[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-971224-fr-FR":3},{"detail":4,"match":280,"insight":281,"providers":282,"providerLink":26,"trailer":26},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":26,"revenue":8,"runtime":8,"similar":81,"tagline":86,"homepage":86,"overview":86,"softcore":6,"popularity":267,"vote_count":8,"poster_path":268,"release_date":269,"vote_average":8,"backdrop_path":26,"origin_country":270,"original_title":7,"watch\u002Fproviders":272,"spoken_languages":274,"original_language":214,"production_companies":275,"production_countries":279,"belongs_to_collection":26},971224,false,"Cuerpos juzgados",0,[10],{"id":11,"name":12},99,"Documentaire","Released",{"results":15},[],{"cast":17,"crew":18},[],[19,27,37,44,50,56,61,63,69,73,79],{"id":20,"job":21,"name":22,"adult":6,"gender":8,"credit_id":23,"department":24,"popularity":25,"profile_path":26,"original_name":22,"known_for_department":24},3535542,"Director","Mariana Carbajal","6271e915245dbe33808060c0","Directing",0.0286,null,{"id":28,"job":29,"name":30,"adult":6,"gender":31,"credit_id":32,"department":33,"popularity":34,"profile_path":35,"original_name":30,"known_for_department":36},964554,"Script","Guadalupe Docampo",1,"6271e96ec74eba0f0f0cf887","Crew",0.135,"\u002FkzVzVd52S1kMK8y3yye9x75lpVm.jpg","Acting",{"id":38,"job":39,"name":40,"adult":6,"gender":8,"credit_id":41,"department":42,"popularity":43,"profile_path":26,"original_name":40,"known_for_department":42},3535567,"Executive Producer","Lucía Lubarsky","6271ed901e259a0052c8f378","Production",0.0658,{"id":45,"job":46,"name":47,"adult":6,"gender":8,"credit_id":48,"department":49,"popularity":8,"profile_path":26,"original_name":47,"known_for_department":49},3535561,"Camera Supervisor","Luciana Rodrigues Dacunto","6271ece8caaca200a7ec7a7b","Camera",{"id":51,"job":52,"name":53,"adult":6,"gender":8,"credit_id":54,"department":42,"popularity":55,"profile_path":26,"original_name":53,"known_for_department":42},3535544,"Producer","Victoria Bornaz","6271ee25a24c5059954b39eb",0.0168,{"id":57,"job":52,"name":58,"adult":6,"gender":8,"credit_id":59,"department":42,"popularity":60,"profile_path":26,"original_name":58,"known_for_department":42},3535572,"Fernando Collazo","6271edb589d97f00508585d9",0.0143,{"id":51,"job":46,"name":53,"adult":6,"gender":8,"credit_id":62,"department":49,"popularity":55,"profile_path":26,"original_name":53,"known_for_department":42},"6271ee174a222600699fe014",{"id":64,"job":65,"name":66,"adult":6,"gender":8,"credit_id":67,"department":68,"popularity":25,"profile_path":26,"original_name":66,"known_for_department":68},3535562,"Graphic Designer","Guillermo Yias","6271ed07caaca20050a36f2a","Art",{"id":45,"job":70,"name":47,"adult":6,"gender":8,"credit_id":71,"department":72,"popularity":8,"profile_path":26,"original_name":47,"known_for_department":49},"Editor","6271ed5266f2d2009cbe8ec3","Editing",{"id":74,"job":75,"name":76,"adult":6,"gender":8,"credit_id":77,"department":75,"popularity":78,"profile_path":26,"original_name":76,"known_for_department":75},2238918,"Sound","Pablo Orzeszko","6271ee5a162bc30050faab6a",0.0704,{"id":20,"job":29,"name":22,"adult":6,"gender":8,"credit_id":80,"department":33,"popularity":25,"profile_path":26,"original_name":22,"known_for_department":24},"6271e98906f98400a944561d",{"page":31,"results":82,"total_pages":265,"total_results":266},[83,95,102,111,123,134,142,152,162,171,180,190,200,207,215,225,231,239,247,255],{"id":84,"adult":6,"title":85,"video":6,"overview":86,"softcore":6,"genre_ids":87,"popularity":88,"vote_count":89,"poster_path":90,"release_date":91,"vote_average":92,"backdrop_path":93,"original_title":85,"original_language":94},264763,"Regarding Susan Sontag","",[11],0.2808,17,"\u002F8Jwh6NqDNJjwX5ma87MUhCFid54.jpg","2014-04-20",5.7,"\u002Fz7QrcqdamPpfZdPNUvcuslPrtBL.jpg","en",{"id":96,"adult":6,"title":97,"video":6,"overview":86,"softcore":6,"genre_ids":98,"popularity":99,"vote_count":8,"poster_path":100,"release_date":101,"vote_average":8,"backdrop_path":26,"original_title":97,"original_language":94},803440,"Silent Veil",[11],0.0897,"\u002F3DtHtNgqjFxMFx0yj7af6JVbvHI.jpg","2009-01-01",{"id":103,"adult":6,"title":104,"video":6,"overview":86,"softcore":6,"genre_ids":105,"popularity":107,"vote_count":31,"poster_path":108,"release_date":109,"vote_average":110,"backdrop_path":26,"original_title":104,"original_language":94},1364726,"Women in Rock",[106,11],10402,0.5255,"\u002F3YPKvp2ZJJDp7XFSXqg9nn0hLql.jpg","1986-01-01",7,{"id":112,"adult":6,"title":113,"video":6,"overview":114,"softcore":6,"genre_ids":115,"popularity":116,"vote_count":117,"poster_path":118,"release_date":119,"vote_average":120,"backdrop_path":121,"original_title":122,"original_language":94},619553,"Léa et moi","Deux grandes amies, Léa et Camille, partent en Amérique latine en quête d'un remède qui pourrait soigner une maladie incurable, et réfléchissent à la notion de guérison.",[11],0.5631,9,"\u002FxKCUdlKYs28kDtUbIHI4Zncri3U.jpg","2019-08-02",5.5,"\u002FjKAjNJ3Gajv8hI7GdqFZn4w6SDW.jpg","Léa & I",{"id":124,"adult":6,"title":125,"video":6,"overview":86,"softcore":6,"genre_ids":126,"popularity":128,"vote_count":129,"poster_path":130,"release_date":131,"vote_average":132,"backdrop_path":133,"original_title":125,"original_language":94},256195,"Alice Walker: Beauty in Truth",[11,127],36,0.3913,2,"\u002FeZGxXRGRtSl8vyRXKsEcsxjWKal.jpg","2013-05-13",3.5,"\u002F68yP0I8KmWlTQeq3ObO9bnJ5GbH.jpg",{"id":135,"adult":6,"title":136,"video":6,"overview":86,"softcore":6,"genre_ids":137,"popularity":138,"vote_count":8,"poster_path":139,"release_date":140,"vote_average":8,"backdrop_path":141,"original_title":136,"original_language":94},794864,"River of Gold",[11],0.3572,"\u002FjtYtXpBvoL7DKvbpPmFYV14OPXa.jpg","2016-03-26","\u002FWzwTQV5TyeJq3IXgmvdUMJHV5A.jpg",{"id":143,"adult":6,"title":144,"video":6,"overview":145,"softcore":6,"genre_ids":146,"popularity":147,"vote_count":117,"poster_path":148,"release_date":149,"vote_average":150,"backdrop_path":26,"original_title":144,"original_language":151},433937,"Scum Manifesto","SCUM Manifesto est un pamphlet anarcho-féministe écrit, auto-édité et diffusé par colportage à partir d'octobre 1967 par la new-yorkaise Valerie Solanas qui y préconise « à toutes celles qui ont un brin de civisme, le sens des responsabilités et celui de la rigolade, de renverser le gouvernement, en finir avec l'argent, instaurer l'automation à tous les niveaux et supprimer le sexe masculin ». Cet essai, remarquable par le ton employé : \"Solanas a cerné le cœur de la domination masculine, en a saisi le langage et l’a entièrement condamné dans un éclat de rire assassin\", sera réédité parallèlement en août 1968 par Maurice Girodias pour Olympia Press, aux U.S.A., avec une seconde édition en 1971.  \"S.C.U.M.\" (Society for Cutting Up Men) est un acronyme inventé de toutes pièces par Girodias.",[11],0.2174,"\u002F5vBqDRVGE2108ZuV0JxE1hsFBr7.jpg","1976-01-01",5.222,"fr",{"id":153,"adult":6,"title":154,"video":6,"overview":86,"softcore":6,"genre_ids":155,"popularity":156,"vote_count":129,"poster_path":157,"release_date":158,"vote_average":159,"backdrop_path":160,"original_title":154,"original_language":161},800769,"Bertha Lutz: A Mulher a Carta da ONU",[11],0.1841,"\u002Ffcpuypr20uFWHsvr8bNqF2KTtbB.jpg","2021-03-09",10,"\u002FbYxfcKzLeqdD9W0AqxPKhMXGoAD.jpg","pt",{"id":163,"adult":6,"title":164,"video":6,"overview":86,"softcore":6,"genre_ids":165,"popularity":167,"vote_count":8,"poster_path":168,"release_date":169,"vote_average":8,"backdrop_path":170,"original_title":164,"original_language":94},614544,"Some Things Are Hard To Talk About",[11,166],18,0.4232,"\u002Fqz8zC8VpuoSBQFHNosvEZxEYWpJ.jpg","2018-03-28","\u002FokBGI5nG0Q0ujGFcA2iRce6tbr0.jpg",{"id":172,"adult":6,"title":173,"video":6,"overview":174,"softcore":6,"genre_ids":175,"popularity":176,"vote_count":31,"poster_path":177,"release_date":178,"vote_average":159,"backdrop_path":179,"original_title":173,"original_language":151},988547,"Algériennes, Trente ans après","Dans les années 60, Ahmed Lallem tourne \"Elles\", un film noir et blanc dans lequel de jeunes lycéennes algériennes s’expriment sur leurs vies et leurs espoirs pour l’avenir. 29 ans plus tard, il retrouve certaines de ces jeunes filles devenues femmes, qui vivent soit en exil soit en Algérie. A travers leurs différents parcours, ce film explore la complexité de la vie des femmes algériennes, leurs déceptions, mais aussi leur combativité à travers, en toile de fond, les trente dernières années de l'histoire algérienne.",[11],0.6971,"\u002FAs3Dyt4inKkwpkdQ4d98dANSkL.jpg","1996-10-08","\u002FvEJepv9X0LWfQrPo2xokl0OpLlJ.jpg",{"id":181,"adult":6,"title":182,"video":6,"overview":86,"softcore":6,"genre_ids":183,"popularity":185,"vote_count":31,"poster_path":186,"release_date":187,"vote_average":188,"backdrop_path":189,"original_title":182,"original_language":94},436320,"Stacey on the Front Line: Girls, Guns and Isis",[184,11],10752,0.2147,"\u002F2mrJmMZQHDwpIPxU7oie16amhoA.jpg","2017-01-17",8,"\u002Fg0G7oQDOtQzq3BpIG9OWkDqbpTi.jpg",{"id":191,"adult":6,"title":192,"video":6,"overview":86,"softcore":6,"genre_ids":193,"popularity":194,"vote_count":195,"poster_path":196,"release_date":197,"vote_average":198,"backdrop_path":199,"original_title":192,"original_language":94},2152,"Dixie Chicks: Shut Up and Sing",[106,11],0.3559,48,"\u002F7aZ8uWvCckLTbalbiqut3Vrt33c.jpg","2006-10-27",6.7,"\u002F4aJ8qWazwP9Y9WDqztrMC4KmMWv.jpg",{"id":201,"adult":6,"title":202,"video":6,"overview":86,"softcore":6,"genre_ids":203,"popularity":204,"vote_count":8,"poster_path":205,"release_date":206,"vote_average":8,"backdrop_path":26,"original_title":202,"original_language":94},615996,"Pacífico",[11],0.2451,"\u002F1bqHizEGcMFtS9QhKBnejolV16d.jpg","2020-01-11",{"id":208,"adult":6,"title":209,"video":6,"overview":86,"softcore":6,"genre_ids":210,"popularity":211,"vote_count":8,"poster_path":212,"release_date":213,"vote_average":8,"backdrop_path":26,"original_title":209,"original_language":214},1172368,"Ciudad a la Espalda",[11],0.1262,"\u002FluJqtOqYL3dzJdnGzChqFQ8IjHN.jpg","2023-10-07","es",{"id":216,"adult":6,"title":217,"video":6,"overview":86,"softcore":6,"genre_ids":218,"popularity":219,"vote_count":220,"poster_path":221,"release_date":222,"vote_average":223,"backdrop_path":224,"original_title":217,"original_language":94},438447,"Served Like a Girl",[11],0.2276,5,"\u002F99nev2GCGMijbswJ9DIpG2Tq25g.jpg","2017-11-08",5.6,"\u002FePfKwXcIF8RuVPiJDPpd5UYkrz9.jpg",{"id":226,"adult":6,"title":227,"video":6,"overview":86,"softcore":6,"genre_ids":228,"popularity":229,"vote_count":8,"poster_path":26,"release_date":230,"vote_average":8,"backdrop_path":26,"original_title":227,"original_language":94},438334,"Virago: Changing The World One Page at a Time",[11],0.1472,"2016-10-31",{"id":232,"adult":6,"title":233,"video":6,"overview":234,"softcore":6,"genre_ids":235,"popularity":236,"vote_count":31,"poster_path":237,"release_date":238,"vote_average":188,"backdrop_path":26,"original_title":233,"original_language":151},804369,"Les Champs de la colère","Elles sont unies comme les cinq doigts de la main et bien décidées à sauver leurs hommes, sauver l’agriculture ! Elles sont \"les foulards noirs\", un petit groupe de femmes, agricultrices ou femmes d’agriculteurs, qui battent la campagne pour faire entendre la voix d’un monde agricole en pleine détresse. En Normandie et en Bretagne, c’est une course contre la montre qu’engagent ces femmes pour résister à la crise agricole qui détruit tant d’exploitations et de familles.",[11,166],0.1919,"\u002FajFpJaS6p88DxgK82cGB3f83hyN.jpg","2017-12-30",{"id":240,"adult":6,"title":241,"video":6,"overview":86,"softcore":6,"genre_ids":242,"popularity":243,"vote_count":31,"poster_path":244,"release_date":245,"vote_average":159,"backdrop_path":246,"original_title":241,"original_language":94},819702,"Hidden Eden",[106,11],0.6378,"\u002FolPlJN91fbdJ6YRny1CAP36RioE.jpg","2021-03-19","\u002FvaNkSQJes5wjad45Dyy1MlE7r8G.jpg",{"id":248,"adult":6,"title":249,"video":6,"overview":250,"softcore":6,"genre_ids":251,"popularity":252,"vote_count":31,"poster_path":253,"release_date":254,"vote_average":188,"backdrop_path":26,"original_title":249,"original_language":151},820274,"Des femmes","Alors que le mouvement pacifique et déterminé du Hirak bat son plein et que l'espoir d'un changement politique profond souffle sur l'Algérie, des femmes conjuguent le féminin et le féminisme au passé, présent et futur.",[11],0.3309,"\u002FyXWG3ZomsdqizRplrh0YkrIxJRR.jpg","2020-05-12",{"id":256,"adult":6,"title":257,"video":6,"overview":258,"softcore":6,"genre_ids":259,"popularity":260,"vote_count":110,"poster_path":261,"release_date":262,"vote_average":263,"backdrop_path":264,"original_title":257,"original_language":151},808698,"Je ne suis pas une salope, je suis une journaliste","Le monde du journalisme sportif est marqué par une surreprésentation des hommes et une méfiance, souvent teintée de mépris condescendant, pour les femmes qui veulent s'y affirmer. Marie Portolano est allée à la rencontre d'autres femmes journalistes pour recueillir leurs témoignages sur les remarques vulgaires et sexistes qu'elles peuvent recevoir sur les réseaux sociaux et tenter de faire évoluer les mentalités.",[11],0.2489,"\u002FwvlIQWkXYS64hI6bxG1IJdii2pj.jpg","2021-03-21",7.9,"\u002FqMhlWlDrn4MYIjni2sGjC6HwaDq.jpg",11499,229963,0.2555,"\u002FpBaexwrVfQDqHVaxOoGZ36JrAuB.jpg","2022-03-10",[271],"ES",{"results":273},{},[],[276],{"id":277,"name":278,"logo_path":26,"origin_country":86},134889,"Ponchosauer",[],45,"Un récit documentaire qui fait souvent mouche.",[]]