[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-624378-fr-FR":3},{"detail":4,"match":321,"insight":322,"providers":323,"providerLink":36,"trailer":36},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":91,"revenue":8,"runtime":92,"similar":93,"tagline":119,"homepage":119,"overview":119,"softcore":6,"popularity":304,"vote_count":22,"poster_path":305,"release_date":306,"vote_average":158,"backdrop_path":36,"origin_country":307,"original_title":7,"watch\u002Fproviders":309,"spoken_languages":311,"original_language":104,"production_companies":314,"production_countries":318,"belongs_to_collection":36},624378,false,"Vampira: About Sex, Death and Taxes",0,[10],{"id":11,"name":12},99,"Documentaire","Released",{"results":15},[],{"cast":17,"crew":28},[18],{"id":19,"name":20,"adult":6,"order":8,"gender":21,"cast_id":22,"character":23,"credit_id":24,"popularity":25,"profile_path":26,"original_name":20,"known_for_department":27},106171,"Maila Nurmi",1,2,"Self","655ce5b6109230011b45c9b3",0.4808,"\u002FgjbZHnsVmltAPah6n8zf3Xuy2J5.jpg","Acting",[29,38,42,49,56,63,70,77,82,88],{"id":30,"job":31,"name":32,"adult":6,"gender":22,"credit_id":33,"department":34,"popularity":35,"profile_path":36,"original_name":32,"known_for_department":37},2221806,"Writer","Mika J. Ripatti","655ce5f7ea84c710910f2e08","Writing",0.1536,null,"Directing",{"id":30,"job":39,"name":32,"adult":6,"gender":22,"credit_id":40,"department":41,"popularity":35,"profile_path":36,"original_name":32,"known_for_department":37},"Producer","655ce603b5400214cf3bc34c","Production",{"id":43,"job":44,"name":45,"adult":6,"gender":21,"credit_id":46,"department":47,"popularity":48,"profile_path":36,"original_name":45,"known_for_department":47},4389628,"Music","Marjaana Rontama","655ce611109230011b45c9de","Sound",0.0652,{"id":50,"job":51,"name":52,"adult":6,"gender":22,"credit_id":53,"department":54,"popularity":55,"profile_path":36,"original_name":52,"known_for_department":54},1514369,"Director of Photography","Timo Peltonen","655ce627b5400214d1191e42","Camera",0.1048,{"id":57,"job":58,"name":59,"adult":6,"gender":21,"credit_id":60,"department":61,"popularity":62,"profile_path":36,"original_name":59,"known_for_department":61},936899,"Editor","Anne Lakanen","655ce62e53866e00abaed700","Editing",0.3402,{"id":64,"job":65,"name":66,"adult":6,"gender":21,"credit_id":67,"department":68,"popularity":69,"profile_path":36,"original_name":66,"known_for_department":68},3043562,"Production Design","Marjaana Rantama","655ce6373d745400c6381a57","Art",0.1264,{"id":71,"job":72,"name":73,"adult":6,"gender":21,"credit_id":74,"department":75,"popularity":76,"profile_path":36,"original_name":73,"known_for_department":75},4389630,"Makeup Artist","Tanja Savalainen","655ce6523d7454013be6300b","Costume & Make-Up",0.0857,{"id":78,"job":47,"name":79,"adult":6,"gender":8,"credit_id":80,"department":47,"popularity":81,"profile_path":36,"original_name":79,"known_for_department":47},4389631,"Janne Nurmimaa","655ce65910923000e143a467",0.0714,{"id":83,"job":84,"name":85,"adult":6,"gender":21,"credit_id":86,"department":41,"popularity":87,"profile_path":36,"original_name":85,"known_for_department":41},3675325,"Production Assistant","Sussu Laaksonen","655ce6630816c700fd33cd1b",0.0981,{"id":30,"job":89,"name":32,"adult":6,"gender":22,"credit_id":90,"department":37,"popularity":35,"profile_path":36,"original_name":32,"known_for_department":37},"Director","5d5a3cc7b77d4b0e04e8e94f","tt0114823",64,{"page":21,"results":94,"total_pages":302,"total_results":303},[95,105,116,127,139,148,161,172,183,190,202,212,223,233,241,251,259,270,280,292],{"id":96,"adult":6,"title":97,"video":6,"overview":98,"softcore":6,"genre_ids":99,"popularity":100,"vote_count":8,"poster_path":101,"release_date":102,"vote_average":8,"backdrop_path":103,"original_title":97,"original_language":104},1375213,"LA. LA. End","Prix du documentaire international du LA DOC Film Festival 2024. LA.LA End est un portrait de Los Angeles à travers une galerie de personnages évoquant la Mecque du cinéma. Drôle et parfois poignant, LA.LA End s’attache à observer le mythe d'Hollywood confronté à la réalité de la ville aujourd'hui. Le film propose une vision photographique de la cité des Anges.",[11],0.1371,"\u002F5Yz1GJtzfHednKZcTeEUDCLoV1M.jpg","2024-10-20","\u002Fyc15Y52fHaOQCcMgIPsNoN76FSK.jpg","en",{"id":106,"adult":6,"title":107,"video":6,"overview":108,"softcore":6,"genre_ids":109,"popularity":110,"vote_count":111,"poster_path":112,"release_date":113,"vote_average":114,"backdrop_path":115,"original_title":107,"original_language":104},42697,"Mondo Hollywood","Longtemps considéré comme un film culte, « Mondo Hollywood » capture les coulisses d'Hollywood en documentant une époque (1965-1967) où la curiosité et la confiance dans l'inconnu étaient primordiales, l'espoir en l'avenir palpable et la vie valait la peine d'être vécue en marge de la société. Le film utilise une narration en monologue intérieur, où chaque personnage principal décide non seulement de ce qu'il veut être filmé, mais commente également ses propres scènes. Le film s'ouvre sur Gypsy Boots (le premier hippie végétalien, vendeur de mixeurs parcourant le désert) et la strip-teaseuse Jennie Lee, s'entraînant « à la Watusi » sous le panneau « Hollywood », avant d'aborder la vision de la « communauté durable » de Lewis Beach Marvin III, héritier de S&H Green Stamp, qui vivait dans un garage à 10 dollars par mois tout en possédant une maison de montagne à Malibu.",[11],0.6414,6,"\u002F6zYXWtvORQ7pOU4sVoDAnGOdZ7n.jpg","1967-06-30",6.667,"\u002FqSQVb0ZfFkJJMCNDos9Vo00KAY.jpg",{"id":117,"adult":6,"title":118,"video":6,"overview":119,"softcore":6,"genre_ids":120,"popularity":121,"vote_count":122,"poster_path":123,"release_date":124,"vote_average":125,"backdrop_path":126,"original_title":118,"original_language":104},298664,"Magician: The Astonishing Life and Work of Orson Welles","",[11],1.2615,37,"\u002FvtHKaAS0pCrOASSg6wGmKlkqghh.jpg","2014-12-12",6.5,"\u002FqIps5eOGwy1ZCRdxEOf8XktW6Yr.jpg",{"id":128,"adult":6,"title":129,"video":6,"overview":130,"softcore":6,"genre_ids":131,"popularity":132,"vote_count":133,"poster_path":134,"release_date":135,"vote_average":136,"backdrop_path":137,"original_title":138,"original_language":104},455968,"Cary Grant, de l'autre côté du miroir","Cary Grant est sans aucun doute l'un des plus grands acteurs qu'Hollywood a connus. Un traumatisme survenu pendant son enfance est à l'origine de ses doutes durant la majeure partie de sa vie. À la fin des années 1950, alors qu'il est au sommet de sa gloire, il entame une thérapie au LSD pour tenter de se libérer de ses démons. Avec les propres mots de la star et des images privées totalement inédites, ce film retrace le parcours qui est le sien, d'une enfance dans la pauvreté à la notoriété mondiale, de l'ombre à la lumière. Pour la première fois, s'y révèle un Cary Grant méconnu : un homme qui cache, derrière son masque de charme et de sophistication, son sentiment d'insécurité et ses doutes.",[11],1.0235,43,"\u002FAuWhFMGlymRJHfFD7rDa1RxC4cc.jpg","2017-05-23",6.651,"\u002F282ENKDndq5bkQsDm96cy35XZfF.jpg","Becoming Cary Grant",{"id":140,"adult":6,"title":141,"video":6,"overview":142,"softcore":6,"genre_ids":143,"popularity":144,"vote_count":8,"poster_path":145,"release_date":146,"vote_average":8,"backdrop_path":36,"original_title":141,"original_language":147},1405414,"Le phénomène Godlywood : quand l'Église fait son cinéma !","Sur les terres de l’Oncle Sam, l’Église fait son cinéma ! Bienvenue à Godlywood, une industrie de films chrétiens qui prêche la bonne parole pour remettre l’Amérique dans le droit chemin. Ce documentaire raconte l’histoire des rapports entre l’Église et le cinéma américain : la rencontre entre deux géants du \"soft power\", une histoire d’amour et de conflit, d’argent et d’influence.",[11],1.5362,"\u002F2xfGsHalXWlPAzyTAw8tWt0YQV.jpg","2024-12-18","fr",{"id":149,"adult":6,"title":150,"video":6,"overview":151,"softcore":6,"genre_ids":152,"popularity":154,"vote_count":155,"poster_path":156,"release_date":157,"vote_average":158,"backdrop_path":159,"original_title":160,"original_language":104},1430484,"Les Indiens à Hollywood, une tragédie américaine","Une histoire de la représentation des Indiens d'Amérique du Nord dans le cinéma hollywoodien, illustrée de nombreux extraits de films et d'interviews.",[11,153],36,1.8223,4,"\u002FyJSiSPLhXOTCW38y9ELZlMdwIEG.jpg","2025-02-04",7.5,"\u002FoPsA05eXTvvHPyKKAERXMEKhLSC.jpg","Bearing Witness Native American Voices in Hollywood",{"id":162,"adult":6,"title":163,"video":6,"overview":164,"softcore":6,"genre_ids":165,"popularity":166,"vote_count":167,"poster_path":168,"release_date":169,"vote_average":170,"backdrop_path":171,"original_title":163,"original_language":147},1050921,"Les Cartoons bannis","Entre les années 30 et 50, le cartoon fait partie intégrante des productions hollywoodiennes. Lors des séances de cinéma, il était diffusé après les actualités, juste avant le film, et le public en était friand. La provocation comme la caricature étaient fréquentes, et les animateurs bénéficiaient d'une grande liberté. Pendant la Seconde Guerre mondiale, le cartoon soutenait les forces alliées. Dans les années 50, les studios luttent activement contre la propagande communiste et sont aussi le reflet d'une époque ségrégationniste, avec des images racistes, devenues désormais inacceptables. Michel Lerokourez met en lumière la face sombre des cartoons, utilisés à des fins politiques.",[11],0.8894,3,"\u002Fe552wmwH0NTh9x89fvvjSXIgL2G.jpg","2022-11-29",8.3,"\u002F9AoFdIzaxlV0Ap0Le1ePuLdW690.jpg",{"id":173,"adult":6,"title":174,"video":6,"overview":175,"softcore":6,"genre_ids":176,"popularity":177,"vote_count":178,"poster_path":179,"release_date":180,"vote_average":181,"backdrop_path":182,"original_title":174,"original_language":104},278086,"Altman","Des stars dont Bruce WIllis, Robin Williams et Lily Tomlin reviennent sur la vie et l’œuvre du cinéaste Robert Altman, dont le style unique lui a attiré la reconnaissance internationale et des critiques acerbes tandis qu’il refusait de se plier aux conventions de Hollywood et à ses cadres.",[11],1.8999,39,"\u002Fh83e01Qrjrnonwwm70c8qdgb6ww.jpg","2014-08-01",6.7,"\u002FxtW7sFSRHWnWQTDQLnvKqZsV9R0.jpg",{"id":184,"adult":6,"title":185,"video":6,"overview":119,"softcore":6,"genre_ids":186,"popularity":187,"vote_count":8,"poster_path":188,"release_date":189,"vote_average":8,"backdrop_path":36,"original_title":185,"original_language":104},460000,"The Once and Future Griffith Observatory",[11],0.2272,"\u002Fu3IhNmnNmOJ1UE8atxasUplYQ7h.jpg","2006-05-31",{"id":191,"adult":6,"title":192,"video":6,"overview":193,"softcore":6,"genre_ids":194,"popularity":195,"vote_count":167,"poster_path":196,"release_date":197,"vote_average":198,"backdrop_path":199,"original_title":200,"original_language":201},475379,"Billy Wilder ou le grand art de distraire","Le Viennois d'Hollywood a écrit et tourné les comédies les plus enlevées de sa génération, de \"La garçonnière\" à \"Certains l'aiment chaud\", et défié l'Amérique puritaine. Ce documentaire ressuscite le mythe Wilder en mêlant à de savoureux extraits de ses grands classiques des interviews de ses proches et de ses collaborateurs.",[11],0.457,"\u002F2lkW6guuTH84OkTPC02kcFPJIQh.jpg","2017-10-28",7.3,"\u002FhzZO3D48QznLA5MxQRcLwZATzo5.jpg","Du sollst nicht langweilen: Billy Wilder","de",{"id":203,"adult":6,"title":204,"video":6,"overview":119,"softcore":6,"genre_ids":205,"popularity":208,"vote_count":21,"poster_path":209,"release_date":210,"vote_average":111,"backdrop_path":211,"original_title":204,"original_language":104},1212953,"Dance Crazy in Hollywood",[11,153,206,207],10402,10770,1.2338,"\u002FsLPb9quInHBB3fjx6bSCsipzZk0.jpg","1990-01-01","\u002Fnh4LWVkOQcMg87oBbIU7pCSCRaY.jpg",{"id":213,"adult":6,"title":214,"video":6,"overview":215,"softcore":6,"genre_ids":216,"popularity":217,"vote_count":218,"poster_path":219,"release_date":220,"vote_average":221,"backdrop_path":222,"original_title":214,"original_language":147},1011403,"Devenir Marilyn","L'histoire de Norma Jeane Mortenson, devenue Marilyn Monroe (1926-62), un voyage lucide à la découverte de soi, de l'anonymat à la célébrité : la naissance douloureuse d'un mythe.",[11,153,207],0.9471,19,"\u002FnLR3wFFce28cKUZz2LWaoDXAX77.jpg","2022-07-07",7.6,"\u002FiKG9yKOjkAI5tC5I5sgU4T7qcje.jpg",{"id":224,"adult":6,"title":225,"video":6,"overview":119,"softcore":6,"genre_ids":226,"popularity":227,"vote_count":228,"poster_path":229,"release_date":230,"vote_average":231,"backdrop_path":232,"original_title":225,"original_language":104},637209,"Scandal: The Trial of Mary Astor",[11],0.647,5,"\u002F21P7HMxOSnvF9XqtEly8ntssvhK.jpg","2018-04-27",4.4,"\u002FbptS3tt5NjBPBmL4S4gnCDeFFan.jpg",{"id":234,"adult":6,"title":235,"video":6,"overview":119,"softcore":6,"genre_ids":236,"popularity":237,"vote_count":155,"poster_path":238,"release_date":239,"vote_average":240,"backdrop_path":36,"original_title":235,"original_language":104},1019476,"High Noon on the Waterfront",[11,153],0.9266,"\u002FsQila7LKJpfEfWxUz9xLJJaLWTS.jpg","2022-09-04",6.75,{"id":242,"adult":6,"title":243,"video":6,"overview":119,"softcore":6,"genre_ids":244,"popularity":245,"vote_count":246,"poster_path":247,"release_date":248,"vote_average":249,"backdrop_path":250,"original_title":243,"original_language":104},449095,"Marilyn Monroe Declassified",[11],0.6037,7,"\u002Fm9uZk9o2xhjDmZ3NOe1LkEklrlW.jpg","2015-07-12",6.9,"\u002FtIiPNlDqYHrkO1oIPh15ExJ5Qqq.jpg",{"id":252,"adult":6,"title":253,"video":6,"overview":119,"softcore":6,"genre_ids":254,"popularity":255,"vote_count":155,"poster_path":256,"release_date":257,"vote_average":125,"backdrop_path":258,"original_title":253,"original_language":104},447771,"Barbara Stanwyck: Fire and Desire",[11,153,207],1.0388,"\u002F7s9pyT7stMsRjlS21s1ElVdCtM4.jpg","1991-07-15","\u002FfkPCFa51FGWz0HZs9ASwh5k2hlB.jpg",{"id":260,"adult":6,"title":261,"video":6,"overview":262,"softcore":6,"genre_ids":263,"popularity":264,"vote_count":265,"poster_path":266,"release_date":267,"vote_average":268,"backdrop_path":269,"original_title":261,"original_language":147},472703,"Révolution VHS","En respectant les codes visuels du support, rembobinage compris, ce documentaire conte avec brio la révolution artistique, sociale et économique fomentée par la petite boîte noire, qui ira jusqu’à faire souffler un vent de liberté (et de capitalisme) sur le bloc communiste. Nourri d’interviews de compulsifs et sympathiques pionniers de la vidéo, ce film plonge aussi dans la délirante culture visuelle générée par ce média, exemples improbables à l’appui (jeu télévisé canin, manuel de séduction, cours d’aérobic avec bébé au bras…).",[11,153],0.285,11,"\u002Fv956Wfu9QJos3tcQPsVN0axKUot.jpg","2017-08-28",6.3,"\u002F4srb6uNSMaNCUISUHvgrPruckMK.jpg",{"id":271,"adult":6,"title":272,"video":6,"overview":273,"softcore":6,"genre_ids":274,"popularity":275,"vote_count":246,"poster_path":276,"release_date":277,"vote_average":278,"backdrop_path":279,"original_title":272,"original_language":147},1215289,"Martin Scorsese, l'Italo-Américain","Martin Scorsese a fait entrer les Italo-Américains à Hollywood. Mais il a aussi rejeté le destin de cinéaste social et de porte-parole d’une communauté qu’on a voulu lui faire embrasser : trop facile. Refusant d’être un auteur identitaire, il a préféré interroger plus largement son identité double, voire multiple, et celle de toute l’Amérique – dans les pas de son modèle John Ford. Ce documentaire retrace sa trajectoire en se focalisant sur son rapport complexe et moderne à l’identité.",[11],2.1145,"\u002Fl4lF2ycieqLf3uHVpOdqySUPaIk.jpg","2024-02-11",8.1,"\u002FcEdu9p3oPfhXYQGCAl5kzIkKRut.jpg",{"id":281,"adult":6,"title":282,"video":6,"overview":283,"softcore":6,"genre_ids":284,"popularity":285,"vote_count":286,"poster_path":287,"release_date":288,"vote_average":289,"backdrop_path":290,"original_title":291,"original_language":104},1584125,"Point de rupture : 1975","Scandales politiques, inflation, criminalité : en 1975, les États-Unis sont au bord de la rupture. Hollywood répond à la crise avec des films révolutionnaires.",[11],2.2165,29,"\u002F6LirpQnBmBpAOa5Me1lBCBBy90e.jpg","2025-12-18",6.8,"\u002FlHSLTzz1rW3XcfJYTyCSdaPmosr.jpg","Breakdown: 1975",{"id":293,"adult":6,"title":294,"video":6,"overview":295,"softcore":6,"genre_ids":296,"popularity":297,"vote_count":298,"poster_path":299,"release_date":300,"vote_average":246,"backdrop_path":301,"original_title":294,"original_language":104},513650,"The Eyes of Orson Welles","Un voyage poétique dans l'univers visuel du légendaire cinéaste et acteur Orson Welles (1915-85) qui révèle un nouveau portrait d'un génie unique, tant de sa vie que de son œuvre monumentale : à travers ses propres yeux, dessiné par sa propre main, peint avec son propre pinceau.",[11],0.6054,44,"\u002FsEDFCnb226Yw7B4pdNEpfIGICPZ.jpg","2018-08-17","\u002FmNnoKcKpx3GAqQWZuM3grkOZnze.jpg",11643,232847,0.3765,"\u002FcaBGWTbNfIit1rIx99hD90BEnaX.jpg","1995-09-29",[308],"FI",{"results":310},{},[312],{"name":313,"iso_639_1":104,"english_name":313},"English",[315],{"id":316,"name":317,"logo_path":36,"origin_country":308},214040,"Green Bird Oy",[319],{"name":320,"iso_3166_1":308},"Finland",45,"Un récit documentaire qui fait souvent mouche.",[]]