[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-265467-fr-FR":3},{"detail":4,"match":252,"insight":253,"providers":254,"providerLink":61,"trailer":61},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":28,"revenue":8,"runtime":29,"similar":30,"tagline":35,"homepage":35,"overview":35,"softcore":6,"popularity":230,"vote_count":231,"poster_path":61,"release_date":232,"vote_average":39,"backdrop_path":61,"origin_country":233,"original_title":7,"watch\u002Fproviders":236,"spoken_languages":238,"original_language":44,"production_companies":241,"production_countries":249,"belongs_to_collection":61},265467,false,"X-Rated: The Ads They Couldn't Show",0,[10],{"id":11,"name":12},99,"Documentaire","Released",{"results":15},[],{"cast":17,"crew":27},[18],{"id":19,"name":20,"adult":6,"order":8,"gender":21,"cast_id":8,"character":22,"credit_id":23,"popularity":24,"profile_path":25,"original_name":20,"known_for_department":26},128741,"Doon Mackichan",1,"Narrator","5351aa670e0a26560a001bd8",0.9137,"\u002FdsqIBnMEGwRqruKEcpE8Be4JPSq.jpg","Acting",[],"tt2254239",75,{"page":21,"results":31,"total_pages":228,"total_results":229},[32,45,56,63,74,85,95,108,116,124,137,146,155,164,176,185,194,206,214,221],{"id":33,"adult":6,"title":34,"video":6,"overview":35,"softcore":6,"genre_ids":36,"popularity":38,"vote_count":39,"poster_path":40,"release_date":41,"vote_average":42,"backdrop_path":43,"original_title":34,"original_language":44},457408,"Moments with Johan","",[11,37],14,0.8012,4,"\u002FsASf3wtTLSa2q0sdNfCKyVhr21l.jpg","1996-03-21",5.25,"\u002FvAKWmxYUCspTqeUqLrU26oNtFaE.jpg","en",{"id":46,"adult":6,"title":47,"video":6,"overview":48,"softcore":6,"genre_ids":49,"popularity":50,"vote_count":51,"poster_path":52,"release_date":53,"vote_average":54,"backdrop_path":55,"original_title":47,"original_language":44},13348,"Helvetica","Du nom de la célèbre police créée par Max Miedinger en 1957, « Helvetica » est un documentaire de Gary Hustwit sur la typographie, le graphisme et plus généralement l’inscription des polices dans notre univers urbain quotidien. Pour ce film, le réalisateur a rencontré les graphistes et designers parmi les plus innovants de la scène internationale (Wim Crouwel, Erik Spiekermann, Jonathan Hoefler, Neville Brody, Stefan Sagmeister, Massimo Vignelli, Matthew Carter, etc.), et il les a questionnés sur leur utilisation de la typographie, leur travail et leur processus de création.",[11],0.7494,178,"\u002Fs47TOnvnwfSnAflQvsBxJbOLnmP.jpg","2007-09-12",7.169,"\u002Fd6wAzGpnIXDZznEuqGNCEqb33Qy.jpg",{"id":57,"adult":6,"title":58,"video":6,"overview":35,"softcore":6,"genre_ids":59,"popularity":60,"vote_count":8,"poster_path":61,"release_date":62,"vote_average":8,"backdrop_path":61,"original_title":58,"original_language":44},619567,"Behind the Screens, Hollywood Goes Hypercommercial",[11],0.174,null,"2000-01-01",{"id":64,"adult":6,"title":65,"video":6,"overview":66,"softcore":6,"genre_ids":67,"popularity":68,"vote_count":69,"poster_path":70,"release_date":71,"vote_average":72,"backdrop_path":73,"original_title":65,"original_language":44},11420,"The Corporation","Ce documentaire montre l'évolution des \"Sociétés Anonymes\" (appelées Corporations en anglais) aux USA, reprenant leur histoire depuis leur apparition avec la Révolution industrielle, où elles étaient conçues pour répondre au bien public mais furent détournées de cet objectif par la recherche du profit.",[11],4.0004,284,"\u002FaN7LHIKHkq6x16a4pXlaiB7PHiP.jpg","2003-09-10",7.625,"\u002F2JJkxOfwjyTeNOyKl46jlgG7fDL.jpg",{"id":75,"adult":6,"title":76,"video":6,"overview":77,"softcore":6,"genre_ids":78,"popularity":79,"vote_count":39,"poster_path":80,"release_date":81,"vote_average":82,"backdrop_path":83,"original_title":76,"original_language":84},627950,"Bons baisers de la planète Schtroumpf","Les Schtroumpfs ont été créés en 1958 par l'auteur belge Peyo (Pierre Culliford, 1928-1992) et sont l'une des exportations les plus reconnues de la Belgique. De Bruxelles à Los Angeles, en passant par Dubaï, un voyage dans le monde minuscule des célèbres petits bleus, de l'histoire de la création de la bande dessinée originale au récit de l'immense exploitation commerciale mondiale.",[11],0.2779,"\u002F8Ji7YpnoPW9ly3RIRkPrHwlAEtQ.jpg","2018-06-08",8.2,"\u002Fxe920bTPDDRXnRnb5cNHjnw7XFp.jpg","fr",{"id":86,"adult":6,"title":87,"video":6,"overview":35,"softcore":6,"genre_ids":88,"popularity":89,"vote_count":90,"poster_path":91,"release_date":92,"vote_average":93,"backdrop_path":94,"original_title":87,"original_language":44},266335,"Pitch People",[11],0.3839,2,"\u002Fgmc9uC137BcDRk2zRFIxCaDDrsQ.jpg","1999-10-22",8.5,"\u002FtAtLoA0Vst0EjYVgRVNlPXetfH5.jpg",{"id":96,"adult":6,"title":97,"video":6,"overview":98,"softcore":6,"genre_ids":99,"popularity":101,"vote_count":102,"poster_path":103,"release_date":104,"vote_average":105,"backdrop_path":106,"original_title":107,"original_language":44},26851,"Atomic Café","A base de documents mélant actualités, archives gouvernementales et archives militaires, le portrait à la fois effrayant et hilarant d'un pays qui, des abris anti-atomiques à la propagande gouvernementale, instaure un véritable climat de paranoïa chez ses citoyens, les faisant devenir réfractaires à tout ce qui ne porte pas le label \"made in USA\"...",[11,100],36,1.1791,76,"\u002F9kTkv6o25fuWVSRu1AgOsF0cwz.jpg","1982-03-17",7.329,"\u002FyDrAyZMQpEKAK2HiK5NujvutilM.jpg","The Atomic Cafe",{"id":109,"adult":6,"title":110,"video":6,"overview":35,"softcore":6,"genre_ids":111,"popularity":112,"vote_count":8,"poster_path":113,"release_date":114,"vote_average":8,"backdrop_path":115,"original_title":110,"original_language":44},838536,"The Real Saatchis: Masters of Illusion",[11],0.5117,"\u002FpQ04fKqQmd1FP9SfL3jDH4YcNnI.jpg","1999-07-10","\u002FzgBy56eWJjh7pBiR9184zjtDY1I.jpg",{"id":117,"adult":6,"title":118,"video":6,"overview":35,"softcore":6,"genre_ids":119,"popularity":120,"vote_count":8,"poster_path":121,"release_date":122,"vote_average":8,"backdrop_path":123,"original_title":118,"original_language":44},1574833,"432 Park Avenue",[11],0.4303,"\u002FbZCcoLMgvozfZ5l8GY7pF3wGjD0.jpg","2019-06-01","\u002FkwklSC6P7wa97jo3JRl7w9ev90Q.jpg",{"id":125,"adult":6,"title":126,"video":6,"overview":127,"softcore":6,"genre_ids":128,"popularity":130,"vote_count":131,"poster_path":132,"release_date":133,"vote_average":134,"backdrop_path":135,"original_title":136,"original_language":44},58492,"Super Cash Me","Après avoir exposé la malbouffe dans Supersize Me, Morgan Spurlock s’attaque à son gagne-pain en révélant tous les vilains petits secrets d’Hollywood ainsi que tous les stratagèmes utilisés pour convaincre les annonceurs de placer leurs produits dans les films ou à la télévision. Ce fou de documentaires controversés utilise son sens inimitable de la comédie pour s’infiltrer dans les salles de conférence de grandes entreprises et les réunions brainstorming d’agences de publicité afin de les pousser à dévoiler la face cachée du monde publicitaire…",[129,11],35,1.1236,238,"\u002FwQsudiqrvzsVwyryP492BvyJDT9.jpg","2011-04-22",6.41,"\u002FqOwP3HBnUtwG1HiiCx61efWln9a.jpg","POM Wonderful Presents: The Greatest Movie Ever Sold",{"id":138,"adult":6,"title":139,"video":6,"overview":35,"softcore":6,"genre_ids":140,"popularity":141,"vote_count":90,"poster_path":142,"release_date":143,"vote_average":144,"backdrop_path":145,"original_title":139,"original_language":44},56585,"Orgasmic Birth: The Best-Kept Secret",[11],0.4679,"\u002FieNFq4xCKhlaqm7kG0kf42OV4dW.jpg","2008-01-09",5.5,"\u002FrfTZi0I88XNJkQeGK1esVGK2yap.jpg",{"id":147,"adult":6,"title":148,"video":6,"overview":35,"softcore":6,"genre_ids":149,"popularity":150,"vote_count":90,"poster_path":151,"release_date":152,"vote_average":153,"backdrop_path":61,"original_title":148,"original_language":154},309653,"Elisabeth Kübler-Ross - Dem Tod ins Gesicht sehen",[11],0.226,"\u002FkBR4ljAwTyIPBg79ox7c6NNS7Hk.jpg","2003-01-16",8,"de",{"id":156,"adult":6,"title":157,"video":6,"overview":35,"softcore":6,"genre_ids":158,"popularity":159,"vote_count":160,"poster_path":161,"release_date":162,"vote_average":163,"backdrop_path":61,"original_title":157,"original_language":44},67908,"Programming the Nation?",[11],0.59,5,"\u002Fe8dyK0SrKqQPNEAZeqNRBfdbmf0.jpg","2011-08-19",6.2,{"id":165,"adult":6,"title":166,"video":6,"overview":167,"softcore":6,"genre_ids":168,"popularity":169,"vote_count":170,"poster_path":171,"release_date":172,"vote_average":173,"backdrop_path":174,"original_title":175,"original_language":84},61933,"Prêt à jeter : L'histoire méconnue de l'obsolescence programmée","Dans les pays occidentaux, on peste contre des produits bas de gamme qu'il faut remplacer sans arrêt. Tandis qu'au Ghana, on s'exaspère de ces déchets informatiques qui arrivent par conteneurs... Ce modèle de croissance aberrant qui pousse à produire et à jeter toujours plus ne date pas d'hier. Dès les années 1920, un concept redoutable a été mis au point : l'obsolescence programmée. \"Un produit qui ne s'use pas est une tragédie pour les affaires\", lisait-on en 1928 dans une revue spécialisée. Peu à peu, on contraint les ingénieurs à créer des produits qui s'usent plus vite pour accroître la demande des consommateurs.",[11],0.5561,83,"\u002FlEDJvHsdWVvlMkM3yBThciUC4lC.jpg","2010-11-30",7.584,"\u002FA3TdBjiLGWF5akBgQgG4LD8OGkP.jpg","Prêt-à-jeter",{"id":177,"adult":6,"title":178,"video":6,"overview":35,"softcore":6,"genre_ids":179,"popularity":180,"vote_count":21,"poster_path":181,"release_date":182,"vote_average":183,"backdrop_path":184,"original_title":178,"original_language":44},847632,"The Secret of Selling the Negro",[11],0.1507,"\u002F6m0CaKKMtfpPf4hAEZrrUfWOE7B.jpg","1954-07-04",6,"\u002FnkfaYmSH5tLAukR5jPGlBYPdkZT.jpg",{"id":186,"adult":6,"title":187,"video":6,"overview":35,"softcore":6,"genre_ids":188,"popularity":189,"vote_count":21,"poster_path":190,"release_date":191,"vote_average":160,"backdrop_path":192,"original_title":187,"original_language":193},1036016,"13の顔を持つ男－伊丹十三の肖像",[11],0.4076,"\u002FrbuPRrVTVBU59JnGZQNHYqDGLT8.jpg","2007-01-01","\u002Fv8ySMH86RmVtHhfY2F2lMyasw2s.jpg","ja",{"id":195,"adult":6,"title":196,"video":6,"overview":197,"softcore":6,"genre_ids":198,"popularity":200,"vote_count":183,"poster_path":201,"release_date":202,"vote_average":203,"backdrop_path":204,"original_title":205,"original_language":154},295519,"Les films interdits du IIIe Reich","De par leur aspect raciste et antisémite entre autres, certains films tournés pendant le IIIème Reich sont aujourd'hui complètement interdits. Dans cette enquête, le réalisateur Felix Moeller interviewe des historiens du cinéma allemand, des archivistes et des amateurs de films sur la puissance et le danger potentiel du cinéma utilisé à des fins idéologiques.",[11,199,100],10752,0.4654,"\u002FslMW4JmbfgU41a7e0epLF9ppIWY.jpg","2014-03-06",6.5,"\u002FpbV8eqyoqEBKvt5VkAmE2iliskV.jpg","Verbotene Filme",{"id":207,"adult":6,"title":208,"video":6,"overview":35,"softcore":6,"genre_ids":209,"popularity":210,"vote_count":8,"poster_path":211,"release_date":212,"vote_average":8,"backdrop_path":213,"original_title":208,"original_language":44},1436085,"Masturbation Conversations",[11],0.9433,"\u002FMpuxj4pcNb5R4HF15hlp2BQEpB.jpg","2022-05-27","\u002F5xPJz2JZPtWtfhY7bAaaKtLLYfq.jpg",{"id":215,"adult":6,"title":216,"video":6,"overview":35,"softcore":6,"genre_ids":217,"popularity":218,"vote_count":8,"poster_path":219,"release_date":220,"vote_average":8,"backdrop_path":61,"original_title":216,"original_language":44},701631,"The Day I Became A Woman",[11],0.3159,"\u002Fc21P0IJsS7LtSGLF4COj6RSUJXj.jpg","2019-06-06",{"id":222,"adult":6,"title":223,"video":6,"overview":35,"softcore":6,"genre_ids":224,"popularity":225,"vote_count":8,"poster_path":226,"release_date":227,"vote_average":8,"backdrop_path":61,"original_title":223,"original_language":44},335197,"Adland",[11],0.1788,"\u002FAh3eUFjDObpbrLvzOuJGibj3F4t.jpg","1974-01-01",11635,232699,0.4437,3,"2005-03-10",[234,235],"GB","US",{"results":237},{},[239],{"name":240,"iso_639_1":44,"english_name":240},"English",[242,245],{"id":243,"name":244,"logo_path":61,"origin_country":234},70666,"Zig Zag Productions",{"id":246,"name":247,"logo_path":248,"origin_country":234},5778,"Channel 4 Television","\u002F2loyoQweDxvotH3AknfL2zhsthg.png",[250],{"name":251,"iso_3166_1":234},"United Kingdom",45,"Un récit documentaire qui fait souvent mouche.",[]]