[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-444645-fr-FR":3},{"detail":4,"match":307,"insight":308,"providers":309,"providerLink":35,"trailer":35},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":93,"revenue":8,"runtime":94,"similar":95,"tagline":55,"homepage":55,"overview":55,"softcore":6,"popularity":281,"vote_count":21,"poster_path":282,"release_date":283,"vote_average":47,"backdrop_path":35,"origin_country":284,"original_title":7,"watch\u002Fproviders":286,"spoken_languages":288,"original_language":144,"production_companies":292,"production_countries":304,"belongs_to_collection":35},444645,false,"Ich bin, Gott sei Dank, beim Film!",0,[10],{"id":11,"name":12},99,"Documentaire","Released",{"results":15},[],{"cast":17,"crew":65},[18,28,36,43,50,58],{"id":19,"name":20,"adult":6,"order":8,"gender":21,"cast_id":22,"character":23,"credit_id":24,"popularity":25,"profile_path":26,"original_name":20,"known_for_department":27},40984,"Eva Ebner",1,6,"Herself","58b8566dc3a368358800abfe",0.3669,"\u002FnAWQp0hGcpCOLwpAubHb2zpiXSI.jpg","Acting",{"id":29,"name":30,"adult":6,"order":21,"gender":8,"cast_id":31,"character":32,"credit_id":33,"popularity":34,"profile_path":35,"original_name":30,"known_for_department":27},1768590,"Michael Sittner",10,"Himself","58b85727925141273600bab7",0.0311,null,{"id":37,"name":38,"adult":6,"order":39,"gender":8,"cast_id":40,"character":23,"credit_id":41,"popularity":42,"profile_path":35,"original_name":38,"known_for_department":27},1768591,"Nilgün Taifun",2,11,"58b8572dc3a368352e00afce",0.0239,{"id":44,"name":45,"adult":6,"order":46,"gender":21,"cast_id":47,"character":23,"credit_id":48,"popularity":49,"profile_path":35,"original_name":45,"known_for_department":27},1286850,"Erika Rabau",3,9,"58b85713c3a368357700aadf",0.0698,{"id":51,"name":52,"adult":6,"order":53,"gender":8,"cast_id":54,"character":55,"credit_id":56,"popularity":57,"profile_path":35,"original_name":52,"known_for_department":27},1768592,"Heiko Behrens",4,12,"","58b85776c3a368352e00b014",0.051,{"id":59,"name":60,"adult":6,"order":61,"gender":8,"cast_id":62,"character":55,"credit_id":63,"popularity":64,"profile_path":35,"original_name":60,"known_for_department":27},1768593,"Ralf Grawe",5,13,"58b8577ec3a368359b00a409",0.0621,[66,73,77,85,89,91],{"id":67,"job":68,"name":69,"adult":6,"gender":8,"credit_id":70,"department":71,"popularity":72,"profile_path":35,"original_name":69,"known_for_department":71},1706039,"Editor","Albert Kittler","58b85627925141276c00b785","Editing",0.0336,{"id":67,"job":74,"name":69,"adult":6,"gender":8,"credit_id":75,"department":76,"popularity":72,"profile_path":35,"original_name":69,"known_for_department":71},"Director of Photography","58b8561bc3a368358d00a2ea","Camera",{"id":78,"job":79,"name":80,"adult":6,"gender":39,"credit_id":81,"department":82,"popularity":83,"profile_path":84,"original_name":80,"known_for_department":82},1350709,"Director","Lothar Lambert","58b8557ec3a368358800ab74","Directing",0.1366,"\u002Fag2DGaXYYosYpRCKQp6mBp5lLzD.jpg",{"id":78,"job":86,"name":80,"adult":6,"gender":39,"credit_id":87,"department":88,"popularity":83,"profile_path":84,"original_name":80,"known_for_department":82},"Screenplay","58b855efc3a368358800abb6","Writing",{"id":78,"job":68,"name":80,"adult":6,"gender":39,"credit_id":90,"department":71,"popularity":83,"profile_path":84,"original_name":80,"known_for_department":82},"58b855fcc3a368356000aa1a",{"id":78,"job":74,"name":80,"adult":6,"gender":39,"credit_id":92,"department":76,"popularity":83,"profile_path":84,"original_name":80,"known_for_department":82},"58b8560cc3a368359b00a320","tt0425121",81,{"page":21,"results":96,"total_pages":279,"total_results":280},[97,110,117,128,136,145,153,159,169,177,187,195,204,215,223,233,240,250,260,273],{"id":98,"adult":6,"title":99,"video":6,"overview":100,"softcore":6,"genre_ids":101,"popularity":102,"vote_count":103,"poster_path":104,"release_date":105,"vote_average":106,"backdrop_path":107,"original_title":108,"original_language":109},4539,"Aux cœurs des ténèbres : L'Apocalypse d'un metteur en scène","En février 1976, Francis Ford Coppola s'installe avec son équipe et toute sa famille aux Philippines pour tourner son huitième film, \"Apocalypse Now\". A sa demande, sa femme Eleanor suit avec sa caméra le tournage du film, tient un journal et enregistre leurs conversations. \"Au cœur des ténèbres\" est le film du film. Il évoque l'histoire d'un metteur en scène et d'une équipe confrontés à toutes sortes de problèmes qui mettront leurs vies et leurs nerfs à rude épreuve.",[11],1.8459,415,"\u002FnVMCtL3r2nj4fySihDDvamaVkfx.jpg","1991-11-27",7.9,"\u002Fcrw9RXI54qmSfc0tIiH5hip79uw.jpg","Hearts of Darkness: A Filmmaker's Apocalypse","en",{"id":111,"adult":6,"title":112,"video":6,"overview":55,"softcore":6,"genre_ids":113,"popularity":114,"vote_count":8,"poster_path":115,"release_date":116,"vote_average":8,"backdrop_path":35,"original_title":112,"original_language":109},434902,"David Lean: A Self Portrait",[11],0.1799,"\u002FfU14DB4D0Ija29u468dfwvaD23i.jpg","1971-01-01",{"id":118,"adult":6,"title":119,"video":6,"overview":120,"softcore":6,"genre_ids":121,"popularity":122,"vote_count":21,"poster_path":123,"release_date":124,"vote_average":125,"backdrop_path":126,"original_title":119,"original_language":127},434903,"King Hu: 1932-1997","Documentaire qui retrace la carrière du réalisateur King Hu.",[11],0.1399,"\u002F4ql8UAAJO7Zs6HV9VsyK5YQQuL3.jpg","2012-01-01",8,"\u002F5FXJfOgK4T7ZFysZ9XQldE131kn.jpg","fr",{"id":129,"adult":6,"title":130,"video":6,"overview":55,"softcore":6,"genre_ids":131,"popularity":132,"vote_count":39,"poster_path":133,"release_date":134,"vote_average":135,"backdrop_path":35,"original_title":130,"original_language":109},794601,"The Remains of the Day: The Filmmaker's Journey",[11],0.7699,"\u002Fpn5v1VylE7AohoQB74TSv2xmeNL.jpg","2001-01-01",6.5,{"id":137,"adult":6,"title":138,"video":6,"overview":55,"softcore":6,"genre_ids":139,"popularity":140,"vote_count":61,"poster_path":141,"release_date":142,"vote_average":22,"backdrop_path":35,"original_title":143,"original_language":144},435188,"Au hasard Bresson",[11],0.1816,"\u002F3XORw2JcsLhWCfz0Iv0oSUghasy.jpg","1967-04-01","Zum Beispiel Bresson","de",{"id":146,"adult":6,"title":147,"video":6,"overview":148,"softcore":6,"genre_ids":149,"popularity":150,"vote_count":53,"poster_path":35,"release_date":151,"vote_average":152,"backdrop_path":35,"original_title":147,"original_language":144},5124,"Leinwandfieber","Ce documentaire dresse le portrait de quatre hommes et femmes très différents mais réunis par leur amour inconditionnel du cinéma. Tous tiennent un cinéma dans divers endroits de la planète et s’efforcent de séduire le public dans l’espoir de partager leur passion.\r En Corée du Nord, Han Jong Sil est déchirée entre la propagande et ses rêves. Dans le Wyoming, Penny Tefertiller consacre sa vie à la communauté. À Ouagadougou, Lassane et ses amis négligent leur famille pour un vieux cinéma en plein air. Et pour Anup, en Inde, les affaires prospèrent…",[11],0.2811,"2006-10-15",7.2,{"id":154,"adult":6,"title":155,"video":6,"overview":55,"softcore":6,"genre_ids":156,"popularity":157,"vote_count":8,"poster_path":35,"release_date":158,"vote_average":8,"backdrop_path":35,"original_title":155,"original_language":109},5774,"Omnibus: François Truffaut",[11],0.3307,"1973-12-02",{"id":160,"adult":6,"title":161,"video":6,"overview":55,"softcore":6,"genre_ids":162,"popularity":164,"vote_count":47,"poster_path":165,"release_date":166,"vote_average":167,"backdrop_path":35,"original_title":161,"original_language":168},433817,"Michelangelo Antonioni storia di un autore",[11,163],10770,0.2575,"\u002F1egWEl97fSOwWhWM344jenQpHK8.jpg","1965-09-12",6.333,"it",{"id":170,"adult":6,"title":171,"video":6,"overview":55,"softcore":6,"genre_ids":172,"popularity":173,"vote_count":61,"poster_path":174,"release_date":175,"vote_average":176,"backdrop_path":35,"original_title":171,"original_language":168},257379,"Roberto Rossellini: Frammenti e Battute",[11],0.2869,"\u002FnBAFO1Ey7pbQPDHMlPDFTMNSU07.jpg","2001-04-04",7,{"id":178,"adult":6,"title":179,"video":6,"overview":55,"softcore":6,"genre_ids":180,"popularity":181,"vote_count":46,"poster_path":182,"release_date":183,"vote_average":184,"backdrop_path":185,"original_title":179,"original_language":186},433709,"わが映画人生　黒澤明監督編",[11,163],0.6518,"\u002FpzrXBAVKsU17fH68PIztazyDNrj.jpg","1993-01-01",7.7,"\u002FYID3N7FjcK6A5pp276IzIKpetb.jpg","ja",{"id":188,"adult":6,"title":189,"video":6,"overview":55,"softcore":6,"genre_ids":190,"popularity":192,"vote_count":53,"poster_path":35,"release_date":193,"vote_average":194,"backdrop_path":35,"original_title":189,"original_language":109},257555,"Animated Motion: Part 1",[191,11],16,0.1569,"1976-01-01",5.5,{"id":196,"adult":6,"title":197,"video":6,"overview":55,"softcore":6,"genre_ids":198,"popularity":199,"vote_count":39,"poster_path":200,"release_date":201,"vote_average":22,"backdrop_path":202,"original_title":197,"original_language":203},257844,"¡Zarpazos! Un viaje por el spanish horror",[11],0.4042,"\u002FsXp49NOIt7PTrNcHQuk98zQ7kNu.jpg","2014-06-20","\u002FqJtCQSY8w9acLF1lPiXj0rk6ZnD.jpg","es",{"id":205,"adult":6,"title":206,"video":6,"overview":207,"softcore":6,"genre_ids":208,"popularity":209,"vote_count":210,"poster_path":211,"release_date":212,"vote_average":213,"backdrop_path":214,"original_title":206,"original_language":109},611609,"Blood & Flesh: The Reel Life & Ghastly Death of Al Adamson","Aussi roublard et pingre que Roger Corman, aussi passionné et talentueux que Ed Wood, Al Adamson est l’auteur d’un nombre de productions d’exploitation dont les titres permettent à eux seuls de saisir la saveur bis des œuvres : Dracula contre Frankenstein, Horror of the Blood Monsters ou encore Psycho a Go-Go et tant d’autres.",[11],0.5847,25,"\u002FqmuTjCSdCP1T6Ka5WvCZO7HJoQZ.jpg","2019-08-23",6.8,"\u002FcIimi5O9iqdhChJvQD6WV3ctF5q.jpg",{"id":216,"adult":6,"title":217,"video":6,"overview":55,"softcore":6,"genre_ids":218,"popularity":219,"vote_count":8,"poster_path":220,"release_date":221,"vote_average":8,"backdrop_path":222,"original_title":217,"original_language":168},434524,"Let's See Copia Conforme",[11],0.1826,"\u002FpAxdQHI60G8qG0i5TAHVbwvSctd.jpg","2010-01-01","\u002FaoPUZJ3hIAR5ej3uibmTVbW50Fq.jpg",{"id":224,"adult":6,"title":225,"video":6,"overview":226,"softcore":6,"genre_ids":227,"popularity":228,"vote_count":22,"poster_path":229,"release_date":230,"vote_average":231,"backdrop_path":232,"original_title":225,"original_language":127},255990,"Cinéastes de notre temps : Le Dinosaure et le Bébé, dialogue en huit parties entre Fritz Lang et Jean-Luc Godard","Sur des extraits du Mépris et de M le Maudit, Godard et Lang s'entretiennent sur le cinéma. Appelez-moi un \"dinosaure\", dit Fritz Lang. Dans Le Mépris, Lang, figure centrale du film, incarne justement un Dieu agonisant qui a fait son temps. Qu'est-ce qu'un metteur en scène? Qu'est-ce que la censure? Telles seront les questions tour à tour abordées avec Godard qui brise le cinéma, cet art de \"bébé\".",[11,163],0.4228,"\u002FrUKnG4Xp131jR5XdcOXpZ7znamO.jpg","1967-03-15",6.167,"\u002FAkxpVlnQgD6GUaSRMowenQ0DynW.jpg",{"id":234,"adult":6,"title":235,"video":6,"overview":55,"softcore":6,"genre_ids":236,"popularity":237,"vote_count":39,"poster_path":238,"release_date":239,"vote_average":135,"backdrop_path":35,"original_title":235,"original_language":109},431610,"Love & Loyalty: The Making of 'The Remains of the Day'",[11],0.7512,"\u002Fn7i2vCmapCJFPI7seqTj13lPAYN.jpg","2001-10-22",{"id":241,"adult":6,"title":242,"video":6,"overview":55,"softcore":6,"genre_ids":243,"popularity":244,"vote_count":40,"poster_path":245,"release_date":246,"vote_average":247,"backdrop_path":248,"original_title":242,"original_language":249},257147,"無涯：杜琪峯的電影世界",[11],0.8069,"\u002FzPHKFeyKQn5R9zDNr8oQ46cXyr4.jpg","2013-11-02",7.727,"\u002FiCHhFi4JhGtgnOUKL8xqGmXXU7E.jpg","cn",{"id":251,"adult":6,"title":252,"video":6,"overview":253,"softcore":6,"genre_ids":254,"popularity":255,"vote_count":21,"poster_path":256,"release_date":257,"vote_average":125,"backdrop_path":258,"original_title":259,"original_language":144},987225,"Time of my Life - \"Dirty Dancing\" des deux côtés du Mur","1987, Festival de Cannes. Gerd et Beate Bender regardent \"Dirty Dancing\". Les hommes quittent la salle après quelques minutes, ne pouvant supporter ce film de dance kitsch. Beate reste et convainc son mari d'investir dans quelques copies. Le film sera l'un des plus grands succès de l'histoire du cinéma en R.D.A.",[11],0.1778,"\u002FhrS5VJwlYpTU0jp6obfrt39zbAa.jpg","2022-07-10","\u002FeMig8BJcZGKTqw3MdhSEkbGXx6F.jpg","Die Zeit meines Lebens - Dirty Dancing in Ost und West",{"id":261,"adult":6,"title":262,"video":6,"overview":263,"softcore":6,"genre_ids":264,"popularity":266,"vote_count":267,"poster_path":268,"release_date":269,"vote_average":270,"backdrop_path":271,"original_title":272,"original_language":109},7944,"The Rolling Stones - Shine a Light","Martin Scorsese réalise son rêve de toujours : filmer les Rolling Stones, l'essence même du rock'n'roll. Cette rencontre cinématographique donne naissance à un film événement : de la préparation à la performance, entrecoupé d'images backstage, d'archives, 16 caméras, les plus grands chefs opérateurs internationaux captent l'énergie légendaire de ce groupe mythique lors de ses concerts au Beacon Theatre à New York.",[11,265],10402,2.0739,180,"\u002FrMVrNWWaO3xAWZHFUbeamWPzVAC.jpg","2008-04-04",6.831,"\u002FzzAuxUpfZDEspL33N3KlOCWxOLH.jpg","Shine a Light",{"id":274,"adult":6,"title":275,"video":6,"overview":55,"softcore":6,"genre_ids":276,"popularity":277,"vote_count":8,"poster_path":35,"release_date":278,"vote_average":8,"backdrop_path":35,"original_title":275,"original_language":144},436034,"Die Geburt der Kinder Des Olymp",[11],0.3554,"1967-01-01",11399,227962,0.1363,"\u002FpTNvaqI6Nm3QFpLAiSWJTc3hFFA.jpg","2003-02-08",[285],"DE",{"results":287},{},[289],{"name":290,"iso_639_1":144,"english_name":291},"Deutsch","German",[293,296,300],{"id":294,"name":295,"logo_path":35,"origin_country":55},87258,"Lothar Lambert Filmproduktion",{"id":297,"name":298,"logo_path":299,"origin_country":285},2027,"3sat","\u002FrvHnU0XJniilOjf6IK9ZdXTUKE5.png",{"id":301,"name":302,"logo_path":303,"origin_country":285},4606,"ZDF","\u002FotZHbf1HmzLRQsZFSqJXkf8EHz7.png",[305],{"name":306,"iso_3166_1":285},"Germany",48,"Un récit documentaire qui fait souvent mouche.",[]]