[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-213223-fr-FR":3},{"detail":4,"match":302,"insight":303,"providers":304,"providerLink":25,"trailer":25},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":83,"revenue":8,"runtime":84,"similar":85,"tagline":90,"homepage":90,"overview":90,"softcore":6,"popularity":287,"vote_count":38,"poster_path":288,"release_date":289,"vote_average":279,"backdrop_path":25,"origin_country":290,"original_title":7,"watch\u002Fproviders":292,"spoken_languages":294,"original_language":126,"production_companies":298,"production_countries":299,"belongs_to_collection":25},213223,false,"A Cidade É uma Só?",0,[10],{"id":11,"name":12},99,"Documentaire","Released",{"results":15},[],{"cast":17,"crew":51},[18,27,35,43],{"id":19,"name":20,"adult":6,"order":8,"gender":8,"cast_id":21,"character":22,"credit_id":23,"popularity":24,"profile_path":25,"original_name":20,"known_for_department":26},1315930,"Dilmar Durães",3,"Dildu","5523398b92514166c10016db",0.1715,null,"Acting",{"id":28,"name":29,"adult":6,"order":30,"gender":8,"cast_id":31,"character":32,"credit_id":33,"popularity":34,"profile_path":25,"original_name":29,"known_for_department":26},1708364,"Nancy Araújo",1,7,"Nancy","5828ceb89251417b26030011",0.4214,{"id":36,"name":37,"adult":6,"order":38,"gender":38,"cast_id":39,"character":40,"credit_id":41,"popularity":42,"profile_path":25,"original_name":37,"known_for_department":26},1328859,"Wellington Abreu",2,5,"Zé Bigode","56d7bd75c3a3681e4a01b4d0",0.3545,{"id":44,"name":45,"adult":6,"order":21,"gender":8,"cast_id":46,"character":47,"credit_id":48,"popularity":49,"profile_path":50,"original_name":45,"known_for_department":26},1315926,"Marquim do Tropa",4,"Marquim","552339adc3a3684dd4007e86",0.4786,"\u002F9OELjXA7VdocAvE485Lr1zZeML0.jpg",[52,61,64,71,78],{"id":53,"job":54,"name":55,"adult":6,"gender":38,"credit_id":56,"department":57,"popularity":58,"profile_path":59,"original_name":55,"known_for_department":60},1197657,"Writer","Adirley Queirós","52fe4dc0c3a368484e1fb529","Writing",0.2357,"\u002FpGPelesROSpJZ9qySKWJrLdZGYD.jpg","Directing",{"id":53,"job":62,"name":55,"adult":6,"gender":38,"credit_id":63,"department":60,"popularity":58,"profile_path":59,"original_name":55,"known_for_department":60},"Director","52fe4dc0c3a368484e1fb523",{"id":65,"job":66,"name":67,"adult":6,"gender":8,"credit_id":68,"department":69,"popularity":70,"profile_path":25,"original_name":67,"known_for_department":69},1328856,"Editor","Marcius Barbieri","61f026c9e4886000d5432929","Editing",0.1935,{"id":72,"job":73,"name":74,"adult":6,"gender":8,"credit_id":75,"department":76,"popularity":77,"profile_path":25,"original_name":74,"known_for_department":76},1328848,"Cinematography","Leonardo Feliciano","61f026646af9dd001bb12fce","Crew",0.2373,{"id":79,"job":54,"name":80,"adult":6,"gender":8,"credit_id":81,"department":57,"popularity":82,"profile_path":25,"original_name":80,"known_for_department":60},1572312,"Thiago B. Mendonça","5828cea89251417b1802ef79",0.152,"tt3634636",79,{"page":30,"results":86,"total_pages":285,"total_results":286},[87,97,108,117,127,136,143,151,161,171,179,188,201,208,221,229,244,255,264,272],{"id":88,"adult":6,"title":89,"video":6,"overview":90,"softcore":6,"genre_ids":91,"popularity":92,"vote_count":30,"poster_path":93,"release_date":94,"vote_average":95,"backdrop_path":25,"original_title":89,"original_language":96},1378593,"Dům bez východu","",[11],0.2941,"\u002FbrfH9nhguyKuuK1seZnnnAtaPIk.jpg","2025-03-20",10,"cs",{"id":98,"adult":6,"title":99,"video":6,"overview":100,"softcore":6,"genre_ids":101,"popularity":102,"vote_count":30,"poster_path":103,"release_date":104,"vote_average":105,"backdrop_path":106,"original_title":99,"original_language":107},1608583,"Grigny, la fabrique de la banlieue","Première ZAC (Zone d'Aménagement Concerté) de France, Grigny est l'endroit idéal pour décrire la manière dont la France a transformé son rêve de périphérie heureuse en un cauchemar urbain paupérisé. L'ambition du film est d'y laisser la caméra tout au long du récit, pour en découvrir les habitants et les dédales d'hier et d'aujourd'hui, et répondre aux questions essentielles : Quel était le projet originel ? Pourquoi a-t-il dérapé ? Que s'y passe-t-il aujourd'hui ? Quel est le projet pour demain ? Détruire, pourquoi ? Reconstruire, où, quand, comment, et pour qui ? Des habitants, aux architectes en passant par la ville de Grigny, le maire, le préfet, les bailleurs et l'Anru (Agence Nationale pour la Rénovation Urbaine), le film examine et décrypte les conséquences de ce qui s'est joué à Grigny, de la politique de logement de l'État. Nous voyons à l'oeuvre à travers le décryptage de l'histoire de Grigny comment l'État a participé et participe encore à la fabrique de l'exclusion sociale.",[11],0.1025,"\u002FjaaABvqjypn5P2BQYHGBLdoKjAC.jpg","2026-01-10",8,"\u002FqqBwFxu9hjwPQcFpEfoneXywIbS.jpg","fr",{"id":109,"adult":6,"title":110,"video":6,"overview":111,"softcore":6,"genre_ids":112,"popularity":114,"vote_count":8,"poster_path":115,"release_date":116,"vote_average":8,"backdrop_path":25,"original_title":110,"original_language":107},1565229,"Une vie en transit, ou l'illusion du provisoire","L’histoire sombre et méconnue des foyers et cités d’hébergement mis en place par l’État français pour loger, isoler et surveiller les immigré·es pendant les Trente Glorieuses. Face à la volonté politique de montrer un visage novateur, les témoignages renvoient à une tout autre réalité : celle d’une administration coloniale sur le sol métropolitain.",[11,113],36,0.1349,"\u002F1kCcbgN8uwpW1ZMVTwtrvowoJT4.jpg","2024-01-01",{"id":118,"adult":6,"title":119,"video":6,"overview":90,"softcore":6,"genre_ids":120,"popularity":123,"vote_count":46,"poster_path":124,"release_date":125,"vote_average":95,"backdrop_path":25,"original_title":119,"original_language":126},1229340,"Memórias Submersas",[121,122,11],18,9648,2.2497,"\u002F5LUFcHu0gEcMRbUmOVqFeLSlfLL.jpg","2023-12-15","pt",{"id":128,"adult":6,"title":129,"video":6,"overview":90,"softcore":6,"genre_ids":130,"popularity":131,"vote_count":21,"poster_path":132,"release_date":133,"vote_average":134,"backdrop_path":135,"original_title":129,"original_language":126},1226964,"8\u002F1 – A Democracia Resiste",[11],0.2647,"\u002F7WwyrCZORz8qR2iizhUEZx5iZDu.jpg","2024-01-07",6.7,"\u002FotRiu7LlVT6yg4UC3umrnLl7XzR.jpg",{"id":137,"adult":6,"title":138,"video":6,"overview":90,"softcore":6,"genre_ids":139,"popularity":140,"vote_count":8,"poster_path":141,"release_date":142,"vote_average":8,"backdrop_path":25,"original_title":138,"original_language":126},1454249,"Brasília em Super 8",[11],0.4179,"\u002Fkq4xSXhQyHVZB1N8ROTs6q8w4lK.jpg","1970-01-01",{"id":144,"adult":6,"title":145,"video":6,"overview":90,"softcore":6,"genre_ids":146,"popularity":148,"vote_count":30,"poster_path":149,"release_date":150,"vote_average":95,"backdrop_path":25,"original_title":145,"original_language":126},1274798,"A Culpa é do Sol",[11,147],35,0.6802,"\u002F61gIMCM6bpPhH93uJWtEX4s0rBI.jpg","2023-12-20",{"id":152,"adult":6,"title":153,"video":6,"overview":154,"softcore":6,"genre_ids":155,"popularity":156,"vote_count":38,"poster_path":157,"release_date":158,"vote_average":159,"backdrop_path":160,"original_title":153,"original_language":107},1307356,"Vivant parmi les vivants","Avec les philosophes Vinciane Despret et Baptiste Morizot, Sylvère Petit propose de sortir de l’entre-soi de notre espèce pour imaginer, le temps d'un film, faire société avec l’ensemble des vivants. Vers une politique inter-espèce, une « éthopolitique » ?  Et à travers l’éthologie qui le passionne, Sylvère Petit questionne également le cinéma.",[11],0.2184,"\u002Fw33mCtJK2IrRJHe2mkEOKqejeDf.jpg","2023-06-01",8.5,"\u002FeMxrBkuPPGYX8P5yNDZp12cKxXa.jpg",{"id":162,"adult":6,"title":163,"video":6,"overview":164,"softcore":6,"genre_ids":165,"popularity":166,"vote_count":21,"poster_path":167,"release_date":168,"vote_average":169,"backdrop_path":170,"original_title":163,"original_language":107},783424,"La disgrâce","Ce film donne la parole aux faces détruites, aux identités déglinguées par le hasard ou la destinée. Figures malformées de naissance, visages ravagés par les accidents de la vie. Comment vivre sous le poids de la différence ? Par quoi doit-on passer pour accepter ce que l’on est et le faire admettre aux autres ? Qu’est ce que la singularité la plus dérangeante peut nous dire de notre humanité commune ?",[11],1.3634,"\u002Fktnl85469lMZQey7tPhxPDSx7iy.jpg","2018-01-01",8.3,"\u002FvqLdsOMEFGufU4qCzvFntj2RjQj.jpg",{"id":172,"adult":6,"title":173,"video":6,"overview":90,"softcore":6,"genre_ids":174,"popularity":175,"vote_count":8,"poster_path":176,"release_date":177,"vote_average":8,"backdrop_path":178,"original_title":173,"original_language":96},1367520,"Dajori",[11],1.7437,"\u002Fv6zKvpiEsDRqINPv6xDRYfSbixU.jpg","2024-11-14","\u002FbtAJtW3oNZqEtMk6EyRwJScZ09k.jpg",{"id":180,"adult":6,"title":181,"video":6,"overview":90,"softcore":6,"genre_ids":182,"popularity":184,"vote_count":8,"poster_path":185,"release_date":186,"vote_average":8,"backdrop_path":187,"original_title":181,"original_language":126},1100202,"Os Mistérios de Brasília",[11,183],10770,0.0336,"\u002FvJQEyqkTxqqBcc7YACDa09A6Kn4.jpg","2022-11-12","\u002FupR1u8DTlGo44b91VrOM1Gv42zK.jpg",{"id":189,"adult":6,"title":190,"video":6,"overview":90,"softcore":6,"genre_ids":191,"popularity":194,"vote_count":195,"poster_path":196,"release_date":197,"vote_average":198,"backdrop_path":199,"original_title":190,"original_language":200},28995,"Die Wilden Hühner und die Liebe",[192,193,147],10749,10751,1.1211,62,"\u002Fv3EOvttYBbwzUP06fWVFg2px9Dg.jpg","2007-04-05",6.5,"\u002FdjVuybkrlS7RbhQJ4bEbjnXXKuE.jpg","de",{"id":202,"adult":6,"title":203,"video":6,"overview":90,"softcore":6,"genre_ids":204,"popularity":205,"vote_count":8,"poster_path":206,"release_date":207,"vote_average":8,"backdrop_path":25,"original_title":203,"original_language":126},1186131,"Encruza Braziliensis",[121,113],1.2679,"\u002F4mr73AX4ClcFB0K9DAPkC0SbCDk.jpg","2023-09-25",{"id":209,"adult":6,"title":210,"video":6,"overview":211,"softcore":6,"genre_ids":212,"popularity":215,"vote_count":216,"poster_path":217,"release_date":218,"vote_average":219,"backdrop_path":220,"original_title":210,"original_language":107},4034,"L'Homme de Rio","Adrien Dufourquet, soldat 2ème classe en permission à Paris, assiste à l’enlèvement de sa fiancée, Agnès. Il se précipite sur la trace des ravisseurs et arrive à Orly. Sans un sou en poche, il monte dans un avion à la suite d’Agnès et se retrouve le lendemain à Rio de Janeiro, pris aussitôt entre la police brésilienne et une effroyable équipe de tueurs…",[213,214,147],12,28,1.3896,353,"\u002F33Fe3pZs3PTfHoK9mSbcIG3Bz7j.jpg","1964-02-05",7.3,"\u002F1oziVuVtJc7BgHRCVLhVJ53u9u3.jpg",{"id":222,"adult":6,"title":223,"video":6,"overview":90,"softcore":6,"genre_ids":224,"popularity":225,"vote_count":8,"poster_path":226,"release_date":227,"vote_average":8,"backdrop_path":228,"original_title":223,"original_language":126},1213090,"Letícia",[121,192],2.2875,"\u002FyGAuiaTd8XZMLGOedQDLkpmFjgW.jpg","2024-06-06","\u002F1WJGQOFHkXlaZsDIF7xvw8kFqQA.jpg",{"id":230,"adult":6,"title":231,"video":6,"overview":232,"softcore":6,"genre_ids":233,"popularity":236,"vote_count":237,"poster_path":238,"release_date":239,"vote_average":240,"backdrop_path":241,"original_title":242,"original_language":243},820609,"Traquée","Une femme seule affronte des extraterrestres menaçant son futur en la forçant à affronter son passé.",[234,235],27,878,7.6773,1545,"\u002F9EWycbtdtDv6Oew1c0KQztgEpnt.jpg","2023-09-21",6.702,"\u002FzYlgqIpqJ1VAbvFhRhktAzIybVs.jpg","No One Will Save You","en",{"id":245,"adult":6,"title":246,"video":6,"overview":247,"softcore":6,"genre_ids":248,"popularity":249,"vote_count":250,"poster_path":251,"release_date":252,"vote_average":253,"backdrop_path":254,"original_title":246,"original_language":107},497767,"Mélancolie ouvrière","Lucie Baud naît en 1870 dans une famille de paysans pauvres de la région de Grenoble. A douze ans, elle entre comme apprentie dans une filature de soie et se marie à 20 ans avec un garde champêtre. A la mort de son mari, Lucie se retrouve seule alors que les patrons de la filature décident de baisser les salaires et d’augmenter les cadences. C’est la grève. Lucie se dresse en première ligne face au patron, soutenue par Auda, un syndicaliste qui affermit sa détermination, l’éduque politiquement, et ne tarde pas à lui faire la cour avec succès. Lucie Baud se jettera corps et âme contre « l’infinie servitude des femmes ».",[113,121,183],1.0023,16,"\u002FcXdvOZ9Jmd0qcADj4BWoo1SrPvP.jpg","2018-02-07",4.875,"\u002F59e6voqVo3q1lIqzyRsdTU94g0P.jpg",{"id":256,"adult":6,"title":257,"video":6,"overview":90,"softcore":6,"genre_ids":258,"popularity":260,"vote_count":8,"poster_path":261,"release_date":262,"vote_average":8,"backdrop_path":263,"original_title":257,"original_language":126},894525,"Verônica",[147,259,234],14,0.2308,"\u002FapmLzurcJmojmAX0yu1xyitvlT8.jpg","2021-10-31","\u002FfCwvq0mMZNaK2Mp4oyGu9wUJjbM.jpg",{"id":265,"adult":6,"title":266,"video":6,"overview":90,"softcore":6,"genre_ids":267,"popularity":268,"vote_count":8,"poster_path":269,"release_date":270,"vote_average":8,"backdrop_path":271,"original_title":266,"original_language":126},1283591,"O Ridículo",[147],2.4174,"\u002FeIXBm7DOoK5IOeBg75Z29SNsg81.jpg","2024-05-09","\u002Fizacjp4F5jwnRwrNV4SYwNppu3o.jpg",{"id":273,"adult":6,"title":274,"video":6,"overview":275,"softcore":6,"genre_ids":276,"popularity":278,"vote_count":279,"poster_path":280,"release_date":281,"vote_average":282,"backdrop_path":283,"original_title":284,"original_language":126},1297426,"Le Maître du Jeu","Renan, charismatique et plein d'assurance, entretient une liaison secrète avec Arthur Alencar, un sénateur influent. Lorsque son coeur s'emballe pour Victor, un journaliste, Renan se trouve pris au piège d'un dilemme déchirant entre les deux hommes. La tension monte quand Victor commence à enquêter sur les agissements du politicien. Alors que ce dernier se rapproche de la vérité, Renan est confronté à un choix crucial : rester loyal au sénateur ou suivre son coeur, attiré par la beauté et le charme de Victor.",[277,121],53,2.6045,6,"\u002F1Dg2lyAX43t03uwSgrpYg0ZfuIp.jpg","2024-06-20",7.167,"\u002F1q6xKMKN5gk16yGt4SEIlgMzTFU.jpg","O Senador",11653,233042,0.8307,"\u002Ftdxjdx1jSsBE5Xl5Ruq4Tuj6Xx4.jpg","2011-10-24",[291],"BR",{"results":293},{},[295],{"name":296,"iso_639_1":126,"english_name":297},"Português","Portuguese",[],[300],{"name":301,"iso_3166_1":291},"Brazil",45,"Un récit documentaire qui fait souvent mouche.",[]]