[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-357307-fr-FR":3},{"detail":4,"match":282,"insight":283,"providers":284,"providerLink":36,"trailer":36},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":79,"revenue":21,"runtime":80,"similar":81,"tagline":86,"homepage":86,"overview":86,"softcore":6,"popularity":267,"vote_count":21,"poster_path":268,"release_date":269,"vote_average":21,"backdrop_path":36,"origin_country":270,"original_title":7,"watch\u002Fproviders":272,"spoken_languages":274,"original_language":91,"production_companies":275,"production_countries":279,"belongs_to_collection":36},357307,false,"Suzan Pitt: Persistence of Vision",30000,[10],{"id":11,"name":12},99,"Documentaire","Released",{"results":15},[],{"cast":17,"crew":45},[18,29,38],{"id":19,"name":20,"adult":6,"order":21,"gender":22,"cast_id":23,"character":24,"credit_id":25,"popularity":26,"profile_path":27,"original_name":20,"known_for_department":28},1059911,"Suzan Pitt",0,1,7,"Herself","55e5eb9fc3a36835be000079",0.438,"\u002F70FI6t5nrgHj9Ury9W1KeWCjVJx.jpg","Directing",{"id":30,"name":31,"adult":6,"order":22,"gender":21,"cast_id":32,"character":33,"credit_id":34,"popularity":35,"profile_path":36,"original_name":31,"known_for_department":37},1327324,"Ben Zelkowicz",8,"Himself","55e5ebb492514169e3000082",0.3618,null,"Visual Effects",{"id":39,"name":40,"adult":6,"order":41,"gender":22,"cast_id":42,"character":24,"credit_id":43,"popularity":44,"profile_path":36,"original_name":40,"known_for_department":28},1503445,"Masha Vasilkovsky",2,9,"55e5ec30c3a36835b500009e",0.4974,[46,53,57,65,67,70,72],{"id":47,"job":48,"name":49,"adult":6,"gender":21,"credit_id":50,"department":51,"popularity":52,"profile_path":36,"original_name":49,"known_for_department":28},1325538,"Producer","Blue Kraning","55e5e19e925141222c0003b6","Production",0.3731,{"id":47,"job":54,"name":49,"adult":6,"gender":21,"credit_id":55,"department":56,"popularity":52,"profile_path":36,"original_name":49,"known_for_department":28},"Cinematography","55e5e1f092514122320003d7","Crew",{"id":58,"job":59,"name":60,"adult":6,"gender":22,"credit_id":61,"department":62,"popularity":63,"profile_path":64,"original_name":60,"known_for_department":28},1490737,"Editor","Laura Kraning","55e5e216c3a3681eac000014","Editing",0.3935,"\u002Ffe6Sxb19e7u2epztaasmskhFibk.jpg",{"id":58,"job":48,"name":60,"adult":6,"gender":22,"credit_id":66,"department":51,"popularity":63,"profile_path":64,"original_name":60,"known_for_department":28},"55e5e1d392514122370003e9",{"id":58,"job":68,"name":60,"adult":6,"gender":22,"credit_id":69,"department":28,"popularity":63,"profile_path":64,"original_name":60,"known_for_department":28},"Director","55e5e1bd925141222f0003b6",{"id":47,"job":68,"name":49,"adult":6,"gender":21,"credit_id":71,"department":28,"popularity":52,"profile_path":36,"original_name":49,"known_for_department":28},"55e5e18692514122320003c0",{"id":73,"job":74,"name":75,"adult":6,"gender":21,"credit_id":76,"department":77,"popularity":78,"profile_path":36,"original_name":75,"known_for_department":77},1503406,"Sound mixer","Jerry Summers","55e5e36cc3a3681ea7000052","Sound",0.3478,"tt0848639",28,{"page":22,"results":82,"total_pages":265,"total_results":266},[83,92,104,114,126,135,145,156,164,174,181,190,201,208,218,226,233,239,248,257],{"id":84,"adult":6,"title":85,"video":6,"overview":86,"softcore":6,"genre_ids":87,"popularity":88,"vote_count":21,"poster_path":89,"release_date":90,"vote_average":21,"backdrop_path":36,"original_title":85,"original_language":91},1186376,"Le Village au cimetière","",[11],0.8019,"\u002F9F67S2wMlyoBx49GTpkgAOempJo.jpg","1994-10-18","en",{"id":93,"adult":6,"title":94,"video":6,"overview":95,"softcore":6,"genre_ids":96,"popularity":97,"vote_count":98,"poster_path":99,"release_date":100,"vote_average":101,"backdrop_path":102,"original_title":94,"original_language":103},259084,"La cour de Babel","Ils viennent d’arriver en France. Ils sont Irlandais, Serbes, Brésiliens, Tunisiens, Chinois ou Sénégalais... Pendant un an, Julie Bertuccelli a filmé les échanges, les conflits et les joies de ce groupe de collégiens âgés de 11 à 15 ans, réunis dans une même classe d’accueil pour apprendre le français. Dans ce petit théâtre du monde s’expriment l’innocence, l’énergie et les contradictions de ces adolescents qui, animés par le même désir de changer de vie, remettent en cause beaucoup d’idées reçues sur la jeunesse et l’intégration et nous font espérer en l’avenir...",[11],1.6037,21,"\u002F5tsZZsj5vy1HrLucRwyRsL0dhMd.jpg","2014-03-12",6.6,"\u002FwjVOBHgt6DAJ9FcDBkb2T7gomTU.jpg","fr",{"id":105,"adult":6,"title":106,"video":6,"overview":107,"softcore":6,"genre_ids":108,"popularity":109,"vote_count":41,"poster_path":110,"release_date":111,"vote_average":32,"backdrop_path":112,"original_title":113,"original_language":91},619637,"Jordan River Anderson, le messager","Ce film relate le cas de Jordan River Anderson, un enfant autochtone atteint d'une grave maladie musculaire, mort en 2005 sans avoir pu sortir de l'hôpital, faute d'une entente entre les gouvernements fédéral et manitobain.",[11],0.6599,"\u002Fpcmn4tAe0vU1HQk6mRbR2tZEgDu.jpg","2019-09-10","\u002F6UslH6Wkd5iAChv2P4yG7CaUXki.jpg","Jordan River Anderson, The Messenger",{"id":115,"adult":6,"title":116,"video":6,"overview":117,"softcore":6,"genre_ids":118,"popularity":119,"vote_count":120,"poster_path":121,"release_date":122,"vote_average":123,"backdrop_path":124,"original_title":125,"original_language":91},619650,"L'Eau sale","Un documentaire sur des femmes noires et autochtones de Nouvelle-Écosse qui luttent contre le pouvoir et les effets toxiques des déchets industriels sur leurs minorités.",[11],1.7959,13,"\u002Fzv9S5kuL49PY7Rm4vjLdJggc2kE.jpg","2019-09-06",7.308,"\u002FaMum9qpzZJpa04L9weoeKmdFUEL.jpg","There's Something in the Water",{"id":127,"adult":6,"title":128,"video":6,"overview":86,"softcore":6,"genre_ids":129,"popularity":130,"vote_count":131,"poster_path":132,"release_date":133,"vote_average":32,"backdrop_path":134,"original_title":128,"original_language":91},115064,"Supermen of Malegaon",[11],0.5494,5,"\u002Fs0mt6CvM7ID7sqx4TxCQL9kGRR.jpg","2008-06-16","\u002FnhtqBOdtmwFOV1tk4nGfd8c14yQ.jpg",{"id":136,"adult":6,"title":137,"video":6,"overview":86,"softcore":6,"genre_ids":138,"popularity":139,"vote_count":140,"poster_path":141,"release_date":142,"vote_average":143,"backdrop_path":144,"original_title":137,"original_language":91},114509,"Robert Frost: A Lover's Quarrel with the World",[11],0.4334,10,"\u002FpwoB7EPhWijPW59XvMOaFJsg6ZX.jpg","1963-01-01",6.5,"\u002Fp1WeyhgKHwsVJWinDbX4vhZyIr2.jpg",{"id":146,"adult":6,"title":147,"video":6,"overview":86,"softcore":6,"genre_ids":148,"popularity":150,"vote_count":151,"poster_path":152,"release_date":153,"vote_average":154,"backdrop_path":155,"original_title":147,"original_language":91},114522,"Down and Out in America",[11,149],36,0.8286,12,"\u002F5iWdjpovH391tfyve80xOsoh5cS.jpg","1986-12-01",6.917,"\u002F1JLfQ8wLB1jD7VvTb20hkKlkRqD.jpg",{"id":157,"adult":6,"title":158,"video":6,"overview":86,"softcore":6,"genre_ids":159,"popularity":160,"vote_count":32,"poster_path":161,"release_date":162,"vote_average":163,"backdrop_path":36,"original_title":158,"original_language":91},114525,"In the Shadow of the Stars",[11],0.5981,"\u002FqBaPc5bhKA9KkBosBgNfVxTe225.jpg","1991-08-14",6.375,{"id":165,"adult":6,"title":166,"video":6,"overview":86,"softcore":6,"genre_ids":167,"popularity":168,"vote_count":169,"poster_path":170,"release_date":171,"vote_average":172,"backdrop_path":173,"original_title":166,"original_language":91},114526,"I Am a Promise: The Children of Stanton Elementary School",[11],0.4312,6,"\u002FfjQyXCYYGIdaBn5bEGxHjpSD8P1.jpg","1993-10-11",6.333,"\u002FgAQYTAN2cT3VL5zmcMVhUKWTS3s.jpg",{"id":175,"adult":6,"title":176,"video":6,"overview":86,"softcore":6,"genre_ids":177,"popularity":178,"vote_count":21,"poster_path":179,"release_date":180,"vote_average":21,"backdrop_path":36,"original_title":176,"original_language":91},115314,"Sex in an Epidemic",[11],0.4935,"\u002Fqcu9AEUTKrxdgmLZp5IRjinf64L.jpg","2010-01-01",{"id":182,"adult":6,"title":183,"video":6,"overview":86,"softcore":6,"genre_ids":184,"popularity":185,"vote_count":186,"poster_path":187,"release_date":188,"vote_average":189,"backdrop_path":36,"original_title":183,"original_language":91},115174,"Visa al paraíso",[11],0.8488,4,"\u002F3u2IiPML6N3ixfLalc7s7TeSFXy.jpg","2010-03-13",8.1,{"id":191,"adult":6,"title":192,"video":6,"overview":193,"softcore":6,"genre_ids":194,"popularity":195,"vote_count":196,"poster_path":197,"release_date":198,"vote_average":199,"backdrop_path":200,"original_title":192,"original_language":91},115473,"Banana in a Nutshell","Portrait d'un couple mixte en Nouvelle-Zélande cherchant l'accord des parents chinois traditionnels de la jeune femme pour se marier.\r L'histoire qui inspira \"My Wedding and Other Secrets\".",[11],0.6963,3,"\u002FgmHmUrSh5S442QyYepg4OXrNTdw.jpg","2005-03-01",6.7,"\u002Fna5YgikjXSmsO6iKX7nO12vayms.jpg",{"id":202,"adult":6,"title":203,"video":6,"overview":86,"softcore":6,"genre_ids":204,"popularity":205,"vote_count":32,"poster_path":206,"release_date":207,"vote_average":143,"backdrop_path":36,"original_title":203,"original_language":91},115505,"Women - For America, For the World",[11],0.4653,"\u002FeYR1ryGeP7D3lT3XlX67llznPwP.jpg","1986-01-01",{"id":209,"adult":6,"title":210,"video":6,"overview":211,"softcore":6,"genre_ids":212,"popularity":213,"vote_count":214,"poster_path":215,"release_date":216,"vote_average":217,"backdrop_path":36,"original_title":210,"original_language":103},116397,"Histoire(s) du cinéma 2b : fatale beauté","Un regard très personnel sur l'histoire du cinéma réalisé, écrit et édité par Jean-Luc Godard dans sa résidence suisse de Rolle pendant dix ans (1988-98) ; un collage monumental, construit à partir de fragments de films, de textes et de citations, de photos et de peintures, de musique et de sons, et de lectures diverses ; une vision critique, belle et mélancolique de l'art cinématographique.",[11],1.2989,20,"\u002F1xOG2ejvdoAAmQhOsaj6gznMYle.jpg","2006-02-11",6.15,{"id":219,"adult":6,"title":220,"video":6,"overview":221,"softcore":6,"genre_ids":222,"popularity":223,"vote_count":214,"poster_path":215,"release_date":224,"vote_average":225,"backdrop_path":36,"original_title":220,"original_language":103},116398,"Histoire(s) du cinéma 3b : une vague nouvelle","Godard revient sur le mouvement de la Nouvelle Vague dont il a fait partie et comment celle-ci a inscrit le cinéma dans l'histoire des Arts. Il évoque le Musée du Cinéma de Langlois et sa propre relation avec la Cinémathèque.",[11],0.7233,"2006-02-12",6.4,{"id":227,"adult":6,"title":228,"video":6,"overview":229,"softcore":6,"genre_ids":230,"popularity":231,"vote_count":232,"poster_path":215,"release_date":224,"vote_average":225,"backdrop_path":36,"original_title":228,"original_language":103},116402,"Histoire(s) du cinéma 4a : le contrôle de l'univers","Cette partie interroge le pouvoir. Selon Godard, l'homme est créateur autant de la beauté que de la terreur. Pour étayer son propos, il rend hommage à Alfred Hitchcock et la puissance de son cinéma sur l'imaginaire collectif.",[11],0.7043,19,{"id":234,"adult":6,"title":235,"video":6,"overview":211,"softcore":6,"genre_ids":236,"popularity":237,"vote_count":98,"poster_path":215,"release_date":216,"vote_average":238,"backdrop_path":36,"original_title":235,"original_language":103},116396,"Histoire(s) du cinéma 2a : seul le cinéma",[11],0.7725,6.3,{"id":240,"adult":6,"title":241,"video":6,"overview":86,"softcore":6,"genre_ids":242,"popularity":244,"vote_count":196,"poster_path":245,"release_date":246,"vote_average":247,"backdrop_path":36,"original_title":241,"original_language":91},116739,"Ski to the Max",[11,243,80],35,1.0837,"\u002FgJo7w34ahFZi6p4UIBALjKNxIz9.jpg","2001-10-26",5.667,{"id":249,"adult":6,"title":250,"video":6,"overview":86,"softcore":6,"genre_ids":251,"popularity":252,"vote_count":196,"poster_path":253,"release_date":254,"vote_average":255,"backdrop_path":256,"original_title":250,"original_language":91},116876,"One Nation Under Dog:  Stories of Fear, Loss and Betrayal",[11],0.4797,"\u002FmsZ1vXGhLVXP61JYpzZs1VaRGYN.jpg","2012-06-18",5.3,"\u002F2ZbODnKO1xjffdGnGolIyLEXSUP.jpg",{"id":258,"adult":6,"title":259,"video":6,"overview":260,"softcore":6,"genre_ids":261,"popularity":262,"vote_count":263,"poster_path":215,"release_date":224,"vote_average":264,"backdrop_path":36,"original_title":259,"original_language":103},116401,"Histoire(s) du cinéma 3a : la monnaie de l'absolu","En continuité avec l'épisode 1a, le réalisateur poursuit sa réflexion entre Cinéma et Histoire. Il décrit ici comment le cinéma peut être le lieu d'une prise de position politique avec l’exemple du néoréalisme italien ainsi que du documentaire.",[11],0.84,18,6.472,12451,249006,1.1637,"\u002FunPqYvMRUL6UPKmKZbLX2tl04Mq.jpg","2006-11-21",[271],"US",{"results":273},{},[],[276],{"id":277,"name":278,"logo_path":36,"origin_country":86},62264,"Artillery Pictures",[280],{"name":281,"iso_3166_1":271},"United States of America",45,"Un récit documentaire qui fait souvent mouche.",[]]