[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-879466-fr-FR":3},{"detail":4,"match":309,"insight":310,"providers":311,"providerLink":26,"trailer":26},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":26,"revenue":8,"runtime":103,"similar":104,"tagline":122,"homepage":122,"overview":122,"softcore":6,"popularity":282,"vote_count":8,"poster_path":283,"release_date":284,"vote_average":8,"backdrop_path":26,"origin_country":285,"original_title":7,"watch\u002Fproviders":287,"spoken_languages":289,"original_language":194,"production_companies":293,"production_countries":306,"belongs_to_collection":26},879466,false,"Woher kommst du eigentlich? Schwarze in Deutschland",0,[10],{"id":11,"name":12},99,"Documentaire","Released",{"results":15},[],{"cast":17,"crew":28},[18],{"id":19,"name":20,"adult":6,"order":8,"gender":21,"cast_id":22,"character":23,"credit_id":24,"popularity":25,"profile_path":26,"original_name":20,"known_for_department":27},3252473,"Tobias Schmidt",2,7,"Narrator","6154d62dd2147c008dfeb049",0.1622,null,"Acting",[29,36,43,50,56,61,68,75,82,87,92,97],{"id":30,"job":31,"name":32,"adult":6,"gender":8,"credit_id":33,"department":34,"popularity":35,"profile_path":26,"original_name":32,"known_for_department":34},2238080,"Director","Claire Wilisch","6154d564d2147c008dfeaed5","Directing",0.0557,{"id":37,"job":38,"name":39,"adult":6,"gender":8,"credit_id":40,"department":41,"popularity":42,"profile_path":26,"original_name":39,"known_for_department":41},3252466,"Visual Effects Designer","Jeffrey Lisk","6154d5bcd2147c008dfeaf5b","Visual Effects",0.0974,{"id":44,"job":45,"name":46,"adult":6,"gender":8,"credit_id":47,"department":48,"popularity":49,"profile_path":26,"original_name":46,"known_for_department":48},3252468,"Camera Operator","David Rankenhohn","6154d5d167dcc90043e49dce","Camera",0.1298,{"id":51,"job":45,"name":52,"adult":6,"gender":8,"credit_id":53,"department":48,"popularity":54,"profile_path":26,"original_name":52,"known_for_department":55},2336561,"Jasper Engel","6154d5ddaf58cb0044e3aed7",0.0856,"Crew",{"id":57,"job":45,"name":58,"adult":6,"gender":8,"credit_id":59,"department":48,"popularity":60,"profile_path":26,"original_name":58,"known_for_department":48},3252469,"Saskian Schubert","6154d5eb43d9b10087e0171e",0.0957,{"id":62,"job":63,"name":64,"adult":6,"gender":8,"credit_id":65,"department":66,"popularity":67,"profile_path":26,"original_name":64,"known_for_department":66},3252470,"Editor","Christian Brehm","6154d5fa67dcc9002a68d8d3","Editing",0.1023,{"id":69,"job":70,"name":71,"adult":6,"gender":72,"credit_id":73,"department":55,"popularity":74,"profile_path":26,"original_name":71,"known_for_department":27},3252475,"Scientific Consultant","Katharina Warda",1,"6154d65ffe6c1800428f32e8",0.1106,{"id":76,"job":77,"name":78,"adult":6,"gender":8,"credit_id":79,"department":80,"popularity":81,"profile_path":26,"original_name":78,"known_for_department":80},1969355,"Producer","Ulrike Römhild","6154d673fe6c1800428f32f4","Production",0.0388,{"id":83,"job":77,"name":84,"adult":6,"gender":8,"credit_id":85,"department":80,"popularity":86,"profile_path":26,"original_name":84,"known_for_department":80},3252476,"Elizabeth Moseley","6154d68e8e2ba600433bafdb",0.0538,{"id":88,"job":77,"name":89,"adult":6,"gender":8,"credit_id":90,"department":80,"popularity":91,"profile_path":26,"original_name":89,"known_for_department":80},1760593,"Michaela Hummel","6154d6991c635b004476b5c2",0.0844,{"id":93,"job":77,"name":94,"adult":6,"gender":21,"credit_id":95,"department":80,"popularity":96,"profile_path":26,"original_name":94,"known_for_department":80},2416594,"Jörg Schmidt","6154d6a7904f6d002afb8283",0.0908,{"id":98,"job":99,"name":100,"adult":6,"gender":8,"credit_id":101,"department":55,"popularity":102,"profile_path":26,"original_name":100,"known_for_department":55},3252478,"Editorial Staff","Ulrike Franz","6154d6b2f04d01004452a94a",0.0993,58,{"page":72,"results":105,"total_pages":280,"total_results":281},[106,119,127,135,142,151,159,166,179,188,195,202,211,218,226,232,245,251,260,271],{"id":107,"adult":6,"title":108,"video":6,"overview":109,"softcore":6,"genre_ids":110,"popularity":112,"vote_count":113,"poster_path":114,"release_date":115,"vote_average":116,"backdrop_path":117,"original_title":108,"original_language":118},454825,"Le vénérable W.","En Birmanie, le « Vénérable W. » est un moine bouddhiste très influent. Partir à sa rencontre, c’est se retrouver au cœur du racisme quotidien, et observer comment l'islamophobie et le discours haineux se transforment en violence et en destruction. Pourtant nous sommes dans un pays où 90% de la population est bouddhiste, religion fondée sur un mode de vie pacifique, tolérant et non-violent.",[11,111],18,0.4471,53,"\u002FfYlhFjjd9TmUhwFanUyuHCIf2Qn.jpg","2017-06-07",6.6,"\u002FooNygLPPoLlPEE8yLIUCcMXEnSZ.jpg","en",{"id":120,"adult":6,"title":121,"video":6,"overview":122,"softcore":6,"genre_ids":123,"popularity":124,"vote_count":72,"poster_path":125,"release_date":126,"vote_average":22,"backdrop_path":26,"original_title":121,"original_language":118},1431080,"Ka Ho‘ina: Going Home","",[11],0.3564,"\u002F5ECGHR5W0LfVbWrRmYsyjvnrKSZ.jpg","2014-11-07",{"id":128,"adult":6,"title":129,"video":6,"overview":122,"softcore":6,"genre_ids":130,"popularity":131,"vote_count":8,"poster_path":132,"release_date":133,"vote_average":8,"backdrop_path":134,"original_title":129,"original_language":118},1047762,"Racist Trees",[11],0.3911,"\u002F7VVzdjWNhO4yweuRR2KnMdqFAaw.jpg","2022-11-09","\u002Fh39TXCXwzow9tcHTDyPOb4x4d7S.jpg",{"id":136,"adult":6,"title":137,"video":6,"overview":122,"softcore":6,"genre_ids":138,"popularity":139,"vote_count":8,"poster_path":26,"release_date":140,"vote_average":8,"backdrop_path":26,"original_title":137,"original_language":141},275011,"Rap, O Canto da Ceilândia",[11],0.394,"2005-11-29","pt",{"id":143,"adult":6,"title":144,"video":6,"overview":122,"softcore":6,"genre_ids":145,"popularity":146,"vote_count":8,"poster_path":147,"release_date":148,"vote_average":8,"backdrop_path":149,"original_title":144,"original_language":150},1650818,"[ÒDIO]",[11],0.2706,"\u002FenmBWZJOpCE7c5SC2FsLWFbEiII.jpg","2026-03-12","\u002FxBdrLPqEgadRVgMoItRkeUFIQSS.jpg","it",{"id":152,"adult":6,"title":153,"video":6,"overview":122,"softcore":6,"genre_ids":154,"popularity":155,"vote_count":8,"poster_path":156,"release_date":157,"vote_average":8,"backdrop_path":158,"original_title":153,"original_language":118},651717,"Negra",[11],0.2011,"\u002FnMt7ETMnbIn37Bvyo2BTHqfiDPB.jpg","2020-03-01","\u002Fp95KAFUgUxw6TnBbUlFoKz5owjO.jpg",{"id":160,"adult":6,"title":161,"video":6,"overview":122,"softcore":6,"genre_ids":162,"popularity":163,"vote_count":8,"poster_path":164,"release_date":165,"vote_average":8,"backdrop_path":26,"original_title":161,"original_language":141},1632398,"Racismo: Uma Descolonização Em Curso",[11],0.2519,"\u002F1993Wcm6G3amreDvVXHJufyrMlS.jpg","2025-11-11",{"id":167,"adult":6,"title":168,"video":6,"overview":169,"softcore":6,"genre_ids":170,"popularity":172,"vote_count":173,"poster_path":174,"release_date":175,"vote_average":176,"backdrop_path":177,"original_title":168,"original_language":178},1240690,"« Je ne suis pas chinetoque » : Histoire du racisme anti-asiatique","La journaliste Émilie Tran Nguyen propose au téléspectateur de la suivre dans sa quête et de découvrir, en même temps qu’elle, les origines historiques de ce racisme anti-asiatique. Raconté à la première personne, alternant images d’archives, interviews d’historiens, de sociologues et séquences sur le terrain, ce film retrace la fabrique des préjugés dans l’imaginaire français et la pop culture, pour tordre le cou aux stéréotypes, déconstruire et agir.",[11,171],10770,0.3524,3,"\u002FcIOpEvvtvE400TeMEhpeBDFgNFm.jpg","2024-02-04",7.8,"\u002FgSNDaJTv6gOVj46CXA6fL992YZ0.jpg","fr",{"id":180,"adult":6,"title":181,"video":6,"overview":122,"softcore":6,"genre_ids":182,"popularity":183,"vote_count":72,"poster_path":184,"release_date":185,"vote_average":186,"backdrop_path":26,"original_title":181,"original_language":187},1240247,"PsiQuis: Un Giro Decolonial",[11],0.7363,"\u002FbpX2934vI5dFb2RPexQ6lmrS0Su.jpg","2023-08-14",10,"es",{"id":189,"adult":6,"title":190,"video":6,"overview":122,"softcore":6,"genre_ids":191,"popularity":192,"vote_count":8,"poster_path":26,"release_date":193,"vote_average":8,"backdrop_path":26,"original_title":190,"original_language":194},851445,"Land der Bitterkeit und des Stolzes",[11],0.1847,"1982-09-06","de",{"id":196,"adult":6,"title":197,"video":6,"overview":122,"softcore":6,"genre_ids":198,"popularity":199,"vote_count":8,"poster_path":200,"release_date":201,"vote_average":8,"backdrop_path":26,"original_title":197,"original_language":118},1054542,"Radical Self Acceptance",[11],0.1604,"\u002F2ghZRWVhcNq68VAG8E13MxrDR8B.jpg","2021-12-10",{"id":203,"adult":6,"title":204,"video":6,"overview":205,"softcore":6,"genre_ids":206,"popularity":207,"vote_count":8,"poster_path":208,"release_date":209,"vote_average":8,"backdrop_path":210,"original_title":204,"original_language":178},470040,"Trop noire pour être française ?","Approximativement, car les statistiques dites \"ethniques\" sont proscrites, les Français à la peau noire seraient 3,3 millions. Lointains descendants des esclaves des Antilles ou des \"indigènes\" de l'empire colonial français d'Afrique, ils constituent une minorité souvent discriminée. Métisse élevée dans les beaux quartiers parisiens, fille d'une femme politique ivoirienne et petite-fille d'Alphonse Boni, un Noir devenu magistrat de la République française dans les années 1930, Isabelle Boni-Claverie se penche sur ce qui bloque l'ascension sociale des Français à la peau noire et la reconnaissance à part entière de leur citoyenneté.",[11],0.3601,"\u002FmB2lqaJhexKgc4H2ugZzfPOXfXe.jpg","2015-07-03","\u002F94hInHB7QIAPxujxpFkOk0uaLL8.jpg",{"id":212,"adult":6,"title":213,"video":6,"overview":122,"softcore":6,"genre_ids":214,"popularity":215,"vote_count":72,"poster_path":216,"release_date":217,"vote_average":186,"backdrop_path":26,"original_title":213,"original_language":141},1637348,"A Liberatory Demand from Queers in Palestine",[11],0.1797,"\u002FfRPeicnuht6XbzhIAfsQncORLHo.jpg","2026-01-25",{"id":219,"adult":6,"title":220,"video":6,"overview":122,"softcore":6,"genre_ids":221,"popularity":222,"vote_count":8,"poster_path":223,"release_date":224,"vote_average":8,"backdrop_path":26,"original_title":220,"original_language":225},850354,"Timuti",[11],0.2752,"\u002Fr70IxRLxP9R2iCDKxH0z0nLIbDP.jpg","2012-01-01","iu",{"id":227,"adult":6,"title":228,"video":6,"overview":122,"softcore":6,"genre_ids":229,"popularity":230,"vote_count":8,"poster_path":231,"release_date":122,"vote_average":8,"backdrop_path":26,"original_title":228,"original_language":118},1443341,"In the Shadow of the Serengeti",[11],0.1945,"\u002FkIWoCqPKLecTb9PqogTLi1CPgiv.jpg",{"id":233,"adult":6,"title":234,"video":6,"overview":235,"softcore":6,"genre_ids":236,"popularity":238,"vote_count":239,"poster_path":240,"release_date":241,"vote_average":242,"backdrop_path":243,"original_title":244,"original_language":187},655553,"L'Écrivain d'un pays sans librairie","L'impitoyable dictateur Teodoro Obiang dirige la Guinée équatoriale d'une main de fer depuis 1979. Juan Tomás Ávila Laurel est l'écrivain équatoguinéen le plus traduit, mais il a dû fuir le pays en 2011, après avoir entamé une grève de la faim pour dénoncer les crimes de la dictature. Depuis, il vit en Espagne, sentant que, malgré les risques, il doit revenir et combattre le monstre avec des mots.",[11,237],36,0.5101,5,"\u002FhTzRjG2s5dbqAwc1vZ5NhujFnxJ.jpg","2019-12-13",6.4,"\u002FrAHVsMVgKllIfHbkH8W4riy6LpN.jpg","El escritor de un país sin librerías",{"id":246,"adult":6,"title":247,"video":6,"overview":122,"softcore":6,"genre_ids":248,"popularity":249,"vote_count":72,"poster_path":26,"release_date":250,"vote_average":22,"backdrop_path":26,"original_title":247,"original_language":118},844157,"Dresden Story",[11],0.6229,"1954-01-01",{"id":252,"adult":6,"title":253,"video":6,"overview":122,"softcore":6,"genre_ids":254,"popularity":222,"vote_count":255,"poster_path":256,"release_date":257,"vote_average":258,"backdrop_path":26,"original_title":253,"original_language":259},841677,"Viikinki",[11],6,"\u002FblcCQd86A8nDNOZDPIvUAAortvD.jpg","2022-09-27",3.7,"fi",{"id":261,"adult":6,"title":262,"video":6,"overview":263,"softcore":6,"genre_ids":264,"popularity":266,"vote_count":21,"poster_path":267,"release_date":268,"vote_average":269,"backdrop_path":270,"original_title":262,"original_language":118},842078,"The Rumba Kings","Dans les années 50, alors que la future République démocratique du Congo était encore une colonie belge, toute une génération de musiciens a fusionné des airs traditionnels africains avec la musique afro-cubaine pour créer l'électrisante rumba congolaise, un style qui a conquis tout le continent grâce à un rythme contagieux, des sons de guitare captivants et des voix suaves.",[11,237,265],10402,0.2563,"\u002FzNw9RZMsaEuAVcuYuD5G8kj1jrl.jpg","2021-05-06",9,"\u002Fc5BtocI1XoJows3NOD22QN1clvT.jpg",{"id":272,"adult":6,"title":273,"video":6,"overview":274,"softcore":6,"genre_ids":275,"popularity":276,"vote_count":72,"poster_path":277,"release_date":278,"vote_average":186,"backdrop_path":279,"original_title":273,"original_language":178},1627083,"17 octobre 1961 : Une journée portée disparue","Film témoignage sur les événements qui ont eu lieu il y a plus de trente ans avant le tournage de ce film, le 17 octobre 1961, à Paris, pendant la guerre d’Algérie. C’est un travail non seulement sur la vérité historique mais aussi sur la mémoire. Construit essentiellement à partir d’interviews menées auprès de ceux qui ont été mêlés aux événements, avec des séquences d’archives, des photos et des documents radiophoniques de l’époque, notre enquête prouve que près de 200 Algériens ont été tués (noyés, torturés) cette nuit-là et les jours suivants par la police française. Une journée portée disparue s’attache à poser deux questions-clé : comment de tels événements ont-ils pu se dérouler dans la capitale d’une démocratie occidentale il y a à peine trente ans ? Et pourquoi ont-ils, depuis, été passés sous silence ?",[11,237,111],0.4039,"\u002Fqwlaiwt3b8HWD0cij8IlipfCtD6.jpg","1992-01-01","\u002FaALJemVlriG8mm9pe1T2Jdg0H5t.jpg",1001,20001,0.4767,"\u002F6UHE7jLgrnsGEr21OcAVvDO81Sh.jpg","2021-09-29",[286],"DE",{"results":288},{},[290],{"name":291,"iso_639_1":194,"english_name":292},"Deutsch","German",[294,298,302],{"id":295,"name":296,"logo_path":297,"origin_country":286},86718,"Doclights","\u002Ftw1SVioAxByZQqUlZLEoE6ofoiO.png",{"id":299,"name":300,"logo_path":301,"origin_country":286},4606,"ZDF","\u002FotZHbf1HmzLRQsZFSqJXkf8EHz7.png",{"id":303,"name":304,"logo_path":305,"origin_country":286},2027,"3sat","\u002FrvHnU0XJniilOjf6IK9ZdXTUKE5.png",[307],{"name":308,"iso_3166_1":286},"Germany",45,"Un récit documentaire qui fait souvent mouche.",[]]