[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-650448-fr-FR":3},{"detail":4,"match":296,"insight":297,"providers":298,"providerLink":27,"trailer":27},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":27,"revenue":8,"runtime":71,"similar":72,"tagline":91,"homepage":91,"overview":91,"softcore":6,"popularity":267,"vote_count":8,"poster_path":268,"release_date":269,"vote_average":8,"backdrop_path":27,"origin_country":270,"original_title":7,"watch\u002Fproviders":272,"spoken_languages":274,"original_language":86,"production_companies":277,"production_countries":293,"belongs_to_collection":27},650448,false,"CIVIL WAR SURVEILLANCE POEMS (Part 1)",0,[10],{"id":11,"name":12},99,"Documentaire","Released",{"results":15},[],{"cast":17,"crew":18},[],[19,28,32,39,44,49,57,60,68],{"id":20,"job":21,"name":22,"adult":6,"gender":23,"credit_id":24,"department":25,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},1192832,"Director","Mitch McCabe",1,"5dd9d4bf8e2e000011eeeaef","Directing",0.2873,null,{"id":20,"job":29,"name":22,"adult":6,"gender":23,"credit_id":30,"department":31,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},"Director of Photography","5f2ab0a73e09f3003524ff9a","Camera",{"id":33,"job":34,"name":35,"adult":6,"gender":8,"credit_id":36,"department":37,"popularity":38,"profile_path":27,"original_name":35,"known_for_department":37},2732296,"Other","Amy Wesson","5f2ab17ea698cf00325369ed","Editing",0.1071,{"id":40,"job":34,"name":41,"adult":6,"gender":8,"credit_id":42,"department":37,"popularity":43,"profile_path":27,"original_name":41,"known_for_department":37},2732299,"Kyra Lyons","5f2ab1a679a1c3003630b41a",0.1741,{"id":45,"job":34,"name":46,"adult":6,"gender":8,"credit_id":47,"department":37,"popularity":48,"profile_path":27,"original_name":46,"known_for_department":37},2732297,"Maggie Millian","5f2ab19379a1c3003730fe0b",0.1455,{"id":50,"job":51,"name":52,"adult":6,"gender":8,"credit_id":53,"department":54,"popularity":55,"profile_path":56,"original_name":52,"known_for_department":54},2298601,"Sound Designer","Kevin T. Allen","5f2ab08e4b6d9d00348524af","Sound",0.2327,"\u002F4Grv0oKJPyxT0ite8QLJNZuTJcW.jpg",{"id":50,"job":58,"name":52,"adult":6,"gender":8,"credit_id":59,"department":54,"popularity":55,"profile_path":56,"original_name":52,"known_for_department":54},"Sound Mixer","5f2ab09645819900325760a4",{"id":61,"job":62,"name":63,"adult":6,"gender":64,"credit_id":65,"department":37,"popularity":66,"profile_path":67,"original_name":63,"known_for_department":37},569737,"Consulting Editor","Michael Taylor",2,"5f2ab1022d8ef3791fd6e18a",0.2834,"\u002F7jV1hc1x22f1XtZmJPthTUhNkqu.jpg",{"id":20,"job":69,"name":22,"adult":6,"gender":23,"credit_id":70,"department":37,"popularity":26,"profile_path":27,"original_name":22,"known_for_department":25},"Editor","5f2ab0b0869e7500367465f3",15,{"page":23,"results":73,"total_pages":265,"total_results":266},[74,87,97,108,116,127,139,149,159,166,178,185,195,203,213,223,231,239,246,255],{"id":75,"adult":6,"title":76,"video":6,"overview":77,"softcore":6,"genre_ids":78,"popularity":79,"vote_count":80,"poster_path":81,"release_date":82,"vote_average":83,"backdrop_path":84,"original_title":85,"original_language":86},1004663,"Toute la beauté et le sang versé","Nan Goldin a révolutionné l’art de la photographie et réinventé la notion du genre et les définitions de la normalité. Immense artiste, Nan Goldin est aussi une activiste infatigable, qui, depuis des années, se bat contre la famille Sackler, responsable de la crise des opiacés aux États-Unis et dans le monde. Toute la beauté et le sang versé nous mène au cœur de ses combats artistiques et politiques, mus par l’amitié, l’humanisme et l’émotion.",[11],1.9015,169,"\u002FtDeRBQr0UZ6x7AxgcsngZE2NCZj.jpg","2022-11-23",7.151,"\u002Fanw7ONmtm1BrHd1Du0GQ5FoNd6r.jpg","All the Beauty and the Bloodshed","en",{"id":88,"adult":6,"title":89,"video":90,"overview":91,"softcore":6,"genre_ids":92,"popularity":94,"vote_count":8,"poster_path":95,"release_date":96,"vote_average":8,"backdrop_path":27,"original_title":89,"original_language":86},1378312,"French Lessons",true,"",[93,11],35,0.8694,"\u002FwK54PCocAcPDAK3wmdkVWne1beD.jpg","2025-03-14",{"id":98,"adult":6,"title":99,"video":6,"overview":100,"softcore":6,"genre_ids":101,"popularity":102,"vote_count":103,"poster_path":104,"release_date":105,"vote_average":106,"backdrop_path":107,"original_title":99,"original_language":86},1186672,"War Game","Un groupe bipartisan de responsables de la défense, du renseignement et des élus américains issus de cinq administrations présidentielles participe à un exercice de jeu de rôle non scénarisé dans lequel ils font face à un coup d'État politique soutenu par des membres voyous de l'armée américaine, à la suite d'une élection présidentielle contestée.",[11],0.7809,12,"\u002FhXWW7AZITRYJhHZby8QuQ34Q90o.jpg","2024-08-02",5.2,"\u002F6UudvzMauFUWsoj5FOeLwASU9aT.jpg",{"id":109,"adult":6,"title":110,"video":6,"overview":91,"softcore":6,"genre_ids":111,"popularity":113,"vote_count":8,"poster_path":114,"release_date":115,"vote_average":8,"backdrop_path":27,"original_title":110,"original_language":86},1187117,"Wet Snuff",[112,11],27,0.4541,"\u002Fr23ouBYCrvJvK7VNoGhfpewXI7f.jpg","2023-10-13",{"id":117,"adult":6,"title":118,"video":6,"overview":91,"softcore":6,"genre_ids":119,"popularity":120,"vote_count":121,"poster_path":122,"release_date":123,"vote_average":124,"backdrop_path":125,"original_title":118,"original_language":126},1383281,"We Were the Scenery",[11],1.1256,3,"\u002FxwRLTHnEuJyDro5lfDeISJQlV4Y.jpg","2025-01-25",7,"\u002FqfH4KG7S5WuXSuiGeI3dxLBn86w.jpg","vi",{"id":128,"adult":6,"title":129,"video":6,"overview":130,"softcore":6,"genre_ids":131,"popularity":132,"vote_count":133,"poster_path":134,"release_date":135,"vote_average":136,"backdrop_path":137,"original_title":129,"original_language":138},2740,"Opération Lune","Opération Lune est un canular sous forme de documentaire réalisé par William Karel en 2002.Un documentaire d'intrigue, subtil mélange de faits réels, de fiction et d'hypothèses autour d'un événement qui marqua le XXe siècle : la course à la Lune. Richard Nixon était-il prêt à tout pour assurer la suprématie des États-Unis dans la conquête de l'espace ? Y a-t-il vraiment eu des « retransmissions en direct » de la Lune ? Quels liens Stanley Kubrick entretenait-il avec la Nasa ? Construit autour de réelles interviews d'Henry Kissinger, Donald Rumsfeld ou Buzz Aldrin, ce film jette le trouble et nous rappelle le pouvoir des images et leur possible manipulation.",[11],1.024,46,"\u002FlaXbmxysfDhoiUThpS5mFKlrP1R.jpg","2002-10-16",7.098,"\u002FkLyCPcXKK4M3cvjyTVGsiaLHvz1.jpg","fr",{"id":140,"adult":6,"title":141,"video":6,"overview":91,"softcore":6,"genre_ids":142,"popularity":144,"vote_count":145,"poster_path":146,"release_date":147,"vote_average":148,"backdrop_path":27,"original_title":141,"original_language":86},268442,"Area 51: The Alien Interview",[11,143],878,0.9475,5,"\u002FdbCaRHIwKwTscqCfm6QS4PzsY52.jpg","1997-01-01",4.2,{"id":150,"adult":6,"title":151,"video":6,"overview":91,"softcore":6,"genre_ids":152,"popularity":154,"vote_count":8,"poster_path":155,"release_date":156,"vote_average":8,"backdrop_path":157,"original_title":151,"original_language":158},1559841,"SONHO QUE VIVIA ACORDADO",[153,11],18,0.9364,"\u002F9BXfRxagkdGBEntr1vG7OPQxis3.jpg","2025-10-12","\u002FoAL9rTZNgsY4etmr2PZ2pukVuJa.jpg","pt",{"id":160,"adult":6,"title":161,"video":6,"overview":91,"softcore":6,"genre_ids":162,"popularity":163,"vote_count":8,"poster_path":164,"release_date":165,"vote_average":8,"backdrop_path":27,"original_title":161,"original_language":86},1559805,"The Philip Experiment",[112,11],0.6774,"\u002FnuxNukowJEFHFOBtJIiRxugsBiG.jpg","2026-03-07",{"id":167,"adult":6,"title":168,"video":6,"overview":169,"softcore":6,"genre_ids":170,"popularity":171,"vote_count":172,"poster_path":173,"release_date":174,"vote_average":175,"backdrop_path":176,"original_title":177,"original_language":86},12237,"Face à la mort","Face à la mort est un film mondo de 1978 entraînant le spectateur à travers des scènes plus ou moins explicites de morts et de violences.",[112,11],2.8717,222,"\u002FfhHzqDrdHLqjawXLXoV3w4FDOUd.jpg","1978-11-10",4.637,"\u002FlgWat1xjBURVHF8a7OOrOcyCzN1.jpg","Faces of Death",{"id":179,"adult":6,"title":180,"video":6,"overview":91,"softcore":6,"genre_ids":181,"popularity":182,"vote_count":8,"poster_path":183,"release_date":184,"vote_average":8,"backdrop_path":27,"original_title":180,"original_language":86},270125,"State of Bacon",[93,11],0.7695,"\u002FoAiaYaOXBwEzpCoErSam8SO6zwi.jpg","2014-05-15",{"id":186,"adult":6,"title":187,"video":6,"overview":188,"softcore":6,"genre_ids":189,"popularity":192,"vote_count":8,"poster_path":193,"release_date":194,"vote_average":8,"backdrop_path":27,"original_title":187,"original_language":138},1009935,"Dix Jours dans la guerre d'Espagne","Lorsque le grand reporter Joseph Kessel et le photographe Jean Moral sont envoyés par le grand journal Paris Soir pour couvrir la guerre d'Espagne en octobre 1938, la guerre civile espagnole fait rage depuis plus de deux ans. Tout en racontant les péripéties de cette équipée, le film narre ces trois années sanglantes et fratricides - au travers d'images d'archives et des photographies de Jean Moral - qui marquent l'entrée de la population espagnole dans les ténèbres de la dictature.",[11,190,191],36,10770,0.4608,"\u002F2ckkmagtiP64oK840elDCFAb3w7.jpg","2016-02-14",{"id":196,"adult":6,"title":197,"video":6,"overview":91,"softcore":6,"genre_ids":198,"popularity":199,"vote_count":8,"poster_path":200,"release_date":201,"vote_average":8,"backdrop_path":27,"original_title":197,"original_language":202},1565271,"¿Quién puede matar a un hombre?",[11],0.835,"\u002FmHvkZLSTBT94ZrC1KO2wUUttAAz.jpg","2009-10-15","es",{"id":204,"adult":6,"title":205,"video":6,"overview":91,"softcore":6,"genre_ids":206,"popularity":208,"vote_count":209,"poster_path":210,"release_date":211,"vote_average":148,"backdrop_path":212,"original_title":205,"original_language":86},12486,"Farce of the Penguins",[93,207,11],10749,1.3661,55,"\u002Fbb3f1catVid2yDqHvhygai2RUoM.jpg","2006-12-01","\u002FmxDKl54b4S4gQG5N1hNRDw7zXsK.jpg",{"id":214,"adult":6,"title":215,"video":6,"overview":91,"softcore":6,"genre_ids":216,"popularity":217,"vote_count":218,"poster_path":219,"release_date":220,"vote_average":221,"backdrop_path":222,"original_title":215,"original_language":86},631408,"The Hat Man: Documented Cases of Pure Evil",[11],0.456,6,"\u002F8vg5K3sFvh0NBp38FRxLYu9QHkB.jpg","2019-09-02",6.3,"\u002FjIZysNO5TjUogjTmiPjmKTWOI1p.jpg",{"id":224,"adult":6,"title":225,"video":6,"overview":91,"softcore":6,"genre_ids":226,"popularity":227,"vote_count":23,"poster_path":228,"release_date":229,"vote_average":230,"backdrop_path":27,"original_title":225,"original_language":86},450380,"My Heart Is an Octopus or My Father on the Shore of the Black Sea",[153,11],0.2236,"\u002F9ACwVerkbCbDgWDYDefOBUGT6eV.jpg","2017-01-31",8,{"id":232,"adult":6,"title":233,"video":6,"overview":91,"softcore":6,"genre_ids":234,"popularity":235,"vote_count":23,"poster_path":236,"release_date":237,"vote_average":238,"backdrop_path":27,"original_title":233,"original_language":86},279673,"Ghost Attack on Sutton Street: Poltergeists and Paranormal Entities",[11,112],0.2584,"\u002FqcYJZEdFtVyEG9qYjVwYM3mGkBF.jpg","2012-03-02",4,{"id":240,"adult":6,"title":241,"video":6,"overview":91,"softcore":6,"genre_ids":242,"popularity":243,"vote_count":8,"poster_path":244,"release_date":245,"vote_average":8,"backdrop_path":27,"original_title":241,"original_language":158},628374,"1798 - Revolta dos Búzios",[11],1.5454,"\u002F2slz0qmRgs1HfaNKGIgmoeRAcA4.jpg","2024-05-30",{"id":247,"adult":6,"title":248,"video":6,"overview":249,"softcore":6,"genre_ids":250,"popularity":251,"vote_count":8,"poster_path":252,"release_date":253,"vote_average":8,"backdrop_path":254,"original_title":248,"original_language":138},451753,"La caravane du cafard","Ce faux documentaire est dirigé par Arno Pluquet. Avec une équipe de tournage, il s’immisce dans l’intimité d’une famille belge. Celle-ci ressemble au départ à une famille normale avec son lot de chamailleries, mais, plus le temps passe, plus celle-ci révèle sa véritable identité. Prenez place et observez des tueurs indifférents, sans morale, sanguinolents et privés de toute trace d’humanité. Voyez les massacres quotidiens, les morts qui s’accumulent et découvrez les secrets de famille qui finissent par voler en éclats. Arno laisse de plus en plus son équipe s’impliquer dans les agissements de la famille jusqu’à en oublier la caméra et devenir plus qu’un simple spectateur : un complice de tueries.",[11,112],1.1838,"\u002F3JiLeQb85zMLKkx5EnY9OFxZhzC.jpg","2017-04-07","\u002Femd6kFynUpXz0MChVXQowerCr2a.jpg",{"id":256,"adult":6,"title":257,"video":6,"overview":91,"softcore":6,"genre_ids":258,"popularity":259,"vote_count":64,"poster_path":260,"release_date":261,"vote_average":262,"backdrop_path":263,"original_title":257,"original_language":264},1390069,"Dødegården",[112,11],0.5134,"\u002Fp3PFdSfcF7ZezOxOZAFe4hrx5Wo.jpg","2024-11-28",10,"\u002FbPD9TK2atFtWrpuqcZWa018NoEH.jpg","nb",11866,237312,0.4117,"\u002FnRvxDpLDh40RqaEpmhMikj8PhxF.jpg","2019-04-19",[271],"US",{"results":273},{},[275],{"name":276,"iso_639_1":86,"english_name":276},"English",[278,281,284,287,290],{"id":279,"name":280,"logo_path":27,"origin_country":91},138187,"Corporation of Yaddo",{"id":282,"name":283,"logo_path":27,"origin_country":91},138188,"MacDowell Colony",{"id":285,"name":286,"logo_path":27,"origin_country":91},138189,"iPark Foundation",{"id":288,"name":289,"logo_path":27,"origin_country":91},138190,"SPACE Gallery",{"id":291,"name":292,"logo_path":27,"origin_country":91},138191,"Purchase College Foundation",[294],{"name":295,"iso_3166_1":271},"United States of America",45,"Un récit documentaire qui fait souvent mouche.",[]]