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Le 3 décembre 2004, vingt ans après la catastrophe industrielle de Bhopal, en Inde, qui a causé plus de 18 000 morts, un porte-parole de la société Dow Chemicals annonce en direct sur BBC World que la firme va indemniser ses victimes indiennes à hauteur de 12 milliards de dollars. Les actions de Dow dégringolent immédiatement, jusqu'au démenti embarrassé de l'entreprise, quelques heures plus tard, contrainte de clamer à la face du monde son indifférence totale pour les 100 000 malades et le site contaminé. 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Le portrait filmé s’est finalement tourné sur treize années pour se muer en une épopée intime et sinueuse, celle d’une jeune femme artiste, depuis sa vie de bohème au cœur du théâtre du Lavoir Moderne que dirigent ses parents, jusqu’à son ascension dans le milieu de l’art contemporain, en passant par ses études aux Beaux-Arts de Paris. Mais en miroir d’Apolonia, ce sont aussi les destins d’Okasana Shachko, l’une des fondatrices des Femen, et de la réalisatrice, qui se dessinent. 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Ils croient en la réincarnation et suivent les préceptes d’un ancien auteur de science-fiction à succès: L. Ron Hubbard. C’est aussi une institution à scandales qui fait régulièrement les gros titres de l’actualité lorsque d’anciens membres prennent la parole, pour témoigner de leur expérience personnelle au sein de ce culte. Un culte, reconnu dans certains pays comme une religion, alors que d’autres le considèrent comme une secte. Condamnée pour escroquerie en bande organisée, comment cette organisation parvient-elle à garder et recruter ses adeptes ? En quoi croient-ils ? Comment est-elle devenue une religion aux Etats-Unis ? 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