[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-661880-fr-FR":3},{"detail":4,"match":363,"insight":364,"providers":365,"providerLink":36,"trailer":366},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":27,"imdb_id":36,"revenue":8,"runtime":8,"similar":136,"tagline":152,"homepage":152,"overview":152,"softcore":6,"popularity":344,"vote_count":8,"poster_path":36,"release_date":345,"vote_average":8,"backdrop_path":346,"origin_country":347,"original_title":7,"watch\u002Fproviders":349,"spoken_languages":351,"original_language":323,"production_companies":355,"production_countries":360,"belongs_to_collection":36},661880,false,"Dobré zprávy",0,[10],{"id":11,"name":12},99,"Documentaire","Released",{"results":15},[16],{"id":17,"key":18,"name":19,"site":20,"size":21,"type":22,"official":23,"iso_639_1":24,"iso_3166_1":25,"published_at":26},"5e14fa0da6c104001183905e","YVDrPvL8BnI","Dobré zprávy \u002F Good news - trailer","YouTube",1080,"Trailer",true,"en","US","2019-03-01T16:07:20.000Z",{"cast":28,"crew":51},[29,38,45],{"id":30,"name":31,"adult":6,"order":8,"gender":8,"cast_id":32,"character":33,"credit_id":34,"popularity":35,"profile_path":36,"original_name":31,"known_for_department":37},2503379,"Petr Černý",2,"Himself","5e14f8e0a6c1040011839058",0.2905,null,"Acting",{"id":39,"name":40,"adult":6,"order":41,"gender":8,"cast_id":42,"character":33,"credit_id":43,"popularity":44,"profile_path":36,"original_name":40,"known_for_department":37},2503383,"Petr Weidenmann",1,17,"5e14fb39a6c1040016838ffc",0.5642,{"id":46,"name":47,"adult":6,"order":32,"gender":32,"cast_id":48,"character":33,"credit_id":49,"popularity":50,"profile_path":36,"original_name":47,"known_for_department":37},2503384,"Jiří Černohorský",18,"5e14fb45a6c1040016839005",0.351,[52,59,67,73,80,86,94,101,104,110,115,120,125,130,133],{"id":53,"job":54,"name":55,"adult":6,"gender":41,"credit_id":56,"department":57,"popularity":58,"profile_path":36,"original_name":55,"known_for_department":57},2308731,"Executive Producer","Augustina Micková","5e14fa9ea6c1040016838fe0","Production",0.413,{"id":60,"job":61,"name":62,"adult":6,"gender":8,"credit_id":63,"department":64,"popularity":65,"profile_path":36,"original_name":62,"known_for_department":66},2503378,"Screenplay","Ondřej Šálek","5e14fa7aa6c1040013838f62","Writing",0.4084,"Directing",{"id":68,"job":69,"name":70,"adult":6,"gender":32,"credit_id":71,"department":69,"popularity":72,"profile_path":36,"original_name":70,"known_for_department":69},2294104,"Sound","Miroslav Chaloupka","5e14fb01a6c104001183906b",0.3471,{"id":74,"job":75,"name":76,"adult":6,"gender":32,"credit_id":77,"department":78,"popularity":79,"profile_path":36,"original_name":76,"known_for_department":78},2487960,"Supervising Editor","Jakub Podmanický","5e14faf3a6c1040016838ff0","Editing",0.4612,{"id":81,"job":82,"name":83,"adult":6,"gender":32,"credit_id":84,"department":69,"popularity":85,"profile_path":36,"original_name":83,"known_for_department":69},2303826,"Music","Mojmír Měchura","5e14fb0aa6c104001183906e",0.4382,{"id":87,"job":88,"name":89,"adult":6,"gender":32,"credit_id":90,"department":91,"popularity":92,"profile_path":93,"original_name":89,"known_for_department":66},1106619,"Dramaturgy","Martin Mareček","5e14fb20a6c1040011839074","Crew",0.6439,"\u002FqLss0duk8gOm9QsOoSmcw4mISkI.jpg",{"id":95,"job":96,"name":97,"adult":6,"gender":32,"credit_id":98,"department":99,"popularity":100,"profile_path":36,"original_name":97,"known_for_department":78},2503382,"Camera Operator","Tomáš Daliman","5e14fae2a6c1040016838fed","Camera",0.2652,{"id":60,"job":102,"name":62,"adult":6,"gender":8,"credit_id":103,"department":66,"popularity":65,"profile_path":36,"original_name":62,"known_for_department":66},"Director","5e14f8d5a6c104001183904f",{"id":105,"job":88,"name":106,"adult":6,"gender":32,"credit_id":107,"department":91,"popularity":108,"profile_path":109,"original_name":106,"known_for_department":66},2279534,"Jan Gogola ml.","5e14fb16a6c1040011839071",0.5001,"\u002FfvF7KusrJxwHQtLe9Xv1Ivpxjvs.jpg",{"id":111,"job":96,"name":112,"adult":6,"gender":32,"credit_id":113,"department":99,"popularity":114,"profile_path":36,"original_name":112,"known_for_department":99},2285597,"Tomáš Frkal","5e14fab8a6c1040016838fe3",0.438,{"id":116,"job":96,"name":117,"adult":6,"gender":41,"credit_id":118,"department":99,"popularity":119,"profile_path":36,"original_name":117,"known_for_department":99},2503381,"Helena Fikerová","5e14fad7a6c1040013838f70",0.2743,{"id":121,"job":88,"name":122,"adult":6,"gender":32,"credit_id":123,"department":91,"popularity":124,"profile_path":36,"original_name":122,"known_for_department":66},1707819,"Rudolf Adler","5e14fb2aa6c1040016838ff3",0.623,{"id":126,"job":96,"name":127,"adult":6,"gender":32,"credit_id":128,"department":99,"popularity":129,"profile_path":36,"original_name":127,"known_for_department":99},2313616,"Ludvík Otevřel","5e14faa9a6c1040011839066",0.424,{"id":60,"job":131,"name":62,"adult":6,"gender":8,"credit_id":132,"department":78,"popularity":65,"profile_path":36,"original_name":62,"known_for_department":66},"Editor","5e14fa85a6c1040011839063",{"id":60,"job":134,"name":62,"adult":6,"gender":8,"credit_id":135,"department":64,"popularity":65,"profile_path":36,"original_name":62,"known_for_department":66},"Story","688a3ae4c76628955cb26c24",{"page":41,"results":137,"total_pages":342,"total_results":343},[138,149,160,171,181,193,204,214,223,231,239,249,258,270,281,292,304,314,324,331],{"id":139,"adult":6,"title":140,"video":6,"overview":141,"softcore":6,"genre_ids":142,"popularity":143,"vote_count":144,"poster_path":145,"release_date":146,"vote_average":147,"backdrop_path":36,"original_title":148,"original_language":24},18489,"Les Yes Men Refont Le Monde","Les Yes Men, guérilleros de la com', sont partis à l'assaut du néolibéralisme. Le 3 décembre 2004, vingt ans après la catastrophe industrielle de Bhopal, en Inde, qui a causé plus de 18 000 morts, un porte-parole de la société Dow Chemicals annonce en direct sur BBC World que la firme va indemniser ses victimes indiennes à hauteur de 12 milliards de dollars. Les actions de Dow dégringolent immédiatement, jusqu'au démenti embarrassé de l'entreprise, quelques heures plus tard, contrainte de clamer à la face du monde son indifférence totale pour les 100 000 malades et le site contaminé. Cette action spectaculaire des Yes Men est retracée dans ce document, qui brosse également le portrait de ces pourfendeurs de la mondialisation.",[11],1.4718,106,"\u002F6eVleb6nkqjxUfLPRS5GwSKlA9J.jpg","2009-01-18",7.1,"The Yes Men Fix the World",{"id":150,"adult":6,"title":151,"video":6,"overview":152,"softcore":6,"genre_ids":153,"popularity":154,"vote_count":155,"poster_path":156,"release_date":157,"vote_average":158,"backdrop_path":159,"original_title":151,"original_language":24},637112,"#Panodrama","",[11],1.4515,4,"\u002F8Fm7lOWGQOo3RiOyVQarhj4hUQm.jpg","2019-02-23",9.5,"\u002Fwask7Cy5hgt52doy8p8BVKUjbOW.jpg",{"id":161,"adult":6,"title":162,"video":6,"overview":163,"softcore":6,"genre_ids":164,"popularity":165,"vote_count":166,"poster_path":167,"release_date":168,"vote_average":169,"backdrop_path":170,"original_title":162,"original_language":24},1777,"Fahrenheit 9\u002F11","Prenant pour point de départ l'élection controversée de 2000, Michael Moore retrace l'improbable ascension d'un médiocre pétrolier texan devenu maître du monde libre. Puis il ouvre la boîte de Pandore du Président et révèle les liens personnels et financiers qui unissent la famille Bush à celle de Ben Laden. Michael Moore y dénonce également les méfaits du Patriot Act et les souffrances provoquées par la guerre en Irak.",[11],3.976,1571,"\u002F3KNkRd8vcwq1i55AzDA1gqN7tCO.jpg","2004-06-25",7.086,"\u002FcLZxnkj75cGBK1tLTMyIudOZYZk.jpg",{"id":172,"adult":6,"title":173,"video":6,"overview":152,"softcore":6,"genre_ids":174,"popularity":175,"vote_count":176,"poster_path":177,"release_date":178,"vote_average":179,"backdrop_path":180,"original_title":173,"original_language":24},489992,"Our New President",[11],1.2117,11,"\u002F5k59cAlonyfYhvIkN747QTwn1OB.jpg","2018-01-18",6.5,"\u002FwxI3tAep6YJg0oDvBxK7VvzEnys.jpg",{"id":182,"adult":6,"title":183,"video":6,"overview":184,"softcore":6,"genre_ids":185,"popularity":186,"vote_count":187,"poster_path":188,"release_date":189,"vote_average":190,"backdrop_path":191,"original_title":183,"original_language":192},879156,"Propagande, les nouveaux manipulateurs","Comment le laisser-faire sur les réseaux sociaux permet aux nationalismes populistes de propager la haine et le mensonge. Cette enquête dévoile la partie immergée de l'iceberg \"fake news\" dans quatre pays \"écoles\" : États-Unis, Inde, Brésil et Italie.",[11,48],0.7299,3,"\u002FufdqqQ3Djsd4k5qMK232wtTaqYe.jpg","2021-09-28",8.3,"\u002FpW7iD5l54LI3k01KvAiPaou2Wf7.jpg","fr",{"id":194,"adult":6,"title":195,"video":6,"overview":196,"softcore":6,"genre_ids":197,"popularity":199,"vote_count":8,"poster_path":200,"release_date":201,"vote_average":8,"backdrop_path":202,"original_title":203,"original_language":24},895769,"Désinformés","Les réalisateurs Katharina Viken et Charles Kriel partent à la recherche des raisons pour lesquelles les espaces féminins en ligne se radicalisent et comment la pandémie nous a tous rendus vulnérables à croire des mensonges réconfortants plutôt que la dure vérité.",[11,198],10770,0.8828,"\u002Foxfv3yONxfdW368MnUyk3F2n5Wl.jpg","2021-08-31","\u002FsyjVyyxlycuh31niuMQdDm4Aga2.jpg","Dis\u002FInformed",{"id":205,"adult":6,"title":206,"video":6,"overview":152,"softcore":6,"genre_ids":207,"popularity":208,"vote_count":41,"poster_path":209,"release_date":210,"vote_average":211,"backdrop_path":212,"original_title":206,"original_language":213},1681417,"صناعة الوهم",[11],0.8066,"\u002F6nSz1oLORgfANIwwUc6sSLLNOq7.jpg","2026-01-16",10,"\u002FengWNjoGEzqRknMyqM5QKrXeaAO.jpg","ar",{"id":215,"adult":6,"title":216,"video":6,"overview":152,"softcore":6,"genre_ids":217,"popularity":218,"vote_count":8,"poster_path":219,"release_date":220,"vote_average":8,"backdrop_path":221,"original_title":216,"original_language":222},1489036,"Born to Fake",[11],0.8823,"\u002Fb8ISCi8SxJpZgFSXh20vqRK1ZWW.jpg","2026-05-28","\u002FvjCctiMsntxdbfvqz6YUzuKMOef.jpg","de",{"id":224,"adult":6,"title":225,"video":6,"overview":152,"softcore":6,"genre_ids":226,"popularity":227,"vote_count":8,"poster_path":36,"release_date":228,"vote_average":8,"backdrop_path":229,"original_title":225,"original_language":230},562318,"Fake News - Baseado em Fatos Reais",[11],0.9456,"2017-09-30","\u002F85ugfjXhUm6ra7LGiEk3l3nsQrp.jpg","pt",{"id":232,"adult":6,"title":233,"video":6,"overview":152,"softcore":6,"genre_ids":234,"popularity":235,"vote_count":187,"poster_path":236,"release_date":237,"vote_average":155,"backdrop_path":238,"original_title":233,"original_language":24},557136,"Løgnefabrikken",[11],1.5828,"\u002FtkyStVeXUNQVhWBZvnt9VgHP0oN.jpg","2018-09-02","\u002FP31tdjF25rZxf6D3jT5cesz5D8.jpg",{"id":240,"adult":6,"title":241,"video":6,"overview":152,"softcore":6,"genre_ids":242,"popularity":243,"vote_count":244,"poster_path":245,"release_date":246,"vote_average":247,"backdrop_path":248,"original_title":241,"original_language":24},554318,"Hoaxed",[11],1.0417,27,"\u002Fo3qwaM0YRr2DlIhuwGM2bfRBsAu.jpg","2019-01-24",6.7,"\u002F8qiazzORmgxnSgOLOgBF22zs889.jpg",{"id":250,"adult":6,"title":251,"video":6,"overview":252,"softcore":6,"genre_ids":253,"popularity":254,"vote_count":41,"poster_path":255,"release_date":256,"vote_average":257,"backdrop_path":36,"original_title":251,"original_language":192},554166,"Comment Trump a manipulé l'Amérique","C'est en mars 2018 qu'a éclaté le scandale Cambridge Analytica. Plusieurs médias, dont le Guardian, qui avait tenté d'alerter l'opinion avant même la présidentielle américaine, révèlent alors comment les données personnelles de 87 millions d'utilisateurs de Facebook ont été recueillies et exploitées par cette société pour favoriser Donald Trump. Menée pendant plusieurs mois par le réalisateur Thomas Huchon, cette enquête dévoile un nouveau pan de l'affaire, en détaillant à la fois la manière dont ces données ont été utilisées et le rôle méconnu de celui qui a financé et orchestré cette gigantesque manipulation : le milliardaire ultraconservateur Robert Mercer, qui dirige le très performant fonds d'investissement Renaissance Technologies. Celui qui a racheté en 2012 le site d'extrême droite Breitbart News contrôle également la société Cambridge Analytica, et décide d'utiliser les deux pour imposer son agenda politique à la nation tout entière.",[11],1.1778,"\u002Fy5AI74V7TSqWNgJblchGSanQhIp.jpg","2018-10-12",8,{"id":259,"adult":6,"title":260,"video":6,"overview":261,"softcore":6,"genre_ids":262,"popularity":263,"vote_count":264,"poster_path":265,"release_date":266,"vote_average":267,"backdrop_path":268,"original_title":269,"original_language":24},558739,"Bellingcat, les combattants de la liberté","Les coulisses de Bellingcat, une ONG de journalistes d'investigation fondée en Angleterre par Eliot Higgins dans le but de lutter contre la propagation des fausses informations.",[11],1.2897,26,"\u002FkwWRP0LZumY3DSCmXZWRigouc7E.jpg","2018-11-15",6.9,"\u002FpWnLmLc2eAizUKRgKISMvTNB0Oy.jpg","Bellingcat: Truth in a Post-Truth World",{"id":271,"adult":6,"title":272,"video":6,"overview":152,"softcore":6,"genre_ids":273,"popularity":275,"vote_count":32,"poster_path":276,"release_date":277,"vote_average":278,"backdrop_path":279,"original_title":272,"original_language":280},1308874,"Fiebre Amarilla",[11,274],35,2.6554,"\u002FdwMfpfh03V7NAVBqh9YZGxpW6fH.jpg","2024-04-23",6,"\u002FdOjTYB2cw9kjYiyyZlaiDKH5ET3.jpg","es",{"id":282,"adult":6,"title":283,"video":6,"overview":284,"softcore":6,"genre_ids":285,"popularity":286,"vote_count":287,"poster_path":288,"release_date":289,"vote_average":290,"backdrop_path":291,"original_title":283,"original_language":192},767466,"La Fabrique de l'ignorance","Comment la science peut-elle être instrumentalisée pour semer du doute ? Pourquoi et pour qui ? Et comment nous, individus et citoyens, y consentons-nous ? Fabriquer de l’ignorance consiste à semer le doute dans le débat public, un doute scientifique suffisant pour retarder ou paralyser toute action politique ou citoyenne.",[11],1.6647,15,"\u002Ft4pPN7B5hUZUWvuF1bhTbGz8NLY.jpg","2020-11-23",7.7,"\u002FwC0D4YwI8U8wE9H7BGANdtPyUEw.jpg",{"id":293,"adult":6,"title":294,"video":6,"overview":295,"softcore":6,"genre_ids":296,"popularity":298,"vote_count":299,"poster_path":300,"release_date":301,"vote_average":302,"backdrop_path":303,"original_title":294,"original_language":24},393561,"Risk","Dans ce documentaire immersif, Poitras tourne sa caméra sur une autre figure controversée : l’éditeur de WikiLeaks, Julian Assange. La réalisatrice oscarisée de Citizenfour continue ainsi sa courageuse enquête sur les voix qui défient les autorités et mettent en question la surveillance des citoyens par l’État.",[11,297],80,1.2107,79,"\u002FrxrkcyNNughClOL8j8qwNgY9xI5.jpg","2017-05-05",6.6,"\u002F8jn2hq7AsXi4XW064vmokPnIBCV.jpg",{"id":305,"adult":6,"title":306,"video":6,"overview":152,"softcore":6,"genre_ids":307,"popularity":308,"vote_count":309,"poster_path":310,"release_date":311,"vote_average":312,"backdrop_path":313,"original_title":306,"original_language":230},771439,"Cercados",[11],2.0612,5,"\u002Fn3BWezdYvTENoqH4NqLGrxXou73.jpg","2020-12-03",8.4,"\u002Fu89GzKB8FzMVOLxuV0XY9wQNvSk.jpg",{"id":315,"adult":6,"title":316,"video":6,"overview":152,"softcore":6,"genre_ids":317,"popularity":319,"vote_count":41,"poster_path":320,"release_date":321,"vote_average":32,"backdrop_path":322,"original_title":316,"original_language":323},554941,"Neptun",[11,48,318],36,1.3432,"\u002Fojtt1mdYChQHLwrMLUOihgpJ7HZ.jpg","2018-01-16","\u002FxgM6PQfUeuIXRtza3n6Or0KjJ64.jpg","cs",{"id":325,"adult":6,"title":173,"video":6,"overview":152,"softcore":6,"genre_ids":326,"popularity":327,"vote_count":187,"poster_path":328,"release_date":329,"vote_average":309,"backdrop_path":330,"original_title":173,"original_language":24},551993,[11],1.0271,"\u002F1zZru8QSGqVxEYlhOuJLO0HsEi7.jpg","2017-06-26","\u002Fa9jXsyznvDHaA9RU2XSigIwFbIl.jpg",{"id":332,"adult":6,"title":333,"video":6,"overview":334,"softcore":6,"genre_ids":335,"popularity":336,"vote_count":337,"poster_path":338,"release_date":339,"vote_average":340,"backdrop_path":341,"original_title":333,"original_language":192},752889,"George Orwell, Aldous Huxley : « 1984 » ou « Le Meilleur des mondes » ?","L'histoire du destin croisé de George Orwell (1903-50) et d'Aldous Huxley (1894-1963), les auteurs de génie des deux romans d'anticipation les plus révolutionnaires du XXe siècle : « 1984 » et « Le Meilleur des mondes » ; deux témoins lucides des malédictions du monde moderne dont les romans ont trouvé un écho considérable auprès de notre époque.",[11,318,198],1.5703,9,"\u002Fy7JCmAIwVQtnCZWQc6P5gavEk57.jpg","2020-11-11",7.4,"\u002FnDo6Jim7Yf0t84tusg19KQ0wtgS.jpg",1001,20001,1.1959,"2019-03-08","\u002F20Y4PwFEaXQJSOUqJSzYfUXLIdn.jpg",[348],"CZ",{"results":350},{},[352],{"name":353,"iso_639_1":323,"english_name":354},"Český","Czech",[356],{"id":357,"name":358,"logo_path":359,"origin_country":348},32930,"FAMU","\u002Fpk1mLuYxSmTWX0BdgzbHdUvRI5u.png",[361],{"name":362,"iso_3166_1":348},"Czech Republic",45,"Un récit documentaire qui fait souvent mouche.",[],{"id":17,"key":18,"name":19,"site":20,"size":21,"type":22,"official":23,"iso_639_1":24,"iso_3166_1":25,"published_at":26}]