[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-434235-fr-FR":3},{"detail":4,"match":312,"insight":313,"providers":314,"providerLink":42},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"credits":14,"imdb_id":67,"revenue":8,"runtime":68,"similar":69,"tagline":75,"homepage":75,"overview":75,"softcore":6,"popularity":272,"vote_count":28,"poster_path":273,"release_date":274,"vote_average":232,"backdrop_path":275,"origin_country":276,"original_title":7,"watch\u002Fproviders":278,"spoken_languages":293,"original_language":269,"production_companies":297,"production_countries":309,"belongs_to_collection":42},434235,false,"7년-그들이 없는 언론",0,[10],{"id":11,"name":12},99,"Documentaire","Released",{"cast":15,"crew":35},[16,25],{"id":17,"name":18,"adult":6,"order":8,"gender":19,"cast_id":8,"character":20,"credit_id":21,"popularity":22,"profile_path":23,"original_name":18,"known_for_department":24},1703282,"최승호",2,"Self","5c0b4581c3a3682518067c59",0.3706,"\u002Fkiwz9IJXgYknUPhnQLcrhzQp8xd.jpg","Directing",{"id":26,"name":27,"adult":6,"order":28,"gender":28,"cast_id":29,"character":30,"credit_id":31,"popularity":32,"profile_path":33,"original_name":27,"known_for_department":34},2189102,"박근혜",1,4,"Self (archive footage)","5c0fe24c0e0a2638bc0e3e41",0.5091,"\u002FoV5LRohwOI15AjtaAgGNSVqXg6g.jpg","Acting",[36,43,50,53,60],{"id":37,"job":38,"name":39,"adult":6,"gender":8,"credit_id":40,"department":41,"popularity":8,"profile_path":42,"original_name":39,"known_for_department":24},2190882,"Editor","Kim Jin-hyuk","64eb6ea01feac100fe5dadf5","Editing",null,{"id":44,"job":45,"name":46,"adult":6,"gender":19,"credit_id":47,"department":48,"popularity":49,"profile_path":42,"original_name":46,"known_for_department":48},2190883,"Producer","Goh Young-jae","5c0b46110e0a2638c506a1e0","Production",0.0434,{"id":37,"job":51,"name":39,"adult":6,"gender":8,"credit_id":52,"department":24,"popularity":8,"profile_path":42,"original_name":39,"known_for_department":24},"Director","5c0b45a0925141479e05c223",{"id":54,"job":55,"name":56,"adult":6,"gender":19,"credit_id":57,"department":58,"popularity":59,"profile_path":42,"original_name":56,"known_for_department":58},2193245,"Sound Supervisor","표용수","5c0fdc2892514147980d8521","Sound",0.1132,{"id":61,"job":62,"name":63,"adult":6,"gender":28,"credit_id":64,"department":58,"popularity":65,"profile_path":66,"original_name":63,"known_for_department":58},4099849,"Original Music Composer","김인영","69d405de3fe7a41f633e391c",0.0311,"\u002FwfE6XJ5RSKHigRThNOEaFRI4ryJ.jpg","tt10467330",110,{"page":28,"results":70,"total_pages":270,"total_results":271},[71,83,90,99,108,119,128,135,144,157,165,176,186,195,207,216,223,235,245,257],{"id":72,"adult":6,"title":73,"video":74,"overview":75,"softcore":6,"genre_ids":76,"popularity":78,"vote_count":28,"poster_path":79,"release_date":80,"vote_average":81,"backdrop_path":42,"original_title":73,"original_language":82},806974,"TXT (투모로우바이투게더) STILL DREAMING",true,"",[77,11],10402,0.4573,"\u002F4DX5ZIiYKbZenRb5S3ayR3QW5Ez.jpg","2021-01-19",10,"ja",{"id":84,"adult":6,"title":85,"video":6,"overview":75,"softcore":6,"genre_ids":86,"popularity":87,"vote_count":8,"poster_path":42,"release_date":88,"vote_average":8,"backdrop_path":42,"original_title":85,"original_language":89},1367873,"South Korea’s Adoption Reckoning",[11],0.1664,"2024-05-28","en",{"id":91,"adult":6,"title":92,"video":6,"overview":75,"softcore":6,"genre_ids":93,"popularity":94,"vote_count":95,"poster_path":96,"release_date":97,"vote_average":98,"backdrop_path":42,"original_title":92,"original_language":89},26607,"WMD: Weapons of Mass Deception",[11],0.1628,11,"\u002Fg7tzslAYU6OkuIgZeGMn8WdzNvu.jpg","2004-12-12",7.273,{"id":100,"adult":6,"title":101,"video":6,"overview":75,"softcore":6,"genre_ids":102,"popularity":103,"vote_count":104,"poster_path":105,"release_date":106,"vote_average":104,"backdrop_path":107,"original_title":101,"original_language":89},454646,"Messenger on a White Horse",[11],0.1531,7,"\u002Fi9Jy2f3PkYKI7OzxV8bTg0wIQeF.jpg","2017-10-12","\u002FwgYDWFEn1rvrFoZkyCo3mejhRqH.jpg",{"id":109,"adult":6,"title":110,"video":6,"overview":75,"softcore":6,"genre_ids":111,"popularity":112,"vote_count":113,"poster_path":114,"release_date":115,"vote_average":116,"backdrop_path":117,"original_title":110,"original_language":118},807607,"CORONA.FILM - Prolog",[11],0.4386,6,"\u002F40s66hU3rxR5tdcwamhfd5rH4jZ.jpg","2021-03-23",7.9,"\u002Fskl5DRgVNxPOrWfpvgo5uViAyFQ.jpg","de",{"id":120,"adult":6,"title":121,"video":6,"overview":122,"softcore":6,"genre_ids":123,"popularity":124,"vote_count":8,"poster_path":125,"release_date":126,"vote_average":8,"backdrop_path":42,"original_title":121,"original_language":127},1372736,"Nahel, un an après : la révolte étouffée","Fin juin 2023, après la mort de Nahel, touché par un tir policier à Nanterre, la France s’embrase. À travers les témoignages de jeunes émeutiers, blessés, spécialistes et militants, ce documentaire inédit de StreetPress décrypte cette semaine d’une rare intensité et décrypte comment cette révolte a été étouffée.",[11],0.2025,"\u002FplfBPhSKaCoMZNlxYUDru96rldR.jpg","2024-10-17","fr",{"id":129,"adult":6,"title":130,"video":6,"overview":131,"softcore":6,"genre_ids":132,"popularity":133,"vote_count":8,"poster_path":42,"release_date":134,"vote_average":8,"backdrop_path":42,"original_title":130,"original_language":127},1372822,"Un tout petit pays","Patricio Salcedo, kiosquier anarchiste du quartier Crimée à Paris, arbore fièrement drapeaux noirs, journaux libres et slogans en vitrine. Chaque jour, presse écrite, clients et habitués vont, viennent et ramènent des fragments chaotiques du monde extérieur. Le kiosque est un îlot poussé par le passé, entraîné vers le futur, bercé de rêves et d’illusions. Habitons ce tout petit pays.",[11],0.1424,"2019-12-03",{"id":136,"adult":6,"title":137,"video":6,"overview":138,"softcore":6,"genre_ids":139,"popularity":140,"vote_count":8,"poster_path":141,"release_date":142,"vote_average":8,"backdrop_path":143,"original_title":137,"original_language":127},1568597,"Hélène Trésore Transnationale","En s’adressant directement, et intimement, à Hélène Hazera, la cinéaste Judith Abitbol réalise le portrait d’une figure importante des contre-cultures de la fin des années 60-90, en France. Membre des Gazolines, membre du F.H.A.R. (Front Homosexuel d’Action Révolutionnaire), activiste LGBTQ infatigable, Hélène Hazera a créé la commission Trans et SIDA au sein d’Act Up, une de ses grandes fiertés. Sa vraie revanche sur une vie qui a démarré dans des années où le désir et la nécessité de changer de genre n’avaient rien d’évident, fut de devenir la première journaliste transgenre d’un grand quotidien national, Libération, productrice à Radio France et à France TV.",[11],0.9159,"\u002FeCkIobO82723BJ869ruMygqooHh.jpg","2026-04-01","\u002F3xFyADJOPSKTCWVPQ90HPu4dfXc.jpg",{"id":145,"adult":6,"title":146,"video":6,"overview":147,"softcore":6,"genre_ids":148,"popularity":150,"vote_count":151,"poster_path":152,"release_date":153,"vote_average":154,"backdrop_path":155,"original_title":156,"original_language":89},653588,"Crime en eaux profondes","Lorsque la journaliste Kim Wall disparaît après être montée à bord du sous-marin de l'inventeur Peter Madsen, les explications confuses de ce dernier laissent présager le pire.",[11,149],80,0.65,67,"\u002FtKmeN1b4GUQAfRavo954azVeWZs.jpg","2020-01-23",6.567,"\u002F14So9mTE0kOdKXHwlZgiNHJDmjm.jpg","Into the Deep: The Submarine Murder Case",{"id":158,"adult":6,"title":159,"video":6,"overview":75,"softcore":6,"genre_ids":160,"popularity":161,"vote_count":8,"poster_path":162,"release_date":163,"vote_average":8,"backdrop_path":42,"original_title":159,"original_language":164},1205537,"De la Quadra-Salcedo: El reportero que quisimos ser",[11],0.1392,"\u002FyU9RC9SaFoWyZwlVKwyCMTE3P9D.jpg","2015-06-04","es",{"id":166,"adult":6,"title":167,"video":6,"overview":168,"softcore":6,"genre_ids":169,"popularity":171,"vote_count":95,"poster_path":172,"release_date":173,"vote_average":174,"backdrop_path":42,"original_title":175,"original_language":82},45976,"Le journal Asahi brille","Le film est une combinaison d'un drame sur un reporter et de séquences documentaires sur la production de journaux. Seules 25 minutes de séquences ont été conservées.",[170,11],18,0.51,"\u002F1211qy7N6kB7XE5FiWq2Q25jdbY.jpg","1929-04-12",5.818,"朝日は輝く",{"id":177,"adult":6,"title":178,"video":6,"overview":75,"softcore":6,"genre_ids":179,"popularity":180,"vote_count":181,"poster_path":182,"release_date":183,"vote_average":184,"backdrop_path":185,"original_title":178,"original_language":82},660374,"i ー 新聞記者ドキュメント ー",[11],0.4943,5,"\u002FIYmR93zO7l2vbtY7WYpwCX6nrT.jpg","2019-11-15",8.2,"\u002Flrhm68qUGqJ0Je52Hwe9DEjs0zb.jpg",{"id":187,"adult":6,"title":188,"video":6,"overview":75,"softcore":6,"genre_ids":189,"popularity":190,"vote_count":28,"poster_path":191,"release_date":192,"vote_average":193,"backdrop_path":194,"original_title":188,"original_language":89},449371,"Never a Backward Step",[11],0.1415,"\u002FtV7aYUq1TaJuV7dUcoLVdSvnpqq.jpg","1966-01-01",9,"\u002FNCBiIBJhCOvYe2uEvTDvLpiQdq.jpg",{"id":196,"adult":6,"title":197,"video":6,"overview":198,"softcore":6,"genre_ids":199,"popularity":201,"vote_count":202,"poster_path":203,"release_date":204,"vote_average":205,"backdrop_path":206,"original_title":197,"original_language":89},32562,"The Celluloid Closet","L'homosexualité vue a travers cent ans de cinéma hollywoodien. Pour les auteurs \"The Celluloid Closet\" montre comment notre attitude envers l'homosexualité et notre perception des rôles des deux sexes ont évolue au cours de ce siècle.",[11,200],36,1.1621,114,"\u002Fx0DSh3uMeQk6EG1DHjGJUywN7C0.jpg","1996-03-15",7.193,"\u002Fa6Ha2K2VGQVDEPL76oN8qLVnqAH.jpg",{"id":208,"adult":6,"title":209,"video":6,"overview":210,"softcore":6,"genre_ids":211,"popularity":212,"vote_count":104,"poster_path":213,"release_date":214,"vote_average":116,"backdrop_path":215,"original_title":209,"original_language":127},808698,"Je ne suis pas une salope, je suis une journaliste","Le monde du journalisme sportif est marqué par une surreprésentation des hommes et une méfiance, souvent teintée de mépris condescendant, pour les femmes qui veulent s'y affirmer. Marie Portolano est allée à la rencontre d'autres femmes journalistes pour recueillir leurs témoignages sur les remarques vulgaires et sexistes qu'elles peuvent recevoir sur les réseaux sociaux et tenter de faire évoluer les mentalités.",[11],0.3436,"\u002FwvlIQWkXYS64hI6bxG1IJdii2pj.jpg","2021-03-21","\u002FqMhlWlDrn4MYIjni2sGjC6HwaDq.jpg",{"id":217,"adult":6,"title":218,"video":6,"overview":75,"softcore":6,"genre_ids":219,"popularity":220,"vote_count":28,"poster_path":221,"release_date":222,"vote_average":181,"backdrop_path":42,"original_title":218,"original_language":89},448657,"Una vuelta a Mallorca en camello",[11],0.1402,"\u002FG8U82OJnp3a6cRxxKduXkq5Uc1.jpg","2013-01-26",{"id":224,"adult":6,"title":225,"video":6,"overview":226,"softcore":6,"genre_ids":227,"popularity":228,"vote_count":229,"poster_path":230,"release_date":231,"vote_average":232,"backdrop_path":233,"original_title":225,"original_language":234},808289,"F@ck This Job","En 2008, Natasha, une femme nouvellement riche, décide d'ouvrir une chaîne de télévision indépendante (Dozhd) dans la Russie de Poutine et constitue une équipe ouverte d'esprit de parias prêts à exiger justice. En 2020, Natasha a tout perdu dans la guerre russe entre propagande et vérité, pour laquelle elle se bat sans relâche.",[11],0.3775,16,"\u002FcftyHYTdFkFI9sa4VBBzw8JAhnJ.jpg","2022-02-24",8,"\u002F8CnBeHWQGtt5N5V8TI8Ac6eCfe3.jpg","ru",{"id":236,"adult":6,"title":237,"video":6,"overview":75,"softcore":6,"genre_ids":238,"popularity":239,"vote_count":240,"poster_path":241,"release_date":242,"vote_average":243,"backdrop_path":244,"original_title":237,"original_language":89},18112,"Boogie Man: The Lee Atwater Story",[11],0.2531,13,"\u002FveJf1jGjKpny296xkzN9SowumOq.jpg","2008-09-26",7.7,"\u002Fl2JqGApBlJ3kuxZCTK6sj6b9IVt.jpg",{"id":246,"adult":6,"title":247,"video":6,"overview":248,"softcore":6,"genre_ids":249,"popularity":251,"vote_count":252,"poster_path":253,"release_date":254,"vote_average":255,"backdrop_path":256,"original_title":247,"original_language":127},1175235,"Riverboom","Riverboom, c'est l’odyssée déjantée de trois jeunes reporters de guerre dans le chaos afghan, peu après les attentats du 11 septembre 2001. Serge, un journaliste bourreau de travail, Paolo, un photographe aussi jovial qu’inconscient, et Claude, un typographe suisse d'une prudence maladive. Embarqué dans cette aventure malgré lui, Claude achète une caméra video au bazar de Kaboul pour filmer cette folle équipée qui va changer sa vie … avant de perdre les cassettes pendant vingt ans. Un road-movie palpitant, une tragi-comédie documentaire pleine d’humour et d’autodérision. Jubilatoire !",[11,250],35,0.3484,15,"\u002FwlNA3Ev29AgvsmUQA8poS5qMZ7k.jpg","2024-09-25",8.4,"\u002F4vyuayVVu8ulqV2vW9z39pzGDZF.jpg",{"id":258,"adult":6,"title":259,"video":6,"overview":260,"softcore":6,"genre_ids":261,"popularity":262,"vote_count":263,"poster_path":264,"release_date":265,"vote_average":266,"backdrop_path":267,"original_title":268,"original_language":269},298153,"Diving Bell : The Truth Shall Not Sink with Sewol","En Corée du Sud, le ferry Sewol sombra le 16 Avril 2014 avec 476 passagers à son bord. La majorité des passagers furent pris au piège en respectant l'ordre du capitaine : \"Restez dans vos cabines\". Quelques minutes plus tard, le capitaine fuyait le ferry à bord d'un canot de sauvetage. Le bilan fût de 304 morts noyés, dont 250 étudiants du lycée Danwon qui était en voyage scolaire vers l'île Jeju. Bien que neuf corps soient encore dans le ferry, le gouvernement coréen à repousser toutes opérations indéfiniment. Le gouvernement de PARK Geun-Hye refusa de reconnaître sa responsabilité dans ce désastre, notamment au niveau des opérations de sauvetages. Certaines familles de victime vont jusqu'à affirmer que le gouvernement a sacrifié les passagers plutôt que de réellement les sauver. Comment les familles sont-elles arrivés à de telles accusations ?",[11],0.3725,12,"\u002FrjoSoP8UvSe47zT8BQiwgQo5ZBg.jpg","2014-10-23",7.6,"\u002FddLxr41t28i30MfJctZLgqCSttc.jpg","다이빙벨","ko",11382,227640,0.3181,"\u002F4FidSZkXZYAaUbXOvBqamhfKPu6.jpg","2017-01-12","\u002F9wqwRI4GHkjN3yMZTOBydwANUVu.jpg",[277],"KR",{"results":279},{"KR":280},{"link":281,"rent":282,"flatrate":287},"https:\u002F\u002Fwww.themoviedb.org\u002Fmovie\u002F434235-7\u002Fwatch?locale=KR",[283],{"logo_path":284,"provider_id":285,"provider_name":286,"display_priority":29},"\u002FhPcjSaWfMwEqXaCMu7Fkb529Dkc.jpg",356,"wavve",[288,289],{"logo_path":284,"provider_id":285,"provider_name":286,"display_priority":29},{"logo_path":290,"provider_id":291,"provider_name":292,"display_priority":181},"\u002F5gmEivxOGPdq4Afpq1f8ktLtEW1.jpg",97,"Watcha",[294],{"name":295,"iso_639_1":269,"english_name":296},"한국어\u002F조선말","Korean",[298,302,306],{"id":299,"name":300,"logo_path":301,"origin_country":277},112074,"Indieplug","\u002FA9DKWvOT9TNwmF9P2lQQIYEqEo4.png",{"id":303,"name":304,"logo_path":305,"origin_country":277},112196,"Newstapa","\u002Ft7iLYzrj825rY7CqEG7xS4IUOOB.png",{"id":307,"name":308,"logo_path":42,"origin_country":75},134627,"National Union of Mediaworkers",[310],{"name":311,"iso_3166_1":277},"South Korea",45,"Un récit documentaire qui fait souvent mouche.",[]]