[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-637234-fr-FR":3},{"detail":4,"match":263,"insight":264,"providers":265,"providerLink":51,"trailer":51},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":36,"revenue":8,"runtime":37,"similar":38,"tagline":44,"homepage":44,"overview":44,"softcore":6,"popularity":235,"vote_count":8,"poster_path":236,"release_date":237,"vote_average":8,"backdrop_path":238,"origin_country":239,"original_title":7,"watch\u002Fproviders":241,"spoken_languages":251,"original_language":135,"production_companies":255,"production_countries":260,"belongs_to_collection":51},637234,false,"언더그라운드",0,[10],{"id":11,"name":12},99,"Documentaire","Released",{"results":15},[],{"cast":17,"crew":18},[],[19,28,32],{"id":20,"job":21,"name":22,"adult":6,"gender":23,"credit_id":24,"department":25,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},1347506,"Director","Kim Jeong-keun",2,"5d99fbd68c40f700117b2067","Directing",0.0711,"\u002FiduAhHjU9aFDiJXy2d7HVmHSPZ6.jpg",{"id":20,"job":29,"name":22,"adult":6,"gender":23,"credit_id":30,"department":31,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},"Editor","5d99fbe1b04605001a43ddfc","Editing",{"id":20,"job":33,"name":22,"adult":6,"gender":23,"credit_id":34,"department":35,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},"Director of Photography","5d99fbe755c1f40011c612b8","Camera","tt11690722",88,{"page":39,"results":40,"total_pages":233,"total_results":234},1,[41,53,65,77,86,96,107,116,127,136,147,157,166,175,184,193,201,209,218,227],{"id":42,"adult":6,"title":43,"video":6,"overview":44,"softcore":6,"genre_ids":45,"popularity":46,"vote_count":47,"poster_path":48,"release_date":49,"vote_average":50,"backdrop_path":51,"original_title":43,"original_language":52},265316,"原油","",[11],0.4598,6,"\u002FlRm7AOH0lNAwKnuvlB7iTeFDqwj.jpg","2008-01-17",7.2,null,"zh",{"id":54,"adult":6,"title":55,"video":6,"overview":56,"softcore":6,"genre_ids":57,"popularity":58,"vote_count":59,"poster_path":60,"release_date":61,"vote_average":62,"backdrop_path":51,"original_title":63,"original_language":64},125,"La Gare","Sous l'œil troublant d'une caméra de surveillance, la vie de la gare centale de Varsovie.",[11],0.2839,34,"\u002Fc4xG9QoCx2zXc8iP3jQVLYDHiMi.jpg","1980-01-01",4.706,"Dworzec","pl",{"id":66,"adult":6,"title":67,"video":6,"overview":44,"softcore":6,"genre_ids":68,"popularity":71,"vote_count":39,"poster_path":72,"release_date":73,"vote_average":74,"backdrop_path":75,"original_title":67,"original_language":76},989986,"hello, WORLD!",[11,69,70],10402,9648,0.1946,"\u002F2Z9FJLeTCMY1ABPUVwLbPwKq2T.jpg","2021-04-01",9.5,"\u002FkjhIKKxz7OM4Dz2Gc0WHfIh4PTI.jpg","en",{"id":78,"adult":6,"title":79,"video":6,"overview":44,"softcore":6,"genre_ids":80,"popularity":81,"vote_count":39,"poster_path":82,"release_date":83,"vote_average":23,"backdrop_path":84,"original_title":79,"original_language":85},989160,"Mármol y Cemento",[11],0.1479,"\u002FiJGE2zKae3ljIR8NvMrAlKncMa8.jpg","2022-06-03","\u002F3IhSA3kWbMsDggsjmc7rAE98eX8.jpg","es",{"id":87,"adult":6,"title":88,"video":6,"overview":44,"softcore":6,"genre_ids":89,"popularity":90,"vote_count":91,"poster_path":92,"release_date":93,"vote_average":94,"backdrop_path":95,"original_title":88,"original_language":76},635072,"Animation Outlaws",[11],0.5215,3,"\u002FbK1HZfueyD0F5EKi25o5S2i3y0f.jpg","2019-09-27",6.3,"\u002Ffk1Nlw2zPbVD7YqGx3XtKqHSL99.jpg",{"id":97,"adult":6,"title":98,"video":6,"overview":99,"softcore":6,"genre_ids":100,"popularity":101,"vote_count":102,"poster_path":103,"release_date":104,"vote_average":105,"backdrop_path":106,"original_title":98,"original_language":76},26564,"Crumb","Portrait sans complaisance de Robert Crumb, le monstre de la BD underground et père de Fritz The Cat. Il grandit au sein d’une famille dont le climat psychologique explique bien des choses : aussi bien certaines de ses thématiques obsessionnelles (un régal pour un psychanalyste…), que la proximité de l’artiste avec les marginaux des milieux urbains...",[11],1.1867,280,"\u002F8K4eQ50V61eMINT5bVc0hX9XRNJ.jpg","1995-04-28",7.527,"\u002F1mlfORlfu2PtZnlEB3gMKqJy7Qp.jpg",{"id":108,"adult":6,"title":109,"video":6,"overview":44,"softcore":6,"genre_ids":110,"popularity":111,"vote_count":112,"poster_path":113,"release_date":114,"vote_average":115,"backdrop_path":51,"original_title":109,"original_language":76},27286,"Beautiful Losers",[11],0.4591,29,"\u002F9gllAA4UnQWQVkpe2RVXTOMr90P.jpg","2008-04-01",6.534,{"id":117,"adult":6,"title":118,"video":6,"overview":119,"softcore":6,"genre_ids":120,"popularity":121,"vote_count":122,"poster_path":123,"release_date":124,"vote_average":125,"backdrop_path":126,"original_title":118,"original_language":76},42697,"Mondo Hollywood","Longtemps considéré comme un film culte, « Mondo Hollywood » capture les coulisses d'Hollywood en documentant une époque (1965-1967) où la curiosité et la confiance dans l'inconnu étaient primordiales, l'espoir en l'avenir palpable et la vie valait la peine d'être vécue en marge de la société. Le film utilise une narration en monologue intérieur, où chaque personnage principal décide non seulement de ce qu'il veut être filmé, mais commente également ses propres scènes. Le film s'ouvre sur Gypsy Boots (le premier hippie végétalien, vendeur de mixeurs parcourant le désert) et la strip-teaseuse Jennie Lee, s'entraînant « à la Watusi » sous le panneau « Hollywood », avant d'aborder la vision de la « communauté durable » de Lewis Beach Marvin III, héritier de S&H Green Stamp, qui vivait dans un garage à 10 dollars par mois tout en possédant une maison de montagne à Malibu.",[11],0.4538,5,"\u002F6zYXWtvORQ7pOU4sVoDAnGOdZ7n.jpg","1967-06-30",6.8,"\u002FqSQVb0ZfFkJJMCNDos9Vo00KAY.jpg",{"id":128,"adult":6,"title":129,"video":6,"overview":44,"softcore":6,"genre_ids":130,"popularity":131,"vote_count":8,"poster_path":132,"release_date":133,"vote_average":8,"backdrop_path":134,"original_title":129,"original_language":135},651694,"월성",[11],0.2145,"\u002FbVZIJUXR0rZB53w0QAWucUv6mWY.jpg","2019-12-12","\u002F2loEee2bZJQ8MrBmildtJioXQY1.jpg","ko",{"id":137,"adult":6,"title":138,"video":6,"overview":44,"softcore":6,"genre_ids":139,"popularity":141,"vote_count":142,"poster_path":143,"release_date":144,"vote_average":145,"backdrop_path":146,"original_title":138,"original_language":76},42918,"Winnebago Man",[11,140],35,0.4685,95,"\u002Fq9XEQk8KY7cBxzC5xE2NCGMBhsv.jpg","2010-07-09",6.626,"\u002FxMYwaQar9bJCeUinEugNEHgqMrl.jpg",{"id":148,"adult":6,"title":149,"video":6,"overview":44,"softcore":6,"genre_ids":150,"popularity":151,"vote_count":39,"poster_path":152,"release_date":153,"vote_average":154,"backdrop_path":155,"original_title":149,"original_language":156},292884,"The Plastic People of the Universe",[11],0.1735,"\u002F9HwEgweVIRAwbg5l7wt0YuskTxv.jpg","2001-03-01",10,"\u002Fa6jiPB04KRlcOfnqCyVYJoNCSYD.jpg","cs",{"id":158,"adult":6,"title":159,"video":6,"overview":44,"softcore":6,"genre_ids":160,"popularity":161,"vote_count":47,"poster_path":162,"release_date":163,"vote_average":164,"backdrop_path":51,"original_title":159,"original_language":165},12815,"White Terror",[11],0.2749,"\u002F26PPXkhquGaHhT3U8pK3ONRvIOB.jpg","2005-08-05",7,"de",{"id":167,"adult":6,"title":168,"video":6,"overview":44,"softcore":6,"genre_ids":169,"popularity":170,"vote_count":171,"poster_path":172,"release_date":173,"vote_average":174,"backdrop_path":51,"original_title":168,"original_language":52},282820,"希望之旅",[11],0.2296,4,"\u002Fc2Ll9jrn84w2pOsLHQ5xxLKgO73.jpg","2002-12-09",6.25,{"id":176,"adult":6,"title":177,"video":6,"overview":44,"softcore":6,"genre_ids":178,"popularity":179,"vote_count":39,"poster_path":180,"release_date":181,"vote_average":122,"backdrop_path":182,"original_title":177,"original_language":183},461178,"Cacaso na Corda Bamba",[11],0.1236,"\u002F1Bzhm1eE472AwroPNvZCHp3IP2f.jpg","2016-04-10","\u002FqGuiwqpvOOOpyY9RdkKy9khnMDN.jpg","pt",{"id":185,"adult":6,"title":186,"video":6,"overview":44,"softcore":6,"genre_ids":187,"popularity":189,"vote_count":8,"poster_path":190,"release_date":191,"vote_average":8,"backdrop_path":192,"original_title":186,"original_language":85},851085,"Quien dice patria dice muerte",[11,188],27,0.2075,"\u002FrSeCYQfdhhmxMcbAFA2sztFG3iT.jpg","2021-04-18","\u002FpRg4Nm6gHMEwsaV0Z7EhA6P9Qjx.jpg",{"id":194,"adult":6,"title":195,"video":6,"overview":44,"softcore":6,"genre_ids":196,"popularity":197,"vote_count":8,"poster_path":198,"release_date":199,"vote_average":8,"backdrop_path":51,"original_title":195,"original_language":200},257486,"Poetes catalans",[11],0.141,"\u002Fdrpg6SsvHssdnSsn0R35mxtNFJJ.jpg","1970-01-01","ca",{"id":202,"adult":6,"title":203,"video":6,"overview":44,"softcore":6,"genre_ids":204,"popularity":205,"vote_count":8,"poster_path":206,"release_date":207,"vote_average":8,"backdrop_path":51,"original_title":203,"original_language":208},796159,"Ne spavaju svi noću",[11],0.1664,"\u002Fcxxxiaj5vkrH52JDTdNfkMlMjrN.jpg","1951-09-03","sh",{"id":210,"adult":6,"title":211,"video":6,"overview":44,"softcore":6,"genre_ids":212,"popularity":213,"vote_count":23,"poster_path":214,"release_date":215,"vote_average":216,"backdrop_path":217,"original_title":211,"original_language":135},629274,"대통령의 7시간",[11],0.2676,"\u002F8vC6dY16LWaOaZqZdpoLtLNJUWV.jpg","2019-11-14",9,"\u002FjXF3yijT07od8LzqBlSoqNn1VvQ.jpg",{"id":219,"adult":6,"title":220,"video":6,"overview":221,"softcore":6,"genre_ids":222,"popularity":223,"vote_count":39,"poster_path":51,"release_date":224,"vote_average":225,"backdrop_path":51,"original_title":220,"original_language":226},452763,"Nous, ouvriers : « Nos rêves ont façonné la société » (1963-1983)","Au beau milieu des Trente Glorieuses, la France construit l’Europe en réformant son industrie. Les puits de mines sont progressivement abandonnés. La décentralisation industrielle, lancée dans les années soixante, est une aubaine pour certaines régions de l’Ouest et du Sud de l’hexagone, mais marque le début du déclin des bassins industriels traditionnels. Au coeur de la Vème République gaulliste, les ouvriers doivent faire face à une nouvelle révolution industrielle. L’automatisation redessine sa place. Ces années-là parlent de progrès, de confort et de plein emploi. Mais les ouvriers de cette génération s’interrogent : ne sont-ils que des machines à produire ?",[11],0.1102,"2016-03-30",8,"fr",{"id":228,"adult":6,"title":229,"video":6,"overview":230,"softcore":6,"genre_ids":231,"popularity":232,"vote_count":39,"poster_path":51,"release_date":224,"vote_average":225,"backdrop_path":51,"original_title":229,"original_language":226},452764,"Nous, ouvriers : «Nos cœurs battent encore » (1983 à nos jours)","Ils y ont crû : un président de gauche devait forcément les protéger. La désillusion est terrible. Dès 1983, la fermeture des Hauts-Fourneaux, les restructurations dans l’automobile, les délocalisations, l’intérim, le chômage,  la précarisation de la vie assomme les ouvriers. Celui qui a un emploi est un chanceux. Pour le conserver, il faut faire profil bas et endurer un rythme toujours plus soutenu. Les ouvriers qui, un temps, avaient espéré accéder aux classes moyennes, se retrouvent une nouvelle fois relégués en bas de l’échelle. La fierté d’appartenance à une classe laborieuse a disparu avec cet espoir déçu. Désormais, on ne se dit plus « ouvrier ». On préfère le nom d’ «opérateur» ou de «technicien». Sept millions de travailleurs sont ainsi «ouvriers » sans vraiment le savoir eux-mêmes.",[11],0.2636,11478,229556,0.108,"\u002FwvGzIry74neAudRiNeb19sRpZfG.jpg","2021-08-19","\u002F9cNUDfuGHBRFwSjyl6Wq5Rir7DF.jpg",[240],"KR",{"results":242},{"KR":243},{"buy":244,"link":248,"rent":249},[245],{"logo_path":246,"provider_id":91,"provider_name":247,"display_priority":47},"\u002F8z7rC8uIDaTM91X0ZfkRf04ydj2.jpg","Google Play Movies","https:\u002F\u002Fwww.themoviedb.org\u002Fmovie\u002F637234\u002Fwatch?locale=KR",[250],{"logo_path":246,"provider_id":91,"provider_name":247,"display_priority":47},[252],{"name":253,"iso_639_1":135,"english_name":254},"한국어\u002F조선말","Korean",[256],{"id":257,"name":258,"logo_path":259,"origin_country":240},53366,"Cinema Dal","\u002F4WeR8jscvUbmRXpvZyK6hq0jM4Y.png",[261],{"name":262,"iso_3166_1":240},"South Korea",45,"Un récit documentaire qui fait souvent mouche.",[]]