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Participant à une véritable guerre des images contrant la propagande coloniale française, ces images avaient pour but de montrer les images censurées ou déformées par l'occupant, en montrant les exactions de l'armée d'occupation française : tortures, arrestations et exécutions arbitraires, bombardements au napalm, incendies dans les douars, villages entiers sont rayés de la carte etc.. que les médias français qualifiaient de \"campagne de pacification\".",[318,11],0.5224,"\u002FtciK1fCuXBCqIAXDgOM1GkXYEcB.jpg","1961-01-01","Sawt Echaâb",{"id":407,"adult":6,"title":408,"video":6,"overview":409,"softcore":6,"genre_ids":410,"popularity":412,"vote_count":130,"poster_path":413,"release_date":414,"vote_average":415,"backdrop_path":416,"original_title":408,"original_language":27},31327,"Nuit Noire, 17 Octobre 1961","Le 17 octobre 1961, 30 000 Algériens gagnent le centre de Paris pour une manifestation pacifique, à l'appel du FLN. Dans la soirée, des milliers de personnes sont arrêtées. Dans les jours qui suivent, on repêche des cadavres dans la Seine. Le film croise les destins de personnages qui ont, chacun, une vue partiale et partielle de la situation : Sabine, journaliste ; Nathalie, porteuse de valises ; Martin, jeune flic sans engagement politique ; Tierce, policier syndicaliste ; Tarek, ouvrier de nuit non militant ; son neveu, Abde, qui suit des cours du soir ; Ali Saïd, cadre du FLN ; Maurice, coordonnateur de la Fédération de France du FLN. A ces personnages s'ajoute une figure historique : le préfet Papon. A partir de la juxtaposition et de la confrontation de ces points de vue, le spectateur reconstitue le puzzle des événements, épouse tour à tour les \" vérités changeantes \" de chacun.",[411,14,181],10770,1.3927,"\u002FdqnJEjIi0xxIqNLgc5jsMkxu5zY.jpg","2005-06-07",7.5,"\u002F3dg7YOt1OB0wwEfRBeIPvexe07w.jpg",{"id":418,"adult":6,"title":419,"video":6,"overview":420,"softcore":6,"genre_ids":421,"popularity":422,"vote_count":43,"poster_path":423,"release_date":404,"vote_average":123,"backdrop_path":424,"original_title":419,"original_language":360},1239229,"Yasmina","\"Yasmina\" filmé en 1961 en pleine guerre d'Algérie raconte l'histoire d’une petite algérienne avec sa poule et sa famille dont le père à été tué dans un bombardement de l'armée coloniale d'occupation française. La famille après un long périple se dirige vers les camps de réfugiés à la frontière tunisienne. Produits par le Service Cinéma du Gouvernement Provisoire de la République Algérienne (GPRA) en pleine guerre d'indépendance, ces films étaient destinés à réinformer la population et l'opinion publique internationale sur les exactions commises par l'armée française coloniale : tortures, arrestations et exécutions arbitraires, bombardements au napalm, incendies dans les douars, villages entiers rayés de la carte etc. que les médias français qualifiaient de campagne de \"pacification\". Ces derniers censurant ou réorientant toutes images pouvant nuire au récit colonial.",[14],1.3686,"\u002FfwwnU8dtDn1t8zMSI1sC3lTjocE.jpg","\u002F28HH3PTD8SBtzxpHTWUnWO6DfIz.jpg",{"id":426,"adult":6,"title":427,"video":6,"overview":428,"softcore":6,"genre_ids":429,"popularity":430,"vote_count":123,"poster_path":431,"release_date":432,"vote_average":433,"backdrop_path":434,"original_title":427,"original_language":27},297148,"Les Oliviers de la justice","En 1962, un Français retourne à Alger au chevet de son père malade. En veillant ce père agonisant, il renoue avec sa terre natale, au moment où se consomme le divorce entre les deux rives de la Méditerranée.",[14],1.1344,"\u002FciUex1Vp3h5BGv7u6c5tingqpzi.jpg","1962-06-06",7.1,"\u002FxkMN6j6WYS0SsKRlmVag8nj2bEw.jpg",{"id":436,"adult":6,"title":437,"video":6,"overview":438,"softcore":6,"genre_ids":439,"popularity":440,"vote_count":174,"poster_path":441,"release_date":442,"vote_average":443,"backdrop_path":444,"original_title":437,"original_language":27},31517,"Avoir vingt ans dans les Aurès","En avril 1961, dans le massif de l'Aurès en Algérie, un commando de chasse, formé d'appelés bretons, affronte un groupe de l'Armée de libération nationale : il fait un prisonnier algérien. Le soldat français blessé au cours de l'accrochage, instituteur dans le civil, se rappelle les événements qu'il a vécus avec ses camarades au cours des derniers mois : leur opposition à la guerre en Algérie les a conduits dans un camp réservé aux insoumis ; il se remémore la façon dont leur chef a su les transformer, de jeunes Bretons antimilitaristes qu’ils étaient, en redoutables chasseurs de fellaghas, prêts à tuer et y prenant goût. Tous, sauf lui, cèdent progressivement à l'escalade de la violence. Le film a obtenu le Prix de la critique internationale au Festival de Cannes 1972.",[14,318],1.7471,"\u002FrMsCnhWK21FU1XF23vl0nloudpM.jpg","1972-05-12",7.6,"\u002F1b4HDTNzD679ki2rUrvsxqw9vjN.jpg",{"id":446,"adult":6,"title":447,"video":6,"overview":448,"softcore":6,"genre_ids":449,"popularity":450,"vote_count":35,"poster_path":451,"release_date":452,"vote_average":453,"backdrop_path":454,"original_title":447,"original_language":360},273112,"Algérie en flammes","Ce sont les premières images tournées dans les maquis de l'ALN, caméra au poing, à la fin de l'année 1956 et en 1957. Ces images de guerre prises dans les Aurès-Nementchas sont destinées à être la base d'un dialogue entre français et algériens pour la paix en Algérie, en montrant l'existence d'une organisation armée proche du peuple. Trois versions d'Algérie en flammes sont réalisées : française, allemande et arabe. Dès la fin du montage, le film circule sans aucune coupure à travers le monde, excepté en France où la première projection a lieu en Sorbonne occupée en 1968. Certaines images du film ont circulé et se retrouvent dans des films, notamment des films algériens. À cause de l’émoi provoqué par ce film, il est obligé de passer dans la clandestinité pendant 25 mois. Après la déclaration d’indépendance, il fonde le premier Centre Audiovisuel Algérien.",[11,318],0.8326,"\u002Fvo4od9ntoAQMbpdunrXoSojYbsJ.jpg","1958-01-02",8.5,"\u002FwNl3mPa5aTBEvxQYxWUDWdbGGci.jpg",{"id":456,"adult":6,"title":457,"video":6,"overview":458,"softcore":6,"genre_ids":459,"popularity":461,"vote_count":69,"poster_path":462,"release_date":463,"vote_average":106,"backdrop_path":464,"original_title":457,"original_language":27},283362,"Les Hors-La-Loi","En prison dans l’Algérie coloniale, peu après la fin de la Seconde Guerre mondiale, trois compagnons de cellule indigènes se font la belle. Une fois libres, ils s’en prennent à l’autorité représentée par la triade du caïd, du gendarme et de l’administrateur. \"Vivre la condition coloniale, confiait Tewfik Farès, c’est quelque chose ! Ce n’est pas disserter sociologiquement ou historiquement. C’est la vie. Et je pense que tout est là-dedans. [...] Pendant cent trente ans, on attend. On retient. On refoule. On espère. En même temps, à différentes occasions, il y a des escarmouches, des troubles.\"",[14,460],37,1.3869,"\u002FbG6rzJSsK4mNnz4hBr85QWpKDk.jpg","1969-01-01","\u002FqquykzwkEnLKyjlfFGp81otgZN5.jpg",{"id":466,"adult":6,"title":467,"video":6,"overview":89,"softcore":6,"genre_ids":468,"popularity":469,"vote_count":43,"poster_path":470,"release_date":471,"vote_average":43,"backdrop_path":111,"original_title":467,"original_language":472},1044120,"मैंने गांधी को क्यों मारा?",[11],0.9087,"\u002FijS12GEBbT81hQoujVZWzEqfJt5.jpg","2022-01-30","hi",{"id":474,"adult":6,"title":475,"video":6,"overview":476,"softcore":6,"genre_ids":477,"popularity":478,"vote_count":43,"poster_path":479,"release_date":480,"vote_average":123,"backdrop_path":111,"original_title":475,"original_language":360},1230718,"Pas De Blanc À La Une","\"Pas de blanc à la une\", de Youcef Bouchouchi, traite de la brutalité du conflit lors de la guerre d'indépendance en Algérie de 1854 à 1962, et du recours systématique à la torture qui pousse même les plus hésitants à se décider.",[14,318],0.6858,"\u002F3qGftEU63WaPG3Ho5MTSqzlQbyB.jpg","1971-01-01",{"id":482,"adult":6,"title":483,"video":6,"overview":484,"softcore":6,"genre_ids":485,"popularity":486,"vote_count":43,"poster_path":487,"release_date":488,"vote_average":123,"backdrop_path":489,"original_title":483,"original_language":360},1230769,"Le Prix De La Liberté","En plein guerre de libération d'Algérie,  deux personnages, un meddah (conteur traditionnel) et un guerrab (distributeur d'eau), ayant pris conscience de leur condition de sous-homme dans leur propre pays, rejoignent l'Armée de libération nationale (ALN) pour lutter contre le colonialisme inhumain. Ils graviront les échelons jusqu'à devenir commissaires politiques avant de tomber au champ d'honneur, le premier dans un accrochage et l'autre à la prison Barberousse (Serkadji) où il sera guillotiné.",[318,14],0.8341,"\u002FzHnEj5bkRdW7LG3bUIr7qRlekSs.jpg","2007-07-07","\u002FgaXFnksCEL3ZtYZkAEfjbVnp7k3.jpg",{"id":491,"adult":6,"title":492,"video":6,"overview":493,"softcore":6,"genre_ids":494,"popularity":495,"vote_count":496,"poster_path":497,"release_date":498,"vote_average":499,"backdrop_path":500,"original_title":501,"original_language":336},26843,"Le Lion Du Désert","En 1929, le chef du gouvernement italien Benito Mussolini charge le général Rodolfo Graziani de résoudre le problème, en Libye, de la résistance armée des Bédouins, opposés à la colonisation de leur pays par l'Italie, et dont le chef spirituel est Omar Al Mokhtar. L'objectif de Graziani est la répression et surtout, la capture de Mokhtar, mais celui-ci mène une guérilla acharnée...",[181,318,14],5.3753,208,"\u002FwvUqkZWodIfPDyZRVmR86L6puAH.jpg","1981-04-17",7.3,"\u002F6hCRE8o7yy0UQkt46NYaB6p9aNY.jpg","Lion of the Desert",1001,20001,"https:\u002F\u002Fwww.isaacjulien.com\u002Fprojects\u002Ffrantz-fanon-black-skin-white-mask\u002F","Personnage emblématique, Frantz Fanon, psychiatre et écrivain noir décédé à l’âge de 36 ans dénonça avec passion le racisme et le colonialisme. Son portrait est dressé grâce à des documents d’archives, des entrevues et des scènes reconstituées. Structuré comme un pastiche postmoderne d'images d'archives et de reconstitutions en studio. Isaac Julien ne réalise pas un simple biopic de la vie de Frantz Fanon, mais plutôt une tentative de figurer sa pensée, ses contradictions philosophiques, sa complexité existentielle. Une dramatisation soigneusement chorégraphiée s'imbrique ainsi avec la parole éclairante de Stuart Hall et Françoise Vergès, les souvenirs intimes des amis et des proches du grand penseur sont confrontés aux archives de la Grand Histoire. Le grand thème – hégélien et cinématographique – du regard et du désir entre les maîtres et les esclaves, est le fil secret derrière cette histoire qui nous regarde, toutes et tous.",1.3626,"\u002Fjnh0I1wTNdIFBuDbjh5p9x1xOtI.jpg","1996-10-09",7.2,"\u002Fx8hR6IGmJ8NePHqPF19VN9QZZ1w.jpg",[512],"GB","Frantz Fanon: Black Skin, White Mask",{"results":515},{"CA":516,"GB":529,"GG":546,"US":550},{"buy":517,"free":521,"link":526,"rent":527},[518],{"logo_path":519,"provider_id":35,"provider_name":520,"display_priority":87},"\u002FqdEGArH3lKfFnAtYXMkSYk5wxuG.png","Apple TV Store",[522],{"logo_path":523,"provider_id":524,"provider_name":525,"display_priority":106},"\u002FgtjNBzAoGgUtYzt0UKXmwG34WWL.png",212,"Hoopla","https:\u002F\u002Fwww.themoviedb.org\u002Fmovie\u002F193565-frantz-fanon-black-skin-white-mask\u002Fwatch?locale=CA",[528],{"logo_path":519,"provider_id":35,"provider_name":520,"display_priority":87},{"link":530,"flatrate":531},"https:\u002F\u002Fwww.themoviedb.org\u002Fmovie\u002F193565-frantz-fanon-black-skin-white-mask\u002Fwatch?locale=GB",[532,537,541],{"logo_path":533,"provider_id":534,"provider_name":535,"display_priority":536},"\u002FwaBWwU3aoY1IoypolMtDX4GOVDD.png",224,"BFI Player",21,{"logo_path":538,"provider_id":539,"provider_name":540,"display_priority":154},"\u002FlWzSEjT62Ob0XIHXdN7G4OQWCAr.png",287,"BFI Player Amazon Channel",{"logo_path":542,"provider_id":543,"provider_name":544,"display_priority":545},"\u002F45RXTNyLafB9AKaZPNHryi2T9x1.png",2041,"BFI Player Apple TV Channel",95,{"link":547,"flatrate":548},"https:\u002F\u002Fwww.themoviedb.org\u002Fmovie\u002F193565-frantz-fanon-black-skin-white-mask\u002Fwatch?locale=GG",[549],{"logo_path":538,"provider_id":539,"provider_name":540,"display_priority":139},{"ads":551,"buy":556,"free":561,"link":567,"rent":568,"flatrate":571},[552],{"logo_path":553,"provider_id":554,"provider_name":555,"display_priority":139},"\u002Fb7uhrYJtAe7b1ieJGg705vTbwrX.png",207,"The Roku Channel",[557,560],{"logo_path":558,"provider_id":123,"provider_name":559,"display_priority":106},"\u002Fjn6TLbtaTZntTRX9UYucHJvpQx1.png","Amazon Video",{"logo_path":519,"provider_id":35,"provider_name":520,"display_priority":115},[562,566],{"logo_path":563,"provider_id":564,"provider_name":565,"display_priority":175},"\u002Fcltb8XKan9ierp23ItPmCOcVLRa.png",191,"Kanopy",{"logo_path":523,"provider_id":524,"provider_name":525,"display_priority":181},"https:\u002F\u002Fwww.themoviedb.org\u002Fmovie\u002F193565-frantz-fanon-black-skin-white-mask\u002Fwatch?locale=US",[569,570],{"logo_path":558,"provider_id":123,"provider_name":559,"display_priority":106},{"logo_path":519,"provider_id":35,"provider_name":520,"display_priority":115},[572,577],{"logo_path":573,"provider_id":574,"provider_name":575,"display_priority":576},"\u002Fc8H4Jp8qInInqkPSryR80rb7jYO.png",579,"Film Movement Plus",200,{"logo_path":578,"provider_id":579,"provider_name":580,"display_priority":581},"\u002Fzy8e5KYnkpB8qbLJUvzMnaynBSZ.png",2395,"Film Movement Plus Amazon Channel",246,[583,586,588],{"name":584,"iso_639_1":27,"english_name":585},"Français","French",{"name":587,"iso_639_1":336,"english_name":587},"English",{"name":589,"iso_639_1":360,"english_name":590},"العربية","Arabic",[592,595,598,602,606],{"id":593,"name":594,"logo_path":111,"origin_country":512},84303,"Illuminations Television",{"id":596,"name":597,"logo_path":111,"origin_country":89},84304,"Normal Films",{"id":599,"name":600,"logo_path":601,"origin_country":512},718,"Arts Council of England","\u002FfnLOZ8Eufk81K0pSI547IrcTHKQ.png",{"id":603,"name":604,"logo_path":605,"origin_country":512},3324,"BBC","\u002FdqT3yOTlfJRmtvk52Ccd1O6dZ0A.png",{"id":607,"name":608,"logo_path":609,"origin_country":28},16180,"INA","\u002FtE5t6MnMhvyc34beR4Qf6hM2c5K.png",[611],{"name":612,"iso_3166_1":512},"United Kingdom",45,"Un récit documentaire qui fait souvent mouche.",[],{"id":20,"key":21,"name":22,"site":23,"size":24,"type":25,"official":26,"iso_639_1":27,"iso_3166_1":28,"published_at":29}]