myriam Aycaguer",0.1124,"69806065bccddc91a4b98b21","Editor",{"adult":5,"gender":81,"id":82,"known_for_department":83,"name":84,"original_name":84,"popularity":85,"profile_path":86,"credit_id":87,"department":83,"job":88},2,2131333,"Directing","Ali Akika",0.2524,"\u002FobmCkpLB2aqCwgBssaBsSO2GBpq.jpg","69806071d4336c055db98c09","Director",{"adult":5,"gender":7,"id":90,"known_for_department":91,"name":92,"original_name":92,"popularity":93,"profile_path":6,"credit_id":94,"department":91,"job":91},5980395,"Sound","Brice Cavallero",0.0143,"6980607ea6a869dea88c3c42",{"adult":5,"gender":7,"id":96,"known_for_department":91,"name":97,"original_name":97,"popularity":98,"profile_path":6,"credit_id":99,"department":91,"job":91},5980396,"Boghos Minassian",0.0496,"6980608bd27ca4bac8b98b7e",{"adult":5,"gender":7,"id":101,"known_for_department":83,"name":102,"original_name":102,"popularity":103,"profile_path":6,"credit_id":104,"department":105,"job":106},3087950,"Anne Galland",0.2172,"69806099379f281ff58c3ae3","Camera","Director of Photography",{"page":108,"results":109,"total_pages":279,"total_results":280},1,[110,119,128,135,146,155,162,170,180,186,198,208,219,227,233,242,250,258,267,272],{"adult":5,"backdrop_path":6,"genre_ids":111,"id":112,"title":113,"original_language":114,"original_title":113,"overview":40,"popularity":115,"poster_path":116,"release_date":117,"softcore":5,"video":5,"vote_average":118,"vote_count":108},[10],441944,"The Fall of the I-Hotel","en",0.5014,"\u002F1Vx476UfkXwSfR4m7564hnroA3v.jpg","1983-06-15",8,{"adult":5,"backdrop_path":120,"genre_ids":121,"id":123,"title":124,"original_language":114,"original_title":124,"overview":40,"popularity":125,"poster_path":126,"release_date":127,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FgxEn1IwSX5cyTk9MMt79vhvIaFO.jpg",[10,122],16,1187373,"Swimming with Wings",1.0541,"\u002F1QgiCyOjfHc1x1nCKVlFa1XhI8e.jpg","2025-05-15",{"adult":5,"backdrop_path":6,"genre_ids":129,"id":130,"title":131,"original_language":132,"original_title":131,"overview":40,"popularity":133,"poster_path":6,"release_date":134,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1378786,"Yökahvila Walkers","fi",0.4796,"1999-09-09",{"adult":5,"backdrop_path":136,"genre_ids":137,"id":138,"title":139,"original_language":140,"original_title":139,"overview":40,"popularity":141,"poster_path":142,"release_date":143,"softcore":5,"video":5,"vote_average":144,"vote_count":145},"\u002FyQLExY94NglyGOw77LGMk0fhwXA.jpg",[10],267044,"Mi vida dentro","es",0.9229,"\u002FcOxzAHbpmdroGlC5aiEcQ2RXaa5.jpg","2007-01-16",7.25,12,{"adult":5,"backdrop_path":147,"genre_ids":148,"id":149,"title":150,"original_language":151,"original_title":150,"overview":40,"popularity":152,"poster_path":153,"release_date":154,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002Fu94fHbToG3EfmQf5FC0GIhiNOBv.jpg",[10],449376,"Amerikanuak","eu",1.0032,"\u002F1QvBRoevsyVSRFJTSh5TN6Y6T0n.jpg","2010-11-19",{"adult":5,"backdrop_path":6,"genre_ids":156,"id":157,"title":158,"original_language":114,"original_title":158,"overview":40,"popularity":159,"poster_path":160,"release_date":161,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1559553,"Locked in a Box: Immigration Detention",0.4385,"\u002FdVYl2ZEIwahEQCaO5wapCjLGkgF.jpg","2015-07-12",{"adult":5,"backdrop_path":6,"genre_ids":163,"id":164,"title":165,"original_language":114,"original_title":165,"overview":40,"popularity":166,"poster_path":167,"release_date":168,"softcore":5,"video":5,"vote_average":169,"vote_count":81},[10],453904,"Strine Life",0.4518,"\u002Fa6Tw4c3hkqYcX8muAfU8eBOOHwc.jpg","2016-05-15",10,{"adult":5,"backdrop_path":171,"genre_ids":172,"id":173,"title":174,"original_language":140,"original_title":174,"overview":40,"popularity":175,"poster_path":176,"release_date":177,"softcore":5,"video":5,"vote_average":178,"vote_count":179},"\u002FeQIdJv3mBSFd4RVEUKT0Bz34Y5E.jpg",[10],272821,"Llévate mis amores",1.0625,"\u002FxBGYuXJHdY7MTNQdfslwdvUbYy9.jpg","2014-11-20",8.5,9,{"adult":5,"backdrop_path":6,"genre_ids":181,"id":182,"title":183,"original_language":114,"original_title":183,"overview":40,"popularity":184,"poster_path":6,"release_date":185,"softcore":5,"video":5,"vote_average":178,"vote_count":108},[10],8964,"Aan ons den arbeid",0.5815,"2007-11-28",{"adult":5,"backdrop_path":187,"genre_ids":188,"id":191,"title":192,"original_language":114,"original_title":192,"overview":40,"popularity":193,"poster_path":194,"release_date":195,"softcore":5,"video":5,"vote_average":196,"vote_count":197},"\u002FnV9ehd25kF2vbkO6VTA2Owd6wXn.jpg",[10,189,190],35,18,8985,"Visions of Europe",0.9992,"\u002F2v0gZZRiFVHNOraIbU21fDEzH4A.jpg","2004-05-01",5.227,22,{"adult":5,"backdrop_path":199,"genre_ids":200,"id":201,"title":202,"original_language":203,"original_title":202,"overview":40,"popularity":204,"poster_path":205,"release_date":206,"softcore":5,"video":5,"vote_average":207,"vote_count":108},"\u002Fam0zDgdXYjpMyEfCvijZjReGj6l.jpg",[10],439999,"Чужая работа","ru",0.8709,"\u002Fyxd3yJDwqFBzfw27Itwe7nCkn1F.jpg","2015-12-09",6,{"adult":5,"backdrop_path":209,"genre_ids":210,"id":211,"title":212,"original_language":19,"original_title":212,"overview":213,"popularity":214,"poster_path":215,"release_date":216,"softcore":5,"video":5,"vote_average":217,"vote_count":218},"\u002F11m5VYTwCnSBrWTjPw1N0Ch2U9L.jpg",[10,13],258941,"Ellis Island, une histoire du rêve américain","L’immigration aux États-Unis de 1892 à 1954, à travers un passionnant récit polyphonique qui embrasse la petite et la grande histoire.  En 1892, Ellis Island, dans la baie de New York, devient la principale porte d’entrée  aux États-Unis pour les immigrants qui arrivent de plus en plus nombreux d’Europe. Inauguré en 1900, après un incendie qui a ravagé les anciens bâtiments, l’immense centre aujourd’hui transformé en musée va voir passer, jusqu’à sa fermeture, quelque 12 millions de personnes. Parmi elles, l’actrice Pola Negri ou le producteur de cinéma Sam Goldwyn, venus de Pologne, l’écrivain tchèque George Voskovec, le gamin sicilien Salvatore Lucania, qui deviendra le chef suprême de la mafia sous le nom de Lucky Luciano, l’Irlandais William O'Dwyer, futur maire de New York... Comme les autres, ils ont traversé l'Atlantique pour fuir une existence misérable, persécutée ou incertaine en Europe, vers une nouvelle Terre promise qui ne les accueille pas toujours à bras ouverts.",0.697,"\u002FsCA6yTXeuhBUjALwvhJSfCuqnid.jpg","2014-03-11",5.7,3,{"adult":5,"backdrop_path":220,"genre_ids":221,"id":222,"title":223,"original_language":114,"original_title":223,"overview":40,"popularity":224,"poster_path":225,"release_date":226,"softcore":5,"video":5,"vote_average":169,"vote_count":108},"\u002Fe5LZqMmN1EkayBLHZyyMBdvqx5M.jpg",[10],999393,"Enemy Alien",1.3212,"\u002F5iSwM7x7pkTpBplZfLj5STwpP3a.jpg","2022-10-14",{"adult":5,"backdrop_path":6,"genre_ids":228,"id":229,"title":230,"original_language":114,"original_title":230,"overview":40,"popularity":231,"poster_path":6,"release_date":232,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[122,10],442995,"Portrait of a Wind-up Maker",0.5237,"2015-05-22",{"adult":5,"backdrop_path":234,"genre_ids":235,"id":236,"title":237,"original_language":238,"original_title":237,"overview":40,"popularity":239,"poster_path":240,"release_date":241,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FpYhVwU9HK9I9lRXVrWeBC9bEeaf.jpg",[10],810238,"オキナワ\u002Fサントス","ja",0.7788,"\u002F7T88r3EdHIqm2fZ0tfhf3KZQA2z.jpg","2020-11-05",{"adult":5,"backdrop_path":243,"genre_ids":244,"id":245,"title":246,"original_language":114,"original_title":246,"overview":40,"popularity":247,"poster_path":248,"release_date":249,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FewUm1YPuNcBf3V1Mv9NUxeBz0MA.jpg",[10],818580,"Welcome To Canada",0.6622,"\u002Fy7jQaR7XoWtjN2A42wKkNskkiiS.jpg","2016-11-21",{"adult":5,"backdrop_path":6,"genre_ids":251,"id":252,"title":253,"original_language":19,"original_title":253,"overview":254,"popularity":255,"poster_path":256,"release_date":257,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10,13],1565229,"Une vie en transit, ou l'illusion du provisoire","L’histoire sombre et méconnue des foyers et cités d’hébergement mis en place par l’État français pour loger, isoler et surveiller les immigré·es pendant les Trente Glorieuses. Face à la volonté politique de montrer un visage novateur, les témoignages renvoient à une tout autre réalité : celle d’une administration coloniale sur le sol métropolitain.",0.4508,"\u002F1kCcbgN8uwpW1ZMVTwtrvowoJT4.jpg","2024-01-01",{"adult":5,"backdrop_path":259,"genre_ids":260,"id":262,"title":263,"original_language":114,"original_title":263,"overview":40,"popularity":264,"poster_path":265,"release_date":266,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FfrN3mUcwdlEUbbvcYD3UdlztWfa.jpg",[10,261],10751,1389293,"Kitchen Dialogue",0.3655,"\u002F85s7owEd1jTM2PVuguvmgunPJJw.jpg","2025-04-19",{"adult":5,"backdrop_path":6,"genre_ids":268,"id":269,"title":223,"original_language":114,"original_title":223,"overview":40,"popularity":270,"poster_path":271,"release_date":40,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],452373,0.642,"\u002F5tqfPOc6kdU9ysfa5IBUcglfJwS.jpg",{"adult":5,"backdrop_path":6,"genre_ids":273,"id":274,"title":275,"original_language":19,"original_title":275,"overview":276,"popularity":277,"poster_path":6,"release_date":278,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],442245,"Brésiliens comme moi","A travers la rencontre avec une communauté brésilienne croissante, en grande partie illégale, et qui se manifeste par son énergie, sa vivacité, sa diversité, ce film espère oeuvrer pour une plus grande acceptation des étrangers en terre d'accueil.",1.6294,"2008-05-17",12398,247959,{"results":282},{},{"results":284},[],45,"Un récit documentaire qui fait souvent mouche.",[]]